VIA DOLORIS Unveils “Un Franc Soleil,” A Luminous Glimpse from Debut Album ‘Guerre et Paix’ Norwegian extreme music visionary Gildas Le Pape returns with VIA DOLORIS, presenting the second single, “Un Franc Soleil,” from his forthcoming debut... More

VIA DOLORIS Unveils “Un Franc Soleil,” A Luminous Glimpse from Debut Album ‘Guerre et Paix’ Norwegian extreme music visionary Gildas Le Pape returns with VIA DOLORIS, presenting the second single, “Un Franc Soleil,” from his forthcoming debut album Guerre et Paix, set for release on March 20th via Season of Mist. The track stands out as one of the record’s most radiant moments, capturing a fleeting sense of release after prolonged inner unrest—a glimpse of serenity always just out of reach. Listen to Un Franc Soleil: YouTube [jrEmbed module="jrYouTube" youtube_id="rPi2IcCUzD4"] Expansive and textural, “Un Franc Soleil” unfolds with measured restraint. Layered guitars trace gentle melodic arcs over a patient rhythmic foundation, anchored by the nuanced drumming of Frost, allowing melody to emerge from distortion and clarity from dissonance. Sung in French, the lyrics convey vulnerability and resolve, portraying serenity as something pursued rather than attained. Within the broader architecture of Guerre et Paix, the track acts as a contemplative threshold—a pause before the album dives back into denser, more conflicted sonic territory. VIA DOLORIS is the manifestation of Le Pape’s vision: a space where emotion, discipline, and atmosphere converge. Rooted in solitude and forged through contrasts of darkness and beauty, the project confronts the gravity of existence—our quiet burdens, hidden wounds, and the journey toward mortality. This “Way of Suffering” seeks meaning through pain, always with the flickering promise of rebirth. While the instrumentation nods to black metal’s formal foundations, VIA DOLORIS refuses confinement. Harmonic depth and subtle dissonance create tension and richness, while folk and pagan influences weave ancestral threads throughout, lending the music a mythic, almost sacred quality. Layered vocals in French, English, and Norwegian expand the emotional palette, delivering lines that feel both timeless and immediate. Le Pape’s journey began in Oslo, where he first gained recognition in 2007 as a guitarist for the legendary Satyricon. After six years of global touring and recording, he stepped away to explore diverse musical avenues before returning to extreme music with renewed focus. For Guerre et Paix, he enlisted the masterful Frost on drums, bringing unparalleled precision and feel to the debut. Line-up: Gildas Le Pape — Lead Vocals, Choirs, Guitars, Bass Frost — Session Drums Production Credits: Drums & vocals recorded at Red Room Studios, Norway (engineered by Mattis Elvestuen; guitars engineered by Le Pape & Elvestuen) Produced by Gildas Le Pape Mixed by Nicolai Codling & Gildas Le Pape Mastered by Magnus Gulbrandsen at Jeløy Sound Mastering Guest Artist: Raido (Ferriterium, Heimsgard, Karne) — Guest Vocals on Track 3 Visuals: Artwork & press photography by Linnea Syversen Album artwork by Gildas Le Pape Pre-orders and pre-saves for Guerre et Paix are live here: Pre-order & Pre-save With Un Franc Soleil, VIA DOLORIS invites listeners into a world where melody drives meaning, atmosphere carries weight, and every note resonates with the tension between shadow and light. Less

AEGROR SIGNS WORLDWIDE DEAL WITH EXTREME MANAGEMENT GROUP Extreme Management Group (EMG), home to bands like Suffocation, Atheist, Cryptopsy and more, has announced their partnership with Atmospheric Black Metal Band AEGROR. Aegror is a metal... More

