THE BEAST

SMOULDER Announces New Album 'Witch Wife In An Alien World,' Premieres "Water Wars" Video Canadian-American epic heavy metal/doom outfit Smoulder has announced its long-awaited third studio album, Witch Wife In An Alien World, due later this year... More

SMOULDER Announces New Album 'Witch Wife In An Alien World,' Premieres "Water Wars" Video Canadian-American epic heavy metal/doom outfit Smoulder has announced its long-awaited third studio album, Witch Wife In An Alien World, due later this year via Cruz Del Sur Music. The band has also teamed up with Decibel to premiere the official video for the album's first single, "Water Wars." The new album is scheduled for release on October 9 in Europe and November 6 in North America. While Smoulder's music has always drawn heavily from classic heavy metal, epic doom and traditional metal, Witch Wife In An Alien World finds the band pushing further into darker and more extreme territory. Greek black metal is among the newer influences incorporated into the band's sound, adding another layer to a style that has never been particularly interested in staying inside one box. The eight-track album was recorded at Soundwell Studio in Espoo, Finland with Valtteri Kallio and Swift Road Studios in Chicago, Illinois with Vincent Ippolito. Roland Rodas handled mixing and mastering. The current Smoulder lineup features vocalist Sarah Ann, guitarists Collin Wolf and Shon Vincent, bassist Adam Blake and drummer Kevin Hester. "Water Wars" opens the new album with a blast of riff-heavy, speed metal-inspired aggression. According to Sarah Ann, the song was deliberately chosen to kick off the record with an immediate jolt. "You know how Judas Priest kicked off their masterpiece Stained Class with 'Exciter,' then jolted into a bunch of '70s rock bangers?" Sarah Ann explained. "That's kind of how we felt with starting the album on 'Water Wars.'" She continued: "'Water Wars' is our most Judas Priestian, riff-laden, speed metal banger yet — with a dark, and frankly increasingly prescient, lyrical theme." Sarah Ann also emphasized that the song should not necessarily be viewed as a complete representation of what listeners will find across Witch Wife In An Alien World. "It opens Witch Wife In An Alien World with a jolt, and isn't necessarily representative of the album ... although no song truly is. It's a weird record," she said. And weird, by Smoulder's standards, sounds like a pretty good thing. The lyrics to "Water Wars" tackle the increasingly contentious issue of access to clean water and the role water resources play in global conflicts and environmental crises. Sarah Ann points to attacks on water infrastructure, disputes over water access and the growing demands of technology and industry as inspiration for the song. "It felt appropriate to address this growing crisis," she said. Elsewhere on Witch Wife In An Alien World, Smoulder ventures even further from its traditional epic metal foundations. One of the album's most distinctive tracks is "Noitien Loitsu," the band's first song to feature both English and Finnish vocals. The track draws directly from Sarah Ann's Finnish heritage and her current life in Helsinki. The song celebrates the forest near the home Sarah Ann and guitarist Shon Vincent share in Finland, switching between English and Finnish throughout the verses and even combining both languages in the chorus. The track also features a guest guitar solo from Bootleg Henkka, Smoulder's live guitarist and a member of Finnish epic black metal band Havukruunu. The album's title itself was inspired by Sarah Ann's experiences living in Finland and the dramatic contrast between the country's quality of life and the increasingly hostile political and social realities she sees elsewhere in the world. Smoulder says the record addresses real-world issues while exploring a growing sense of alienation in an era where technology has made global communication easier than ever. The band's willingness to explore new territory should come as little surprise. Smoulder has consistently treated epic power doom metal as a starting point rather than a limitation. The band's musical evolution has also included increasingly prominent black and death metal influences, something that is expected to become even more apparent once the group takes the new material to the stage. The cover artwork for Witch Wife In An Alien World was created by British fantasy and horror illustrator Ian Miller, whose extensive résumé includes work associated with Warhammer, Magic: The Gathering, Wizards and numerous fantasy and horror publications. Miller has also created artwork for metal acts including Stormkeep and Ulthar. Unlike Smoulder's previous two albums, 2018's Times Of Obscene Evil And Wild Daring and 2023's Violent Creed Of Vengeance, which featured artwork by legendary illustrator Michael Whelan, the new cover is intended to reflect the darker and more uncomfortable themes explored throughout the album. With the album completed, Smoulder's attention is turning toward the live arena. The band's current live lineup includes musicians with backgrounds in death and black metal, including guitarist Nigge of Finnish black-thrash outfit Terror Cross. According to Sarah Ann, the goal is to make Smoulder's live performance heavier, darker and more crushing than ever. "Having a crushing live show has become priority number one for us," she said. She added: "You have choices as a band: you can go the costumes route, go the lightning and props route, or go the lurid and atmospheric and dark. All choices are valid, but for us, the final option resonated." Witch Wife In An Alien World will be released through Cruz Del Sur Music in multiple formats, including CD, vinyl LP and digital editions. The vinyl edition will feature a foiled cover, 12-page booklet, poster and download code. Pre order: https://smoulder.bandcamp.com/album/witch-wife-in-an-alien-world Witch Wife In An Alien World Track Listing: "Water Wars" "Shadow Of The Vulture" "Noitien Loitsu" "Crush The Neophytes" "Empathy's Wrath" "Their Name Lives On" "Cathedral Of The Trees" "Smouldering Remains" With Witch Wife In An Alien World, Smoulder appears ready to once again prove that "epic doom metal" doesn't have to mean standing still. The band is taking its traditional heavy metal roots, throwing black metal, doom, speed metal and increasingly confrontational lyrical themes into the cauldron, and seeing what crawls out. And judging from "Water Wars," whatever it is, it's going to be loud. Watch the "Water Wars" video premiere via Decibel and pre-order Witch Wife In An Alien World through Cruz Del Sur Music. https://www.decibelmagazine.com/2026/08/21/track-premiere-smoulder-water-wars/ Less

