Death metal drama is nothing new, but this one just refuses to die. Former Cannibal Corpse frontman Chris Barnes is once again speaking out about his split from the band and why a reunion, even for something as big as a Hall of Fame moment, probably isn’t happening.
And yeah, he didn’t exactly hold back.
In a recent interview, Barnes made it clear he’d be open to sharing the stage again with his former band. But according to him, the feeling isn’t mutual.
Even in a hypothetical scenario like a Rock and Roll Hall of Fame induction, Barnes says:
He and former guitarist Jack Owen likely wouldn’t be invited to perform
At best, they might be acknowledged but not included musically
A full-circle reunion is basically off the table
That’s not exactly shocking if you’ve followed this story over the years.
Here’s where things get spicy.
Barnes claims the reason behind the continued distance is more than just old grudges. He believes his former bandmates feel overshadowed by his legacy and contributions.
According to him:
His role in shaping early Cannibal Corpse has been downplayed
There’s been a long-standing effort to minimize his impact
His presence still carries weight that the band would rather avoid
That’s a bold statement, but in the world of death metal egos, not entirely unheard of either.
After leaving Cannibal Corpse in the mid-‘90s, Barnes went on to form Six Feet Under, which he still fronts today.
And here’s the twist. According to Barnes, Six Feet Under was never meant to be a side project.
It was his exit plan.
He described it as:
His “escape pod” from a situation he no longer wanted to be in
A creative reset and personal lifeline
Ultimately, the best thing that ever happened to him
Not exactly the language of someone looking back with regret.
Barnes also touched on his relationship with current Cannibal Corpse vocalist George Fisher, better known as Corpsegrinder.
While Barnes says he’s tried to keep things respectful, he’s clearly not thrilled with how his material is handled.
His main issues:
He believes Fisher doesn’t perform his original songs properly
He takes issue with Fisher claiming ownership over songs Barnes wrote
He’s frustrated by what he sees as a lack of respect for the original era
At one point, Barnes even reached out directly to clear the air. According to him, the message was seen but never answered.
That silence probably says more than any interview quote ever could.
Here’s the interesting part. Barnes insists he’s not bitter about being fired. In fact, he says he was relieved when it happened.
But at the same time:
He acknowledges ongoing personal tension with certain members
He admits he simply didn’t want to be around some of them anymore
He still feels disrespected when his contributions are minimized
So yeah, maybe not bitter. But definitely not over it either.
Barnes fronted Cannibal Corpse from 1988 to 1995, contributing to some of the band’s most iconic material, including tracks like Hammer Smashed Face and Stripped, Raped and Strangled.
Those songs helped define death metal as we know it. No matter where you stand on the debate, that part isn’t really up for argument.
Meanwhile, the current lineup featuring longtime members like Alex Webster and Paul Mazurkiewicz has continued to evolve the band’s sound for decades.
Two eras. Two identities. Same name.
If you’re holding out hope for a classic-era reunion, you might want to sit down.
Between:
Personal differences
Creative disagreements
Years of public and private tension
…it’s hard to see all sides coming together anytime soon.
Even Barnes himself seems to accept that reality, despite being open to the idea.
This is one of those classic metal splits that never really healed. Too much history, too many strong personalities, and way too much pride on all sides.
But here’s the truth. Both Cannibal Corpse and Six Feet Under carved out their own lanes and kept moving forward.
And in the end, that’s kind of the most metal outcome possible.
Still, if these guys ever did share a stage again, even for one song, the internet would probably break.
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