AEGROR SIGNS WORLDWIDE DEAL WITH EXTREME MANAGEMENT GROUP Extreme Management Group (EMG), home to bands like Suffocation, Atheist, Cryptopsy and more, has announced their partnership with Atmospheric Black Metal Band AEGROR. Aegror is a metal band from Kerken, Germany, founded in 2009. The name Aegror is derived from the Latin word for "disease". Their music combines atmospheric black metal with progressive and melodicelements, revolving around themes of disease and psychological phenomena. These themes are woven into a coherent narrative full of horror and madness, centered around the character Plaguebreeder — a being from another dimension seeking to break into the human world. On a metaphorical level, the lyrics also reflect real-world crises, pandemics and events. [jrEmbed module="jrYouTube" youtube_id="ZO8ZjaRH6tc"] Their debut album, De Morbis (2010), introduced a 90s-inspired black/death sound and laid the foundation for the band's conceptual storytelling. In 2013, they released the EP Forgotten Tales, which explored more progressive and emotional directions. Their full-length album Dead Man’s Diary (2017) refined their sound, with stronger production and a clearer narrative. After the release of their second studio album Dead Man's Diary, they discussed concluding the project. Vocalist and founding member Narthaas, along with guitarist Abyssus, decided to continue Aegror in a new artistic direction. After a hiatus, the duo returned with their third studio album, Reign of Disease, on May 16, 2025. The album was produced and released in the first step independently, blending modern post-black metal with their signature melodic and atmospheric sound. Reign of Disease received critical acclaim and solidified Aegror’s position in the European extreme metal underground. Reign of Disease has so far achieved international chart placements on various streaming platforms. Now in 2026, AEGROR has signed with Extreme Management Group and says, “We are beyond excited to join the EMG roster, this partnership opens up incredible new opportunities for us, and we can’t wait to take Aegror to the next level together. The future looks bright — and brutal! Before releasing Reign of Disease, we had actually planned for it to be our final album and to bring Aegror to an end. But things turned out completely different — it now feels like this is only the true beginning of the band." www.aegror.comhttps://extrememanagementgroup.com/ WHAT IS NEXT FOR AEGROR? Aegror returns from the Shadows with their new Album “Reign of Disease” Kerken, Germany – What was once meant to be Aegror’s final chapter has transformed into a fierce new beginning. After eight years of silence, the German atmospheric/prog black metal duo rises again with their new album Reign of Disease, released independently on May 16, 2025. Frontman Narthaas and guitarist Abyssus unleash a powerful blend of black metal, post-metal, and atmospheric ferocity. The title track “Reign of Disease” attacks with militant rhythms, ominous tremolo lines, and raw, piercing vocals — the unmistakable sound of a band returning with sharpened intent and creative rebirth. Their music strikes a balance between relentless aggression and cinematic tension, delivering a surprisingly massive sonic footprint for a two-piece act. International Chart ImpactWhat began as a purely independent release quickly evolved into a global underground success story. Reign of Disease entered the streaming and digital sales charts 21 times across 8 countries, marking Aegror’s first international chart presence and demonstrating the project’s rapidly growing worldwide audience. Without major industry backing, the album’s momentum was driven entirely by organic reach, word of mouth, and a dedicated fanbase within the extreme metal community. Management Deal with Extreme Management Group, New YorkIn the wake of this unexpected international momentum, Aegror has signed a management deal with Extreme Management Group (New York) — one of the leading management companies in the global metal scene. This partnership marks a decisive step into the band’s next phase, opening the door for expanded international strategy, new industry networks, and long-term career development while preserving the artistic independence that defines the project. A Concept of Control, Corruption, and CollapseReign of Disease expands Aegror’s long-standing narrative surrounding the interdimensional entity Plaguebreeder, who establishes dominion over humanity by infiltrating and corrupting the world’s most essential institutions and societal functions. On a metaphorical level, this thematic arc reflects real-world dynamics — crises, manipulation, and societal decay — serving as a dark commentary on the fragility of human systems. Despite these themes, Aegror remains strictly unpolitical. The band does not promote any ideological position and explicitly distances itself from all forms of violence, extremism or hatefulworldviews. The narrative is a work of fiction and atmospheric storytelling, shaped by horror, psychology, and speculative dystopia. A New Era for AegrorRecorded, mixed, mastered and designed by Abyssus, the album marks the rebirth of a project once close to dissolution and now revitalized with a clear artistic vision, a rapidly expanding international reach, and the backing of a world-class management team. The band is now preparing with close friends and fellow musicians for live performances and upcoming tours. Listen to "Reign of Disease":Bandcamp: https://aegror.bandcamp.com Less