NEW ORLEANS SLUDGE METAL VETERANS TO RELEASE NEW LP NOVEMBER 20 VIA NUCLEAR BLAST RECORDS New Orleans sludge metal icons DOWN have officially returned with their first new original music in more than a decade. The band has unveiled “Blood Oath,”... More

NEW ORLEANS SLUDGE METAL VETERANS TO RELEASE NEW LP NOVEMBER 20 VIA NUCLEAR BLAST RECORDS New Orleans sludge metal icons DOWN have officially returned with their first new original music in more than a decade. The band has unveiled “Blood Oath,” a crushing new single that serves as the first preview of its long-awaited sixth studio album, Volume V, which is scheduled for release November 20 via Nuclear Blast Records. “Blood Oath” immediately sounds like the DOWN fans have been waiting for. Built around a massive, groove-heavy riff, pounding drums and an instantly memorable hook, the track combines the band's trademark Southern sludge attack with a fresh sense of urgency. The song also contains numerous references to DOWN's hometown of New Orleans, giving it an unmistakably local flavor. “Anybody who's from New Orleans is going to get a kick out of the references to the city,” DOWN frontman Philip H. Anselmo said. “Musically, it's got a big hook. It's a DOWN song, but it takes a turn.” “Blood Oath” also offers an early indication of the chemistry between the musicians who make up DOWN's current lineup: Anselmo, guitarist Pepper Keenan of CORROSION OF CONFORMITY, guitarist Kirk Windstein of CROWBAR, bassist Pat Bruders of GOATWHORE and drummer Jimmy Bower of EYEHATEGOD. According to Anselmo, the sessions for Volume V carried a renewed sense of excitement and purpose. “We were all excited about this,” he explained. “There was a sense of lightness in the air. Everyone's attitude was positive. There was more focus than ever. It just felt fresh again. Each one of us was individually striving for something, and I believe we achieved what we wanted to achieve.” Anselmo described Volume V as “a journey,” adding that while the album is unmistakably classic DOWN, it also pushes the band into new territory. Windstein echoed that sentiment, pointing to the chemistry that continues to ignite whenever the members of DOWN get into a room together. “Everybody played their asses off, wrote great riffs, and Philip is singing amazing,” Windstein said. “There's so much electricity when we get together. To me, it's the same vibe as our debut NOLA, but we've got another 35 years of experience as songwriters.” That comparison to NOLA is bound to get the attention of longtime DOWN followers. Originally released in 1995, the band's landmark debut helped establish the New Orleans supergroup as one of the defining forces in sludge metal, combining doom-laden riffs, Southern groove and punk-infused aggression into something that still sounds massive decades later. With “Blood Oath,” DOWN appears ready to tap back into that same chemistry while bringing decades of experience to the equation. Volume V will feature 10 tracks: “The Myth” “Merciful Fate” “Turn Out The Light” “The Message” “Causeway Grief” “Blood Oath” “They Walk The Night” “They Came From Dust” “Ozz” “Twice-Told Tales” DOWN is currently in the midst of a North American tour that will continue through September 4, with additional festival appearances scheduled later in the year. The band's upcoming dates include appearances at Berzerkus Festival, Aftershock, Sick New World in Fort Worth, Texas, and Decibel Metal & Beer Fest in Denver, where DOWN will perform as headliners. DOWN 2026 TOUR DATES Aug. 22 – Royal Oak, MI @ Royal Oak Music TheatreAug. 23 – Toronto, ON @ HistoryAug. 25 – Montréal, QC @ MtelusAug. 26 – Worcester, MA @ PalladiumAug. 28 – Scranton, PA @ Berzerkus FestivalAug. 29 – Wantagh, NY @ Berzerkus FestivalAug. 30 – Silver Spring, MD @ The FillmoreSept. 1 – Cincinnati, OH @ Bogart'sSept. 2 – Chicago, IL @ Ramova TheatreSept. 4 – Shakopee, MN @ Mystic Lake AmphitheaterOct. 3 – Sacramento, CA @ AftershockOct. 24 – Fort Worth, TX @ Sick New WorldDec. 5 – Denver, CO @ Decibel Metal & Beer Fest After nearly two decades without a new full-length album, DOWN's return with Volume V represents one of the most anticipated comebacks in the modern sludge and doom metal underground. And if “Blood Oath” is any indication, the wait may have been worth every damn year. [jrEmbed module="jrYouTube" youtube_id="551y9o4NEiE"] Photo by Danin Drahos Less

