Are you a rock metal fan? Then our top of the best metal albums in history won't be a revelation to you, but it will remind you of great works worth listening to again.

Best Metal Albums of All Time

Making "all-time" ratings and conducting polls is a win-win tool for any music lover. The public's attention and endless arguments are assured in almost every case. However, it's always lovely when someone you're not entirely indifferent to wins even in such a not very serious event.

If you are used to relaxing, listening to music, and playing games, then online blackjack in India you will definitely like. Recently, there was a poll on "the greatest heavy metal albums of all time," with the albums at the top:

• Metallica's "Master Of Puppets."
• Iron Maiden "The Number Of The Beast."
• Guns N' Roses "Appetite For Destruction."
• Metallica "Ride The Lightning."
• Slayer "Reign In Blood."

We will learn about the other representatives of the top later.

Rage Against The Machine - Rage Against The Machine (Epic, 1997)

Sometimes, before releasing an album, it is hard to estimate how cool and influential it will turn out to be afterward. But unfortunately, it is precisely the case. There was a time when rap-metal was an obscure concept, but with the release of Faith No More and Rage Against The Machine, everything fell into place. Entire generations of metal and hip-hop artists felt a powerful rush of inspiration.

What made the album so poignant? Indeed, the sincere music came from the depths of young hearts. The lyrics were full of deep meaning. But, in terms of content, it was much more severe than the usual antisocial appeals thrown from the stage by upstarts.

The husky voice of the band's young frontman is a traditional American vocal. He matched perfectly with the virtuosic guitar work of self-taught Tom Morello. Morello, in his turn, was focused on shaping unconventional guitar sounds (achieved, among other things, with the help of various modifications made to the guitar construction). He was experimenting much more than perfecting his technique, as is customary for guitarists. Funky designs for the bass guitar part became the basis for the composition Bombtrack and the legendary Killing In The Name theme, and Zach de la Rocha's voice cut prominently through in Bullet In The Head. 

Against Morello's powerful riffs, even Steve Vai's guitar work might have seemed hypocritical, but the solos were resolutely dismissed as seemingly unnecessary. Yet, the solo melody is invisibly present in all the riffs, as if they had returned by feedback from outer space. Even 25 years later, the ideas of Rage Against The Machine are still relevant. The 1997 album became a musical and political document that forever took its place in the history of music and inspired legions of fans. 

Opeth - Ghost Reveries (Roadrunner, 2005)

Opeth have been on the rise for the past year. The band's musicians had been modestly in the shadows for 15 years, while the hardly deserving bands were haughtily basking in the glory. And finally, 'Ghost Reveries' brings the long-awaited recognition. The release of this work marks the renaissance of complex, multidimensional music, which Opeth has served with dignity and devotion all these years. 'Ghost Reveries' is an oasis of progressive metal, a work that should perhaps be perceived as a whole rather than as compositions taken separately. Opeth's music is, first of all, impressionism. 

The perception is traditionally based on the ideas of the underground. You can say that the band has a lot in common with The Mars Volta and Tool and Metallica, and In Flames. The musical style of this album has no firm outlines, as its sound palette contains countless colors and shadows. Some compositions amaze with the beauty dressed in robes of brutal violence. But how beautiful are the reflections of dark light generated by this music and filling the soul of modern metal with new contents? Ghost Reveries' defines a new level of the genre. Of course, only time will put everything in its place. But progressive music in the coming years will follow the path set by Opeth.

Marilyn Manson - 'Antichrist Superstar' (Interscope Records, 1996)

Despite the halting debut associated with the release of 'Portrait Of An American Family,' this album restored Marilyn Manson's reputation and was the first severe work to prove to the world his true power. Not only did he call to arms the characters who feel like freaks of the house, who have been given a ticket to the scum of the earth by society, but also those who like ambiguous lyrics over catchy music with catchy riffs. 

'Antichrist' offers so much more than the previously released single 'Beautiful People'... there's the fist-clenching 'Irresponsible Hate Anthem,' the blackly crooked 'Tourniquet,' the ironic dramatization of the author himself 'Mister Superstar,' the thoughtful track 'Man That You Fear. At the same time, all the material was produced by Trent Reznor in the spirit of Nine Inch Nails. The album was painfully born as if in the atmosphere of a drug party.

Reznor managed to capture the anger and frustration through which Manson saw the world. 'Antichrist...' showed that despite the many haunting images and postures that Marylin Manson attributed to the Rock Star image, his band, and mainly himself, were able to create an exceptionally cohesive album that will remain the ultimate measure of Manson's creative powers.

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Alice In Chains - Dirt (Columbia, 1992)

After listening to the album Dirt,' it's easy to agree with the point of view that grunge music is utterly devoid of joy. Indeed, the people of Alice in Chains could hardly be classified as the characters from the cartoon "The Musicians of Bremen," who chucklingly chant about how "we bring people laughter and joy."

'Dirt' is the Seattle quartet's second album. It speaks of the perils of an extreme lifestyle, addiction, death creeping in, unseen but very close. Some critics persist in believing that it was done merely for bragging rights. And this is strange because the author of these lyrics and the frontman of the band, Layne Staley, subsequently died of an overdose of hard drugs. Despite all the pain and bitterness of Dirt, the release of this album was a milestone in the development of rock. Fifteen years have passed since its release, but its 13 tracks still sound relevant. Dirt is a classic by any measure.

Nirvana - Nevermind (Geffen, 1991)

In the history of rock, some albums have become classics and defined the development of an entire musical era. And there are such works that are very few, and their importance is even more fundamental. One of them is Nevermind. It is not only a good-selling album but has become a household name for the grunge style.

It's first and foremost a socio-cultural phenomenon. Whatever one looks at this trio, it is impossible to deny the importance of Nevermind. Perhaps to forget about this album would be like trying to take a page out of history. Like Appetite for Destruction, released four years earlier, Nevermind has become the epitome of youth fashion and music. Paying tribute to the album's importance in the light of the global changes that swept the society in the 90s, today, it is difficult to be objective about this album.  

Nevermind is not associated with a historical phenomenon in music but with the fact that a musical phenomenon could generate social upheaval of such considerable size. Therein lies the genius of Kurt Cobain. The Nevermind phenomenon has excellent significance outside of rock. Brilliant work.