THE BEAST

Based out of Oakland, CA, Baby on a Rampage is a metalcore band formed in early 2022. The band creates a vivid soundscape, where mind bending grooves and soaring riffs surge into violence-inducing breakdowns in an instant. Their politically and... More

Based out of Oakland, CA, Baby on a Rampage is a metalcore band formed in early 2022. The band creates a vivid soundscape, where mind bending grooves and soaring riffs surge into violence-inducing breakdowns in an instant. Their politically and emotionally charged lyrics scorch through the music, leading their listeners on a journey of catharsis. The band embraces a restless DIY spirit, and tours have brought them from Vancouver to Texas in support of their 2025 debut album ‘Fall With Disgrace’. “We are hyped to be working with EMG as we take on bigger tours and work on new music. This is a big step for us and we can’t wait to show you all what’s in store for this year; it’s shaping up to be amazing!” Baby on a Rampage is Ash Lee, Lyra Renninger, and John Muir, with live guitarist Lucas Garstke. They are in the process of writing their next release, and planning out a full tour of the US this summer. Baby On A Rampage are a must for fans of acts such as Gojira, Karnivool, Baroness, and Lamb of God LINKS: Website: babyonarampage.com Youtube: youtube.com/@babyonarampage Instagram: instagram.com/baby_on_a_rampage/ Spotify: open.spotify.com/artist/17QixQgBNuX2wTD9IwLkBG Less

Cryptopsy Claim Second Decibel Magazine Cover as 2026 Tour Dominance Continues! There are death metal bands, and then there is Cryptopsy. The Canadian extreme metal legends have officially landed their second Decibel Magazine cover in under a... More

Cryptopsy Claim Second Decibel Magazine Cover as 2026 Tour Dominance Continues! There are death metal bands, and then there is Cryptopsy. The Canadian extreme metal legends have officially landed their second Decibel Magazine cover in under a year, cementing 2026 as another career peak for one of the most vicious and technically lethal bands the genre has ever produced. Fresh off tearing through a largely sold-out European headline tour, Cryptopsy show zero signs of slowing down. The band is once again nominated for Best Metal/Hard Music Album of the Year at the Juno Awards, a category they already conquered just two years ago. Now, they are set to headline the longest-running heavy metal tour in North America as the featured act on the Decibel Magazine Tour 2026. Their latest album, An Insatiable Violence, has been a major catalyst behind this renewed surge of momentum. The record sees the band blending surgical precision with savage intent, proving they are not just surviving in the modern death metal landscape, but dominating it. The Decibel cover also nods to Cryptopsy’s legendary legacy, with 2026 marking the 30th anniversary of their genre-defining album None So Vile, a release that remains a benchmark for technical brutality. Decibel Magazine Editor-in-Chief Albert Mudrian summed it up best, calling this era “Peak Cryptopsy,” a rare moment where a band’s ferocious present and untouchable past collide at full force. The issue also features tourmates Necrot, Fulci, and Blood Monolith, who will be supporting Cryptopsy on the road during the 2026 Decibel Magazine Tour. The band themselves did not downplay the significance of the moment, expressing pride in returning to the cover of what many consider the world’s foremost authority on heavy metal. With a stacked lineup, a milestone anniversary, and one of the most punishing live sets in modern extreme metal, these shows are shaping up to be the kind people brag about surviving. The Decibel Magazine Tour 2026 will span 21 dates across the U.S. and Canada, with Cryptopsy performing material from both None So Vile and An Insatiable Violence. For longtime fans, it is a celebration of three decades of sonic violence. For newer listeners, it is a front-row seat to a band that refuses to age quietly. If there is any doubt left about Cryptopsy’s place at the top of the death metal food chain, 2026 is here to shut that down. Loudly. https://orcd.co/cryptopsyaninsatiableviolence Less

FOR IMMEDIATE RELEASE Metal Devastation PR Client The Trousers Featured in Metal Hammer Magazine February 12, 2026 — Hungarian hard rock stalwarts The Trousers are turning heads across Europe and beyond, now featured and interviewed on the... More