FOR IMMEDIATE RELEASE MORTALIS Unleash Reimagined Thrash Metal Attack With New Single “Split (2026)” August 28 California Thrash Metal Outfit Enters a Ferocious New Era With New Frontwoman PatienceLa Puente, California, August, 2026 —... More

FOR IMMEDIATE RELEASE MORTALIS Unleash Reimagined Thrash Metal Attack With New Single “Split (2026)” August 28 California Thrash Metal Outfit Enters a Ferocious New Era With New Frontwoman PatienceLa Puente, California, August, 2026 — California thrash metal outfit Mortalis are stepping into a new chapter with the release of “Split (2026)”, arriving August 28, 2026 at midnight. A newly recorded and reimagined version of one of the band's original songs, the track marks a significant turning point for Mortalis as the first release featuring their new frontwoman, Patience. Forged in the backyard metal scene of La Puente, California in 2014, Mortalis have built their identity around the raw power and precision of classic thrash and heavy metal while refusing to remain trapped in the past. With razor-sharp riffs, harmonized guitars, fierce vocals, technical musicianship, and an explosive live presence, the band carries the spirit of the genre's legendary pioneers into a new generation. Now, with Patience stepping behind the microphone, Mortalis are ready to push that sound even further. “Split (2026)” is more than a re-recording. It is a statement of transformation. The song was originally featured on Mortalis' Earthworks EP and was handpicked by Patience as her favorite track from the band's earlier material. The new version captures the song with a renewed sense of aggression, power, and intensity, showcasing the band's evolving identity while retaining the foundation that made the original track stand out. “Split (2026) by Mortalis is the seething battle cry of an internal war,” the band explains. “An anthem for those who once fiercely and loudly opposed the injustices of the world no matter the consequences, but now wither as they fall into line, a cowardly carcass of the renegade they once were.” At its core, “Split (2026)” explores the conflict between rebellion and conformity, confronting the uncomfortable reality of watching people who once stood firmly against injustice slowly surrender the convictions they once fought for. It is aggressive, confrontational, and unapologetically metal. For listeners drawn to the technical precision and controlled chaos of Metallica, Megadeth, Anthrax, and Metal Church, “Split (2026)” delivers a familiar foundation with a distinctly modern attack. The release also represents an important milestone in Mortalis' history. As the first song recorded and released with Patience, “Split (2026)” officially ushers in the band's next era while also marking a transition following the departure of two longtime members. Rather than looking backward, Mortalis are using the moment to sharpen their identity and move forward with renewed purpose. The band's evolution has also opened the door to contemporary influences including Drain, Gojira, and Power Trip, creating a sound that respects metal's roots while embracing the intensity of the modern underground. “We are incredibly excited to share this brand new re-recording showcasing a new ferocity, aggression, and power thanks to Riff Audio!” The track was mixed and mastered by Raul Cueller of Riff Audio, bringing additional weight and clarity to Mortalis' newly revitalized sound. Since their formation in 2014, Mortalis have remained committed to one simple mission: keep metal alive. That philosophy extends beyond the studio. Their live performances combine technical precision with raw energy, creating the kind of shows where harmonized guitars, crushing riffs, commanding vocals, and relentless momentum collide. Mortalis aren't interested in simply playing a set. They want audiences leaving with sore necks, ringing ears, and the feeling that they witnessed something unforgettable. With “Split (2026),” that mission enters a new phase. The past may have forged Mortalis, but the future is where they're headed. “Split (2026)” arrives August 28, 2026 at midnight. For Fans Of: Anthrax, Megadeth, Metallica Release: Split (2026)Release Date: August 28, 2026Genre: Thrash Metal / Heavy Metal / Hard RockLabel: IndependentMix & Mastering: Raul Cueller, Riff AudioBand: MortalisLocation: La Puente, California Listen / Pre-Save https://distrokid.com/hyperfollow/mortalis/split-2026 Bandcamp https://mortalis.bandcamp.com/ Follow Mortalis https://linktr.ee/mortalis_official Contact LuisMortalismortalisofficial@gmail.com Mortalis Official:Thrash metal forged in California. Built on aggression, precision, and the refusal to let metal die. Less