HIGHGATE Unleash Northern Kentucky Doom on Prophecies Of Eternal Horror Northern Kentucky has always had a little grit in its soil, and HIGHGATE are proving it’s fertile ground for something seriously heavy. The Bluegrass State’s resident sludge... More

HIGHGATE Unleash Northern Kentucky Doom on Prophecies Of Eternal Horror Northern Kentucky has always had a little grit in its soil, and HIGHGATE are proving it’s fertile ground for something seriously heavy. The Bluegrass State’s resident sludge crushers have officially joined the roster at Horror Pain Gore Death Productions for the release of their new full-length album, Prophecies Of Eternal Horror. And yeah, the title tells you exactly what you’re in for. Emanating from the hills of Northern Kentucky, HIGHGATE deliver a doom-soaked, sludge-caked howl that sounds like it’s been dragged through years of struggle, economic strain, and late-night existential dread. This is not background music. This is the soundtrack to staring down the abyss and daring it to blink first. Prophecies Of Eternal Horror is a bleak and unflinching examination of the world as it burns. The record grapples with global war atrocities, religious fanaticism, and class warfare, stacking lyrical bodies sky high while the riffs crawl forward like a tank rolling over cracked pavement. There’s no sugarcoating here. Just weight. Massive, oppressive, chest-crushing weight. The first single, “At Paranoia’s Poison Door,” sets the tone with a blackened doom battle cry aimed straight at authoritarian overreach. The band describes it as a warning shot against a government that prefers its citizens scared, divided, and docile. The refrain “crawl to your masters” hammers home the track’s central theme, the frightening ease with which power structures can condition people into submission. It’s ugly. It’s confrontational. It’s meant to be. Musically, HIGHGATE sit comfortably in the lineage of sonic devastation carved out by bands like Grief, Primitive Man, Mizmor, Eyehategod, and Rwake. Think suffocating atmospheres, punishing tempos, and vocals that sound like they’ve been torn from the throat of something buried alive. This is the kind of doom that doesn’t just knock on the door. It kicks it in and sets up shop. HIGHGATE is:Greg Brown – vocalsSteve Porter – battery & vocalsJamie Porter – guitar, bass & vocals Three men. One mission. Absolute sonic annihilation. With the backing of Horror Pain Gore Death Productions and a record that refuses to flinch in the face of modern collapse, HIGHGATE are poised to drag their brand of Northern Kentucky despair to a much wider audience. If you like your doom traditional, your sludge filthy, and your message blunt as a hammer to the skull, Prophecies Of Eternal Horror belongs on your radar. Turn it up. Let it crush you. Then hit repeat. https://highgatedoom.bandcamp.com/ Less

Brutal Christian death metal force King’s Hammer is locked, loaded, and ready to detonate. On February 27, 2026, the band will unleash their debut full length album, The Color Of The Soul, through a strategic partnership between Broken Curfew... More