FOR IMMEDIATE RELEASE Metal Devastation PR Client The Trousers Featured in Metal Hammer Magazine February 12, 2026 — Hungarian hard rock stalwarts The Trousers are turning heads across Europe and beyond, now featured and interviewed on the highly trafficked Metal Hammer website. This month’s issue, hitting stands now with legendary AC/DC on the cover! The interview showcases the band’s latest album, Necessary Evil, and delves into their philosophy of staying free, independent, and uncompromising in a changing music landscape. Since their formation in Budapest in 2008, The Trousers have forged a reputation as one of the most solid and noisy names in European underground rock. Their sound fuses visceral garage rock, 70’s hard rock muscle, and the alternative darkness of the ’90s and early 2000s. Their seventh album, Necessary Evil (Music Fashion Records), is a direct and unflinching statement of identity, packed with incendiary riffs and a stage-ready attitude honed over years of touring Europe. In the interview with Metal Hammer, the band reflects on their evolution, independence, and the challenges of breaking out from Hungary’s underground scene: “The Trousers have never depended on music as a livelihood; it was a necessary choice to remain free and independent. Existing against the mainstream gives you strength, healthy anger, and determination.” The feature highlights the band’s DIY ethos, international recognition, and their ability to remain authentic while embracing influences from classic rock and modern hard rock alike. Standout tracks like Second Hand Suicide have been praised internationally as true rock classics, reinforcing the band’s commitment to albums as full artistic statements in an era dominated by streaming and singles. The Metal Hammer feature cements The Trousers’ place as ambassadors of Hungarian rock on the European stage and a band that continues to push boundaries while staying true to their roots. Fans can read the full interview here:  https://www.metalhammer.it/interviste/2026/02/11/thetrousers-necessary-evil-e-larte-di-restare-liberi/ For booking, interviews, or more information, contact: zach@metaldevastationradio.com About Metal Devastation PR:Metal Devastation PR is a global metal and hard rock promotional company dedicated to amplifying the voices of underground and established artists alike. We specialize in media placement, press coverage, and connecting bands with audiences worldwide. More details on the band at this link: https://metaldevastationradio.com/thebeast/blog/28343/the-trousers-unleash-new-album-necessary-evil-budapests-hard-rock-heavy-hitters-are-back-with-their-most-explosive-reco Less

Dave Mustaine Says He’s An Independent: “I Vote For Whoever’s The Least Of Two Evils” MEGADETH Frontman Clarifies Political Views in 2026 Interview MEGADETH founder and frontman Dave Mustaine has once again addressed his political beliefs,... More