FOR IMMEDIATE RELEASE MisophoniA Unleash Their Most Unhinged Work Yet with New Album ‘The Fall’ UK Blackened Melodeath Six Piece Seeking New Label Partnership for Their Next Chapter UK-based blackened melodeath six piece MisophoniA are... More

FOR IMMEDIATE RELEASE MisophoniA Unleash Their Most Unhinged Work Yet with New Album ‘The Fall’ UK Blackened Melodeath Six Piece Seeking New Label Partnership for Their Next Chapter UK-based blackened melodeath six piece MisophoniA are preparing to unleash their darkest and most ambitious creation yet with their upcoming album, The Fall. Combining crushing aggression, haunting atmosphere, and emotionally charged songwriting, the band’s latest offering pushes their signature “Misophonic Metal” sound into devastating new territory. A record built around despair, collapse, and the fragility of the human mind, The Fall follows the journey of an unnamed protagonist spiraling toward complete mental oblivion, where every path leads to the inevitable conclusion: The Fall. From the relentless opening assault of “I Grieve for What I’ve Lost,” driven by furious guitars and thunderous percussion, to the haunting symphonic weight of the title track, the emotional devastation of “A Mother’s Sorrow,” and the bleak closing moments of “Cruel December,” MisophoniA deliver a record designed to take listeners through darkness, anguish, and ultimately catharsis. For fans of Paradise Lost, Dimmu Borgir, Borknagar, and Cradle of Filth, The Fall offers a powerful collision of black metal intensity, melodic death metal precision, and cinematic darkness. As MisophoniA prepare for the next stage of their evolution, the band is currently seeking a new record label partner ready to help bring The Fall to a wider global audience. About MisophoniA Formed in the United Kingdom, MisophoniA consists of: Jay – VocalsCristina – BassJordan – GuitarsNeil – GuitarsSean – Keys/SynthsJura – Drums Blending elements of black metal, thrash, doom, and atmospheric metal, MisophoniA have carved out their own identity with a sound they proudly define as “Misophonic Metal.” After signing with Sliptrick Records in 2022, the band released three singles, two music videos, and their critically acclaimed debut album [De]void of Peace. Throughout their journey, MisophoniA have shared stages with acts including Aephanemer, Arkona, Ghosts of Atlantis, Bones of Minerva, Once Awake, JADE, Infested Angel, Thulcandra, Ante Inferno, and The Infernal Sea. Now, with The Fall, the band enters a new era with a renewed focus, a bigger vision, and a sound that refuses to compromise. Album Credits Artwork & booklet illustrations:Jobert Melo of Sledgehammer Graphix(Credits include Sabaton, Primal Fear, Ritchie Blackmore, Gus G/Firewind) Recorded at: Park Lane StudioRecording Engineer: Lewis Andrew Mixed by: Tom Dring @ Thearchstudio(Credits include Dragged Into Sunlight, Evergrey, Cancerous Womb, Acolyte, Venom Prison, The Infernal Sea, Craven Idol, DVNE) Mastered by: Andy @ Black Cave Recordings Label, Media & Interview Opportunities MisophoniA are currently accepting label inquiries, interview requests, review opportunities, and media coverage surrounding The Fall. The band is utilizing this campaign to introduce The Fall to media, industry professionals, and potential label partners ahead of its next chapter. For press access, interviews, label inquiries, and industry opportunities:zach@metaldevastationradio.com MisophoniA are ready to redefine blackened melodic death metal in 2026 and beyond. [jrEmbed module="jrYouTube" youtube_id="MUlkLMbi_R0"] Connect:  https://linktr.ee/Misophoniauk Less

Scottish Blackened Speed Metal Maniacs To Lay Waste To North America From October 21 Through November 20, 2026 Scottish blackened speed metal force HELLRIPPER will return to North America this fall for an extensive U.S. tour in support of HAVOK.... More