Brutal Christian death metal force King’s Hammer is locked, loaded, and ready to detonate. On February 27, 2026, the band will unleash their debut full length album, The Color Of The Soul, through a strategic partnership between Broken Curfew Records and Rottweiler Records. It is a calculated strike in a scene that rewards precision and punishes hesitation. The record arrives hot on the heels of the crushing single “Earth Slam,” released February 13, and builds on the momentum generated by their critically acclaimed 2025 EP To Speak In Tongues. If that EP was the warning shot, The Color Of The Soul is the full barrage. King’s Hammer doubles down on everything that defines them. Relentless blast beats. Punishing, down-tuned riffs. Vocals that sound like they were dragged up from the abyss. But beneath the sonic violence lies unwavering lyrical conviction rooted in unapologetic Christian faith. There is no compromise here. No softening of edges. No watering down of message. In today’s hyper-saturated music landscape, where new releases drop every hour and disappear just as fast, this collaboration between Broken Curfew Records and Rottweiler Records is more than a business move. It is a deliberate effort to amplify underground metal that might otherwise get buried in the algorithm. By combining platforms, audiences, and promotional firepower, the two labels are cutting through the noise with something that demands attention. King’s Hammer stands firmly in the tradition of extreme metal while pushing forward with sharpened production and more disciplined songwriting. The band’s sound is tighter, darker, and more focused than ever. There is an atmosphere here that feels both confrontational and reverent. It is brutal, yes, but it is purposeful. Every riff hits with intent. Every lyric carries weight. This is not trend chasing. This is not chasing streams. This is conviction forged in distortion. Prepare for the onslaught on February 27, 2026. The hammer falls soon. Order your copy at the King's Hammer bandcamp page:https://kingshammerrr.bandcamp.com/track/earth-slamhttps://kingshammerrr.bandcamp.com/album/the-color-of-the-soul Further Information:https://www.rottweilerrecords.com/https://brokencurfewrecords.wixsite.com/homehttps://www.facebook.com/RottweilerRecords/https://www.facebook.com/brokencurfewrecords Less

Thy Sanatorium Announce Self-Titled Debut Album Out April 24, 2026 There’s something cool about a band that lets the music do the talking first and the names come second. No hype circus. No overexposed backstory. Just atmosphere, riffs, and a... More

Thy Sanatorium Announce Self-Titled Debut Album Out April 24, 2026 There’s something cool about a band that lets the music do the talking first and the names come second. No hype circus. No overexposed backstory. Just atmosphere, riffs, and a vision. That’s exactly how Thy Sanatorium are stepping into the spotlight with their self-titled debut, Thy Sanatorium, set for release on April 24, 2026. The anonymous multi-national collective has been quietly building momentum with three singles that introduced listeners to their horror-drenched fusion of melodic death, black, and gothic metal. Now, with an eight-track full-length, they’re expanding that sonic world into something deeper, darker, and more immersive. This isn’t just extreme metal for the sake of extremity. The band threads horror through the album as a narrative backbone. The themes feel unsettling but strangely familiar, like flipping through a forgotten nightmare that somehow still hits close to home. There’s a deliberate sense of pacing here. The record moves with intention, balancing raw force with brooding melody and gothic nuance. The album was produced by founding member and lead guitarist Aries at The Sanatorium Studio, with mastering handled by Colin Davis of VILE at Imperial Mastering. That final polish gives the record clarity without sanding down its edge. It still bites. It just bites clean. “This all started as a single song that we released just a few months ago,” says Aries. “It began with ‘Torment’, then suddenly here we are. I’m excited for the full album to be out in the world. Everyone involved brought their own talents and unique style. That’s why Thy Sanatorium sounds fresh and a little different, while still staying familiar and respectful to the genres we blend.” That balance is key. You can hear the reverence for bands like Opeth, Dimmu Borgir, and Children of Bodom, but this isn’t imitation. It’s evolution. The melodic leads cut sharp, the blackened passages bring the frost, and the gothic elements add atmosphere without watering anything down. Line-up:Ra – VocalsAries – GuitarsNyx – Guitars & VocalsCrux – Bass & VocalsRemus – Piano & KeysPyxis – Drums The self-titled debut Thy Sanatorium drops April 24, 2026 on all major streaming platforms, as well as vinyl and CD formats for those of us who still like to hold the music in our hands. Because some records deserve to be experienced on wax with the lights low and the volume up. Follow the band here:https://www.instagram.com/p/DVEsjVCjzXH/ If the singles were the warning shot, this full-length is the door kicking open. Website: https://www.thysanatorium.comBandcamp: https://thysanatorium.bandcamp.comYouTube: https://www.youtube.com/@ThySanatoriumInstagram: https://www.instagram.com/thysanatoriumBluesky: https://bsky.app/profile/thysanatorium.bsky.social Less