Dave Mustaine Says He’s An Independent: “I Vote For Whoever’s The Least Of Two Evils” MEGADETH Frontman Clarifies Political Views in 2026 Interview MEGADETH founder and frontman Dave Mustaine has once again addressed his political beliefs, stating that he does not align with either major U.S. political party and considers himself an independent voter. In a new interview with Roisin O’Connor’s Good Vibrations, the podcast hosted by The Independent music editor Roisin O’Connor, Mustaine explained why he avoids publicly endorsing political parties and why he believes musicians are better off keeping their personal politics private. “The world has developed into a place where if you’re somebody offering a product, it’s best for you not to talk about your political persuasion,” Mustaine said. “People never used to say who they voted for. It’s none of your goddamn business. People think I’m a right-winger. I’m not. I’m an independent. I’ve voted for Democrats, I’ve voted for Republicans. I vote for whoever’s the least of two evils, sometimes three.” Dave Mustaine Responds to Political Labels Mustaine also addressed the long running narrative that paints him as a right wing political figure. According to the MEGADETH leader, much of that reputation stems from former band members or associates who left the group on bad terms and later spoke negatively about him. He added that fans who meet him in person often come away with a very different impression. “When we’re down in South America, we’ll sit out on the steps of the hotel and serenade the fans,” Mustaine said. “That’s how we really are. That’s how we live. We love our fans.” “I’m Spiritual, Not Religious,” Says Mustaine In a recent interview with The New York Times, Mustaine further clarified his beliefs, saying that while he identifies as a Christian, he does not view himself as a right wing political figure. He also described himself as spiritual rather than religious, noting that his worldview does not neatly fit into modern political boxes. Mustaine has repeatedly emphasized that his involvement in political initiatives has historically focused on encouraging civic participation rather than pushing a specific party agenda. He previously took part in the “Rock The Vote” campaign in the early 1990s, aimed at getting young people registered to vote, regardless of party affiliation. Dave Mustaine on Politics and Heavy Metal Over the years, Mustaine has drawn both praise and criticism for speaking openly about political and social issues. He has said that heavy metal musicians should not be assumed to be disconnected from civic life and that artists have the right to hold independent views without being forced into partisan categories. “I don’t try and tell people in my songs what to do,” Mustaine has said in past interviews. “I try to show both sides and let people decide for themselves.” While some of Mustaine’s past comments have sparked controversy, he has maintained that media outlets have often taken his remarks out of context and amplified narratives that do not reflect his actual political stance. MEGADETH’s Ongoing Legacy As one of the founding figures of thrash metal, Dave Mustaine remains a central voice in heavy metal culture more than four decades into his career. MEGADETH continues to tour and release new material, and Mustaine remains outspoken not only about music, but about the cultural space metal occupies in modern society. Whether fans agree with his views or not, Mustaine’s comments continue to fuel discussion around the intersection of heavy metal, politics, and free expression in 2026. Less

KISS Co-Founder Talks Hip-Hop, Rock And Roll Hall Of Fame, and the State of Music in 2026 KISS co-founder and bassist Gene Simmons has once again sparked conversation in the rock and metal world after explaining why rap and hip-hop music do not... More

KISS Co-Founder Talks Hip-Hop, Rock And Roll Hall Of Fame, and the State of Music in 2026 KISS co-founder and bassist Gene Simmons has once again sparked conversation in the rock and metal world after explaining why rap and hip-hop music do not resonate with him the way classic rock and roll does. In a recent interview on the Legends N Leaders podcast with host Ben Weiss, Simmons shared his thoughts on musical relevance, the Rock And Roll Hall Of Fame, modern pop culture, and the future of the music industry. Gene Simmons on Rap Music vs Rock And Roll During the interview, Simmons made it clear that while he respects the success and influence of hip-hop artists, the genre does not connect with him personally. Simmons explained that rap music is largely rooted in spoken-word performance over beats, whereas rock and roll is built around melody, songwriting, and musical arrangement. He added that music speaks differently to people based on background and life experience, and hip-hop simply does not speak his language in the same way rock music does. The KISS frontman has previously made headlines for questioning whether hip-hop belongs in the Rock And Roll Hall Of Fame, and he revisited that topic during the podcast. Simmons pointed to IRON MAIDEN’s continued exclusion from the Hall despite selling out arenas and stadiums worldwide, while artists from non-rock genres have already been inducted. Rock And Roll Hall Of Fame Debate Continues Simmons argued that the name “Rock And Roll Hall Of Fame” should mean exactly that. He questioned why hip-hop artists are honored in an institution built around rock music, while legendary rock bands have yet to be recognized. The long running debate over what qualifies as “rock and roll” remains one of the most controversial topics in modern music culture. This discussion reflects a wider conversation among rock and metal fans who feel that heavy metal bands such as IRON MAIDEN, JUDAS PRIEST, and others have been historically overlooked by mainstream music institutions. The Decline of the Music Business and Record Labels Beyond genre debates, Simmons also spoke about what he sees as the collapse of the traditional music business model. According to Simmons, modern artists face enormous challenges due to streaming platforms, lack of label investment, and the disappearance of artist development. He argued that future generations are unlikely to produce another band with the cultural impact of THE BEATLES, Elvis Presley, or LED ZEPPELIN because record companies no longer provide financial backing for new artists to grow, tour, and fail before finding their identity. Simmons also criticized the short lived fame created by reality TV talent shows, noting that many gifted singers and musicians achieve brief exposure without building sustainable careers in the music industry. Why Classic Rock Still Dominates Live Music According to Simmons, the reason classic rock continues to dominate live music culture is simple. The songs last. Cover bands still play “Free Bird,” “Satisfaction,” and other timeless rock anthems because those songs are built on strong songwriting, melody, and emotional connection. While modern pop hits and viral songs generate massive streaming numbers, Simmons believes they lack the long term cultural impact needed to influence new musicians to form bands, pick up instruments, and create original music rooted in tradition. KISS Legacy, Farewell Tour, and Future Projects KISS officially ended its touring career with two final shows in full makeup at Madison Square Garden in December 2023. The band’s “End Of The Road” farewell tour began in 2019 and concluded after delays caused by the COVID-19 pandemic. In early 2024, KISS sold its music catalog, likeness, and brand rights to Swedish entertainment company Pophouse Entertainment. Multiple projects are currently in development, including a KISS biopic, an avatar-based concert experience, and an immersive KISS-themed attraction. Gene Simmons and Paul Stanley remain directly involved in shaping these projects and preserving the band’s legacy for future generations. Less