Scottish Blackened Speed Metal Maniacs To Lay Waste To North America From October 21 Through November 20, 2026 Scottish blackened speed metal force HELLRIPPER will return to North America this fall for an extensive U.S. tour in support of HAVOK. The "Goat Kvlt" will embark on the 22-date trek beginning October 21 at Metro Music Hall in Salt Lake City, Utah, and will tear across the country before bringing the run to a close November 20 at the Gothic Theatre in Denver, Colorado. The tour comes in support of HELLRIPPER's critically acclaimed latest album, Coronach, which was released worldwide on March 27, 2026, through Century Media Records. The album marks HELLRIPPER's debut release for the label. Known for its ferocious collision of black metal, speed metal, thrash and rock 'n' roll, HELLRIPPER has built a reputation for delivering unrelenting old-school metal with a distinctly modern bite. Coronach continues that tradition while expanding the project's sonic and atmospheric palette. The critical response has been equally savage. No Clean Singing praised HELLRIPPER's distinctive blend of black metal, speed, thrash, punk and rock 'n' roll, while Angry Metal Guy described Coronach as an album that builds upon the project's earlier work while injecting it with "a lethal dose of vitality." Heavy Metal Philosophy noted that the record manages to remain true to the spirit of heavy metal while still sounding "fresh and hungry," while KNAC highlighted the album's atmospheric and thematic elements as giving it an identity beyond simply being another high-speed metal record. Other outlets have also delivered high marks, with Kerrang! awarding Coronach a 4/5 rating and calling it "45 minutes of scything magnificence both ancient and timeless." Distorted Sound went even further with a 10/10 review, while Metal Hammer gave the album an 8/10 and proclaimed HELLRIPPER "the new Celtic king of thrash." The upcoming U.S. run will give American metalheads their chance to experience the chaos of Coronach in the live setting, with HELLRIPPER joining HAVOK for what promises to be a particularly violent stretch of the autumn touring calendar. HELLRIPPER U.S. Tour Dates 10/21: Salt Lake City, UT @ Metro Music Hall10/22: Boise, ID @ Shrine Social Club Ballroom10/23: Seattle, WA @ El Corazon10/24: Portland, OR @ Dante's10/26: Roseville, CA @ Goldfield Trading Post10/27: Berkeley, CA @ Cornerstone Berkeley10/28: Los Angeles, CA @ The Regent Theater10/29: Fresno, CA @ Strummer's10/30: Las Vegas, NV @ Backstage Bar & Billiards10/31: Mesa, AZ @ Nile Theater11/02: Dallas, TX @ AM/FM11/03: Austin, TX @ Come and Take It Live11/04: Houston, TX @ Warehouse Live Midtown11/06: Atlanta, GA @ The Masquerade (Hell)11/07: Nashville, TN @ Basement East11/08: Asheville, NC @ Eulogy11/09: Richmond, VA @ Canal Club11/11: Baltimore, MD @ Baltimore Soundstage11/12: Harrisburg, PA @ Capital City Music Hall11/13: Boston, MA @ Brighton Music Hall11/14: New York, NY @ Racket11/15: Lakewood, OH @ Mercury Music Lounge11/17: Detroit, MI @ Catacombs at the Sanctuary11/18: Chicago, IL @ Reggies11/19: Kansas City, MO @ Recordbar11/20: Denver, CO @ Gothic Theatre Tickets are available now. HELLRIPPER's Coronach is out now via Century Media Records. The album is available to stream, download and purchase through all major digital platforms and retailers. [jrEmbed module="jrYouTube" youtube_id="2CFw1spXt8A"] The album's cover artwork was created by Adam Burke / Nightjar Illustration. Photo by MM Photography Less

KORPSE Releases New EP 'Forbid' Featuring LAMB OF GOD Cover Dutch slamming brutal death metal outfit KORPSE has released a new three-song EP, Forbid, via Unique Leader Records. The effort is available digitally as of August 21. The EP features... More

KORPSE Releases New EP 'Forbid' Featuring LAMB OF GOD Cover Dutch slamming brutal death metal outfit KORPSE has released a new three-song EP, Forbid, via Unique Leader Records. The effort is available digitally as of August 21. The EP features two original tracks, "Forbid" and "Imminent Immolation," along with a cover of LAMB OF GOD's "Now You've Got Something To Die For." The title track is accompanied by a new visualizer, which can be viewed below. [jrEmbed module="jrYouTube" youtube_id="m7qbHi1LgIw"] Regarding the new EP, KORPSE stated: "'Forbid' is an uncompromising piece of brutality. Extended with lyrics and a message that adds a new layer of aggression. Make no mistake, this is not an attempt to fit into anyone's comfortable picture. Korpse will remain None So Brutal." Forbid Track Listing: Forbid Imminent Immolation Now You've Got Something To Die For (LAMB OF GOD cover) KORPSE was formed in the Netherlands in 2013 by drummer Marten van Kruijssen. The band's current lineup is rounded out by vocalist Sven van Dijk, guitarist Floor van Kuijk and bassist Ante Zorić. The band has built its reputation around an uncompromising brand of slamming brutal death metal, combining massive breakdowns, grinding speed and extreme vocals. KORPSE has also developed a reputation as a formidable live act, having performed extensively throughout Europe and North America. The band has released three full-length albums in addition to its new EP, maintaining a consistent approach both on record and onstage. KORPSE's current lineup: Marten van Kruijssen - DrumsSven van Dijk - VocalsFloor van Kuijk - GuitarsAnte Zorić - Bass Less

