CORROSION OF CONFORMITY will kick off 2019 with a long-anticipated North American headlining tour! Set to commence January 19th in San Antonio, Texas and run through February 27th in Nashville, Tennessee, the month-long trek will include support from Crowbar and Mothership as well as Weedeater and The Obsessed on select shows. See all confirmed dates below.
CORROSION OF CONFORMITY released the critically-acclaimed No Cross No Crown full-length earlier this year via Nuclear Blast Entertainment. Captured in North Carolina with longtime producer John Custer, the record marks the first studio recording with vocalist/guitarist Pepper Keenan in over a decade and, earning the #67 spot on the Billboard Top 200 Chart, #12 on the Billboard Top Current Albums Chart, and #3 on the Top Hard Music Albums Chart upon its first week of release, is the highest charting album of the band’s career.
No Cross No Crown is available on CD, digital, vinyl, and cassette formats. Various order bundles are available at nuclearblast.com/coc-
CORROSION OF CONFORMITY w/ Crowbar, Weedeater (1/19 – 2/13), The Obsessed (2/16 – 2/27), Mothership:
1/19/2019 Alamo City Music Hall – San Antonio, TX [ tickets ]
1/20/2019 Diamond Ballroom – Oklahoma City, OK [ tickets ]
1/21/2019 The Riot Room – Kansas City, MO [ tickets ]
1/22/2019 Gothic Theatre – Denver, CO [ tickets ]
1/24/2019 Crescent Ballroom – Phoenix, AZ [ tickets ]
1/25/2019 Fremont Country Club – Las Vegas, NV [ tickets ]
1/26/2019 Brick By Brick – San Diego, CA [ tickets ]
1/27/2019 Teragram Ballroom – Los Angeles, CA [ tickets ]
1/29/2019 Slim’s – San Francisco, CA [ tickets ]
1/31/2019 Hawthorne Theatre – Portland, OR [ tickets ]
2/01/2019 Neumos – Seattle, WA [ tickets ]
2/02/2019 Rickshaw Theatre – Vancouver, BC [ tickets ]
2/04/2019 Starlite Room – Edmonton, AB [ tickets ]
2/05/2019 Marquee – Calgary, AB [ tickets ]
2/07/2019 Park Theatre – Winnipeg, MB [ tickets ]
2/08/2019 Fine Line – Minneapolis, MN [ tickets ]
2/09/2019 Bottom Lounge – Chicago, IL [ tickets ]
2/10/2019 Machine Shop – Flint, MI [ tickets ]
2/12/2019 Beachland Ballroom – Cleveland, OH [ tickets ]
2/13/2019 The Gramercy Theatre – New York, NY [ tickets ]
2/15/2019 Wolf Den @ Mohegan Sun – Uncasville, CT * COC only
2/16/2019 Brighton Music Hall – Boston, MA [ tickets ]
2/17/2019 Underground Arts – Philadelphia, PA [ tickets ]
2/18/2019 Ottobar – Baltimore, MD [ tickets ]
2/20/2019 Opera House – Toronto, ON [ tickets ]
2/21/2019 Mr. Smalls Theatre – Pittsburgh, PA [ tickets ]
2/22/2019 Lincoln Theatre – Raleigh, NC [ tickets ]
2/23/2019 The Masquerade – Atlanta, GA [ tickets ]
2/24/2019 Orpheum – Tampa, FL [ tickets ]
2/26/2019 Vinyl Music Hall – Pensacola, FL [ tickets ]
2/27/2019 The Cowan – Nashville, TN [ tickets ]
“The record is filled with the kind of Sabbath meets Black Flag meets Lynyrd Skynyrd jams that were so infectious and wildly influential back when Bill Clinton seduced interns… COC doesn’t try to change direction but instead revisits the approach that made the Keenan-fronted version so successful: powerful hooks, instrumental asides that will remind you of Sabbath’s ‘Planet Caravan’ and a rich use of textures and dynamics…” — Decibel
“…burly, surly and southern-fried — basically, everything fans could hope for.” — Revolver
“… these motherfuckers have been at it forever, and they’ve just made their best album in twenty years.” — Team Rock
“…a release that proves that the gentlemen are back on their game and ready to rumble.” — Blabbermoutth
“…powerful and unstoppable as an avalanche.” — Kerrang!
“…so good it should really be toured in full, played from top to bottom as a complete movement of music.” — PureGrainAudio
“…undoubtedly one of finest releases in CORROSION OF CONFORMITY ‘s storied career.” — Pop Matters
“…where 35-plus years from getting started, most artists still active have long since slid into a mediocrity of form in playing to what’s expected of them, COC here sound reinvigorated and offer a reminder to all willing to hear it of a big part of what made them who they are in the first place.” — The Obelisk
“… a rare example of a classic line-up coming back to make music and killing it in the process.” — Sputnik Music
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