UADA reveal new lyric video, receive "Decibel" cover story
Thursday August 13 2020, 5:36 PM
In the meantime, see & hear the brand-new lyric video for "No Place Here" HERE at Eisenwald's official YouTube channel. Also hear the previously revealed title track "Djinn" both HERE at Eisenwald's official YouTube channel as well as HERE at Uada's Bandcamp. Preorder/pre-save link can be found HERE . Further ordering info can be found at Eisenwald's North American webstore HERE . Aforementioned cover artwork and tracklisting are as follows:
Tracklisting for Uada's Djinn
1. Djinn [7:50]
2. The Great Mirage [6:50]
3. No Place Here [13:40]
4. In the Absence of Matter [9:49]
5. Forestless [7:55]
6. Between Two Worlds [13:56]
release notes
All music by UADA
All lyrics, arrangements & compositions by Jake Superchi
Vocals, guitars, keyboards & additional percussion recorded by Jake Superchi at Obsidian Spells
Drums recorded by Charlie Koryn at Toadhouse Recording, Portland, Oregon
Produced, mixed & mastered by Jake Superchi
Album cover & moon emblem by Kris Verwimp
Layout by Jake Superchi
Photography by Adriana Michima/Michima Photography, taken in the Alvord Desert, Oregon
Today, American black metal vanguard Uada reveal a new lyric video for "No Place Here." The track is the second to be revealed from the band's massively anticipated third album, Djinn, set for North American release on September 25th via Eisenwald. See & hear Uada's brand-new lyric video "No Place Here" in its entirety HERE at Eisenwald's official YouTube channel.
Uada will also be gracing the front cover of Decibel magazine this month, in the October 2020 issue. More info about this cover story and the rest of the issue's contents can be found HERE .
Uada will also be gracing the front cover of Decibel magazine this month, in the October 2020 issue. More info about this cover story and the rest of the issue's contents can be found HERE .
Since their formation in 2014, Uada's rise has been meteoric. Hailing from the Pacific Northwest, the band quietly released their debut album, Devoid of Light, in 2016 through Eisenwald, and word of mouth quickly built from there: here was BLACK METAL writ large, classic and uncompromising but brimming with power, soul, and artistry, and all without bluster and bathos. Uada's debut album surely expanded the lexicon of the melodic black metal idiom, and the underground took notice. Two years later came Cult of a Dying Sun, whereby the band further perfected their craft and compellingly took to the stage, their performances garnering as much acclaim as their recordings. During all this, more than the underground started to take notice; the name Uada was on the tongues of folks usually reticent to black metal.
Now, almost effortlessly, Uada fully perfect their craft and deliver their masterwork: Djinn. Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.
"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "a duality that can only be known as our third wish."
Graced once again by breathtaking cover art courtesy of the legendary Kris Verwimp, and with imminent touring plans into 2021, Uada shall overtake the throne with Djinn.
Now, almost effortlessly, Uada fully perfect their craft and deliver their masterwork: Djinn. Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.
"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "a duality that can only be known as our third wish."
Graced once again by breathtaking cover art courtesy of the legendary Kris Verwimp, and with imminent touring plans into 2021, Uada shall overtake the throne with Djinn.
In the meantime, see & hear the brand-new lyric video for "No Place Here" HERE at Eisenwald's official YouTube channel. Also hear the previously revealed title track "Djinn" both HERE at Eisenwald's official YouTube channel as well as HERE at Uada's Bandcamp. Preorder/pre-save link can be found HERE . Further ordering info can be found at Eisenwald's North American webstore HERE . Aforementioned cover artwork and tracklisting are as follows:
Tracklisting for Uada's Djinn
1. Djinn [7:50]
2. The Great Mirage [6:50]
3. No Place Here [13:40]
4. In the Absence of Matter [9:49]
5. Forestless [7:55]
6. Between Two Worlds [13:56]
release notes
All music by UADA
All lyrics, arrangements & compositions by Jake Superchi
Vocals, guitars, keyboards & additional percussion recorded by Jake Superchi at Obsidian Spells
Drums recorded by Charlie Koryn at Toadhouse Recording, Portland, Oregon
Produced, mixed & mastered by Jake Superchi
Album cover & moon emblem by Kris Verwimp
Layout by Jake Superchi
Photography by Adriana Michima/Michima Photography, taken in the Alvord Desert, Oregon
MORE INFO:
www.facebook.com/officialUADA
www.instagram.com/uada_official
uada.bigcartel.com
open.spotify.com/artist/30R8X3xhfDbxAcfxSZ0UaQ
music.apple.com/us/artist/uada/1517471025
www.eisenton.de
www.facebook.com/eisenwaldofficial
www.youtube.com/eisenwaldofficial
www.twitter.com/EisenwaldHammer
www.instagram.com/eisenwald.official
www.open.spotify.com/user/eisenwald_official
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