FOR IMMEDIATE RELEASE OLA ENGLUND Lands on the Cover of Sweden Rock Magazine Alongside Rock and Metal Legends Acclaimed guitarist, songwriter, and Solar Guitars founder Ola Englund has reached another major milestone in his career, appearing on... More

FOR IMMEDIATE RELEASE OLA ENGLUND Lands on the Cover of Sweden Rock Magazine Alongside Rock and Metal Legends Acclaimed guitarist, songwriter, and Solar Guitars founder Ola Englund has reached another major milestone in his career, appearing on the cover of Sweden Rock Magazine alongside legendary musicians from Accept, Europe, The Haunted, and Opeth. The special feature appears as Accept celebrates 50 years, bringing together four accomplished guitarists from some of the most influential names in European hard rock and metal: Wolf Hoffmann of Accept, John Norum of Europe, Fredrik “Kulle” Åkesson of Opeth, and Ola Englund of The Haunted. The result is a special gathering of guitar players from different generations and musical backgrounds, discussing their instruments, influences, gear, playing styles, creativity, and the continuing evolution of heavy music. For Englund, the feature represents another significant achievement in a career that has seen him establish himself as one of modern metal's most recognizable guitarists through his work with The Haunted and Feared, his solo music, and the worldwide success of Solar Guitars. Within the Sweden Rock Magazine feature, Englund discusses his approach to guitar, tone, creativity, and the challenges of developing a distinctive voice as a modern guitarist. He also talks about his love of Flying V guitars and the importance of keeping guitar playing musical and expressive rather than focusing solely on technical ability. The feature also captures the special atmosphere surrounding Accept's 50th anniversary celebration at Cirkus in Stockholm, where these guitarists came together to celebrate one of metal's foundational bands. Grab a copy of the issue here: https://swedenrockmagazine.com/ Check out this video of Ola Englund with Accept: [jrEmbed module="jrYouTube" youtube_id="aTAlV7H622s"] While appearing alongside one of metal's most influential bands is certainly a milestone worth celebrating, Englund is far from looking backward. He is currently building toward the release of his highly anticipated new solo album, The Neverending Story, arriving October 14, 2026. The album campaign has already delivered multiple singles, including “The Ember Saga,” “The Guillotine,” and the recently released “Dogma Progma,” with the latter showcasing Englund's continued focus on crushing riffs, soaring melodies, cinematic atmosphere, and his unmistakable guitar voice. The official music video for “Dogma Progma” is available now: WATCH “DOGMA PROGMA”:[jrEmbed module="jrYouTube" youtube_id="_KWZcx_--2w"] STREAM / PRE-ORDER THE NEVERENDING STORY:https://olaenglundshop.com/pages/the-neverending-story Featuring ten original tracks, The Neverending Story represents what Englund describes as some of his most ambitious solo work to date, blending technical precision, memorable hooks, heavy riffs, and cinematic storytelling into an instrumental metal journey. The album tracklist includes: The Ember SagaGame OverThe Astral GateDogma ProgmaThe GuillotineMeans to an EndWorld RiftThe First of its KindArtax RebornSun & The Moon Part 2 With his latest Sweden Rock Magazine cover appearance adding another major achievement to an already impressive career, and a new solo album on the horizon, Ola Englund continues to prove that his place in the modern metal guitar world extends far beyond his work onstage. From The Haunted and Feared to Solar Guitars, his massively successful YouTube channel, and now his increasingly ambitious solo work, Englund has built a career centered around one thing: the guitar. And the story is far from finished.   Connect with Ola: https://olaenglundshop.com/https://www.facebook.com/olaenglundhttps://www.instagram.com/olaenglund Less

NECROCENE Unleash Crushing Title Track “Scumocracy” Ahead of Debut Album Italian death metal outfit Necrocene have unleashed the title track from their highly anticipated debut album, Scumocracy, premiering the song exclusively through... More