Heavy metal and punk rock legend Ross “The Boss” Friedman, founding guitarist of MANOWAR and THE DICTATORS, has revealed that he has been diagnosed with ALS, also known as Lou Gehrig’s Disease. According to a statement from Friedman’s publicist,... More

Heavy metal and punk rock legend Ross “The Boss” Friedman, founding guitarist of MANOWAR and THE DICTATORS, has revealed that he has been diagnosed with ALS, also known as Lou Gehrig’s Disease. According to a statement from Friedman’s publicist, the 72 year old musician received the diagnosis after months of unexplained physical symptoms, including weakness in his hands and legs. Doctors initially believed a series of minor strokes may have been responsible, but changes in diet, exercise, and physical therapy did not slow the progression of symptoms, leading to further testing and the eventual ALS diagnosis. Friedman shared his own words with fans following the news: “It’s difficult to know what lies ahead, and it crushes me not to be able to play guitar, but the outpouring of love has been so, so strong. I’m absolutely blown away by the love and support from family, friends, and fans. I love you all.” Amyotrophic Lateral Sclerosis is a progressive and fatal neurodegenerative disease that attacks motor neurons in the brain and spinal cord, leading to muscle weakness, paralysis, and eventual loss of voluntary muscle control. There is currently no cure. Ross “The Boss” is widely regarded as one of the true architects of classic heavy metal guitar. As a founding member of MANOWAR, he recorded six studio albums with the band, including genre defining releases such as Battle Hymns (1982), Into Glory Ride (1983), Hail To England (1984), and Kings Of Metal (1988). His riff driven, no frills approach helped shape MANOWAR’s signature sound and influence generations of metal guitarists. Before his time in MANOWAR, Friedman was already a trailblazer in punk rock with THE DICTATORS. The band’s 1975 debut Go Girl Crazy! predates landmark releases by RAMONES, THE CLASH, and the SEX PISTOLS, cementing Ross as a pioneer at the ground floor of the punk movement. Albums like Manifest Destiny (1977) and Bloodbrothers (1978) further solidified the band’s cult status. Throughout the decades, Friedman continued to bridge the worlds of punk and metal. He reunited with fellow DICTATORS members in MANITOBA’S WILD KINGDOM, collaborated with Albert Bouchard of BLUE ÖYSTER CULT in BRAIN SURGEONS, and later returned fully to heavy metal with projects such as DEATH DEALER and his solo band ROSS THE BOSS. His career stands as a rare example of an artist who helped shape two major underground movements from the inside out. News of Friedman’s diagnosis has prompted an outpouring of support from fans, musicians, and members of the global metal community. While the road ahead is uncertain, his legacy is carved into the foundations of heavy music itself. Ross “The Boss” is not just a guitarist. He is part of the DNA of metal and punk, and his impact will continue to roar long after the final chord fades. Less