NECROCENE Unleash Crushing Title Track “Scumocracy” Ahead of Debut Album Italian death metal outfit Necrocene have unleashed the title track from their highly anticipated debut album, Scumocracy, premiering the song exclusively through NoCleanSinging.com. The album is set for international release on September 18, 2026, via Personal Records. “Scumocracy” is the second track to emerge from the album, following the previously released “Ordinary Enemy,” and serves as a fitting introduction to Necrocene's bleak, uncompromising vision of death metal. There is a crushing weight bearing down on the world, an unrestrained cycle of destruction that increasingly breeds indifference. Necrocene take that bleak reality and transform it into something brutally physical. Their very name and the concept behind Scumocracy twist geological terminology into a grim political statement about the unstoppable, death-driven momentum of modern capitalism. Musically, that philosophy translates into death metal stripped of unnecessary ornamentation. Necrocene reject the polished, hyper-technical approach that has become common within modern extreme metal, instead embracing a deliberately primitive, abrasive sound firmly rooted in the genre's foundational years. Following their well-received 2024 Detrimental Paratomy EP, Scumocracy digs deep into the late-'80s and early-'90s Florida death metal tradition, evoking the raw atmosphere and crushing character associated with the legendary Morrisound Studios era. Sharp, vicious riffs collide with uncalculated drumming and harsh, primitive vocals, creating a sound that recalls the early work of Obituary, Death, and Cancer without simply attempting to recreate the past. The members of Necrocene bring years of experience from Italy's underground punk and metal scenes, and those counter-cultural roots are all over the album. Rather than chasing trends, the band focuses on heaviness, atmosphere, and attitude. Scumocracy moves between sudden tempo changes and agonizingly heavy, cadenced downtempo passages, giving the album a sense of constant forward momentum while maintaining its deliberately filthy old-school character. Its lyrical and conceptual themes explore social decay, technological obsolescence, and a civilization seemingly racing toward its own self-inflicted end. In other words, this is death metal with something rotten at its core, and Necrocene aren't interested in putting a fresh coat of paint over it. Listen to “Scumocracy” The brand-new title track “Scumocracy” is streaming exclusively through NoCleanSinging.com, while the previously revealed “Ordinary Enemy” is available through Personal Records' Bandcamp. Scumocracy arrives internationally on September 18, 2026, via Personal Records. Scumocracy Tracklisting (Threshold) Ordinary Enemy Tempestarii Scale of Grey Scumocracy (Stillpoint) Human Lithification Concrete Petrichor Weapons of the Damned The Lust of Us More Information Follow Necrocene on Facebook for news, updates, and further information surrounding Scumocracy and the band's upcoming activities. https://www.facebook.com/profile.php?id=100091964531943 Less

METAL DEVASTATION PR CLIENTS TAKE OVER METALIZED MAGAZINE’S LEX LEGION ISSUE THY SANATORIUM, FALSE MESSIAH, FIRST WORLD APPETITE, DAY40 AND BRIAN MOODY FEATURED IN DENMARK’S LONGEST-RUNNING METAL MAGAZINE Metal Devastation PR is proud to... More

METAL DEVASTATION PR CLIENTS TAKE OVER METALIZED MAGAZINE’S LEX LEGION ISSUE THY SANATORIUM, FALSE MESSIAH, FIRST WORLD APPETITE, DAY40 AND BRIAN MOODY FEATURED IN DENMARK’S LONGEST-RUNNING METAL MAGAZINE Metal Devastation PR is proud to announce that multiple MDPR clients have been featured in the latest Lex Legion issue of Metalized Magazine, Denmark’s longest-running and biggest metal magazine, which has been covering the world of heavy music since 1987. The issue delivers a strong showing for the Metal Devastation PR roster, with Thy Sanatorium, False Messiah, First World Appetite, Day40 and Brian Moody all receiving coverage, while Machine Cult Ritual was also showcased through a dedicated advertisement. From crushing extreme metal and melodic death metal to industrial, groove, thrash and atmospheric sounds, the issue demonstrates the international reach and diversity of the artists working with Metal Devastation PR. THY SANATORIUM – THY SANATORIUM 9/10 Thy Sanatorium receives one of the highest scores in the feature lineup, earning an impressive 9/10 for their self-released debut album. Reviewer Mike Gehrcke praises the band's ability to balance heaviness with atmosphere, highlighting the album's dark yet inviting character, dynamic song structures, melodic passages, tempo changes and strong sense of identity. Gehrcke describes Thy Sanatorium as a debut that demonstrates enormous potential and an album that rewards repeated listening. “All in all, Thy Sanatorium is a debut that impresses and shows enormous potential.” FALSE MESSIAH – SEVEN 8/10 | Cemetery Records False Messiah earns an 8/10 for Seven, with reviewer Kim Vestergaard Nielsen praising the album's aggressive riffs, powerful production and dark atmosphere. The review highlights the band's combination of melodic black metal and brutal death metal, resulting in a dynamic and captivating record that showcases the musicians' technical abilities while maintaining plenty of aggression. FIRST WORLD APPETITE – ANGEL SHADES DEMISE 8/10 | Self-released First World Appetite also receives an 8/10, with reviewer Stephen Rocky highlighting the project's dark and atmospheric approach. The review describes Angel Shades Demise as a deeply personal debut built around frustration and inner turmoil, combining heavy riffs with electronic elements to create a dystopian, cinematic atmosphere. The record's ability to move between harshness and beauty is singled out as one of its strengths, resulting in a debut that leaves a lasting impression. DAY40 – PHENOMENON 8/10 | Self-released British-based, Bulgarian-founded melodic death metal outfit Day40 earns an 8/10 for Phenomenon. Reviewer Nolder highlights guitarist Nikolay Atanasov's technical precision and the band's combination of melodic death metal with modern and atmospheric elements. The album also features guest appearances from Andy LaRocque, guitarist for King Diamond, and Dencho Dimitor of Eufobia. The review praises the album's energetic mix of fast riffs, melodic passages and variety, calling Phenomenon a well-produced and ambitious release worthy of attention from melodic death metal fans. BRIAN MOODY – BRIAN'S BRAIN 8/10 | Metal Devastation Brian Moody earns an 8/10 for the reissue of his debut album Brian's Brain, with reviewer Christoffer Kofoed examining both the music and Moody's distinctive one-man approach. The reissue features real drums rather than drum sampling, along with mixing and mastering by Theodor Borovski, while retaining the character of the original recording. Kofoed points to the album's strong '90s thrash influence, metallic one-man-band approach, grunge references, double-kick drumming and harmonized guitar work. While noting that the record can sometimes feel overwhelming because of the sheer number of ideas packed into it, the review recognizes the strongest tracks and Moody's intense combination of heavy riffs and depressive vocals. The final verdict: 8/10, with Kofoed describing the release as tight and solid. FROM BASEMENT TO INTERNATIONAL PR CAMPAIGN In addition to the album review, Brian Moody receives an in-depth feature from Christoffer Kofoed titled From Basement to International PR Campaign. The article explores Moody's evolution from a completely independent one-man musician handling recording, production and promotion himself into an artist actively pursuing an international audience. The feature examines the story behind the re-release of Brian's Brain, including the new mix and master by Theodor Borovski, Moody's creative process, his musical influences and the themes of chaos, personal struggle and emotional intensity that run through his work. The article also looks at Moody's growing understanding of the business side of being an independent artist, including branding, networking and the role of professional promotion in helping his music reach listeners outside his home territory. At its core, the feature presents Brian's Brain as more than simply a reissue. It represents another step in Moody's development as an artist and his efforts to build an international career without losing the independent spirit that shaped the project from the beginning. Moody's philosophy is summed up by his desire to create an emotional reaction in the listener, with the ultimate goal being to make people feel something when they hear his music. CHAOS, RIFFS, AND LOSS OF CONTROL First World Appetite also receives an extensive feature from Kasper Kudsk, titled Chaos, Riffs, and Loss of Control. The article dives into the project's industrial and groove metal foundations and the creative vision of Dutch musician Ronald de Groot. De Groot discusses the project's origins, including his inspiration from guitarist Tim Skold, as well as the evolution of his songwriting and production approach. The feature explores the contrast between chaos and control within the recording process, along with the expanded use of acoustic passages, melody and atmosphere. Kudsk also examines the themes behind First World Appetite, including human greed, destruction, overconsumption and the consequences of humanity's desire for more. Influences including Fear Factory, Nine Inch Nails, Black Sabbath and Tom Waits are discussed, giving readers additional insight into the musical landscape surrounding the project. The article ultimately presents Angel Shades Demise as both a deeply personal musical statement and the closing of an important chapter for de Groot, while exploring the darker themes that inspired the project in the first place. MACHINE CULT RITUAL FEATURED IN METALIZED Adding even more Metal Devastation PR representation to the issue, Machine Cult Ritual was showcased through a dedicated advertisement. The inclusion gives another MDPR artist visibility within the pages of one of Europe's longest-running metal publications, putting the project directly in front of Metalized's established readership. ANOTHER BIG INTERNATIONAL WIN FOR METAL DEVASTATION PR ARTISTS With five MDPR clients receiving editorial coverage, multiple strong review scores, two in-depth features and an additional advertising showcase, the Lex Legion issue of Metalized Magazine represents another significant piece of international exposure for the Metal Devastation PR roster. Coverage like this is exactly why getting independent metal artists in front of legitimate music media still matters. Social media comes and goes, algorithms change, and everybody's fighting for attention in the same damn feed. A respected metal publication with decades of history gives artists something different: editorial credibility, lasting coverage and another piece of press that can be used to build their international story. Congratulations to Thy Sanatorium, False Messiah, First World Appetite, Day40, Brian Moody and Machine Cult Ritual on being featured in the latest Lex Legion issue of Metalized Magazine. Metal Devastation PR continues to put independent and underground metal directly in front of media, journalists and fans around the world. Grab a copy here: https://www.metalized.dk/ Less