FOR IMMEDIATE RELEASE Metal Devastation PR Clients Crystal Skull and W T M Featured in Latest Issue of Rock Hard Magazine Metal Devastation PR is thrilled to announce that our clients Crystal Skull and W T M have received glowing reviews in the... More

FOR IMMEDIATE RELEASE Metal Devastation PR Clients Crystal Skull and W T M Featured in Latest Issue of Rock Hard Magazine Metal Devastation PR is thrilled to announce that our clients Crystal Skull and W T M have received glowing reviews in the latest issue of the legendary Rock Hard Magazine. This issue also features Black Sabbath on the cover, alongside Doro, Dark Angel, Scorpions, and many more metal icons. Crystal Skull – Arcane TalesFormed in 2007 by three Italian veterans of bands like Silverbones and Future Is Tomorrow, Crystal Skull delivers a full-throttle Fantasy Power Metal experience on their latest release, Arcane Tales. Drawing inspiration from Blind Guardian and mid-era Running Wild, the album cranks the anthem factor to eleven. Arcane Tales earned a 7.5/10 rating from Stefan Glas of Rock Hard Magazine. Fans can grab the digipak at crystalskullwarriors.bandcamp.com. W T M – Witness The MadnessW T M brings together Danish musicians and Italian vocalist Marica Moire to deliver a diverse mix of melodic Heavy Metal with Prog and Modern Metal elements. Former Artillery vocalist Michael Bastholm Dahl joins Ole Quist (bass) and Peter Mogensen (drums) for a dynamic sonic journey ranging from crushing riffs to intricate, Hammond-infused passages. Witness The Madness was also rated 7.5/10 by Stefan Glas, who praised the album’s variety and technical depth. Fans can explore the band’s sound via YouTube by searching “wtmband.” Metal Devastation PR continues to support and promote artists pushing the boundaries of metal, and we’re proud to see Crystal Skull and W T M featured in one of the world’s premier metal publications. For press inquiries, interviews, or additional information: zach@metaldevastationradio.com Grab the issue here https://www.rockhard.de/ausgaben/rock-hard-vol-462 Check out the bands at these links: https://metaldevastationradio.com/thebeast/blog/27739/crystal-skull-unleashes-epic-new-album-arcane-tales-out-june-25-2025-via-underground-symphony https://metaldevastationradio.com/thebeast/blog/27863/wtm-hits-1-on-kxci-913-fms-heavy-chart Less

FOR IMMEDIATE RELEASE West Tennessee Doom Four-Piece Burnt Witch Unleash Crushing New EP Dopelich West Tennessee – Rising from the smoke and swamp of West Tennessee, Burnt Witch are dragging slow, crushing riffs straight through the mud with the... More

FOR IMMEDIATE RELEASE West Tennessee Doom Four-Piece Burnt Witch Unleash Crushing New EP Dopelich West Tennessee – Rising from the smoke and swamp of West Tennessee, Burnt Witch are dragging slow, crushing riffs straight through the mud with the release of their new EP Dopelich, out now as an independent release as of February 13, 2026. Burnt Witch is a doom and sludge four-piece dealing in suffocating heaviness, occult atmosphere, and Southern grit. Built on fuzz-drenched bass, monolithic riffing, cavernous drums, and vocals that swing from blues-soaked cleans to unhinged screams, the band channels the oppressive weight of classic doom while keeping one boot planted firmly in Tennessee soil. Formed from a shared obsession with bands like Electric Wizard, Crowbar, and Eyehategod, Burnt Witch craft songs that feel summoned rather than written. Their sound leans into hypnotic repetition, bleak atmospheres, and grooves that hit like a slow collapse. It is immersive. It is uncomfortable. It lingers. The band recently caught the attention of Weedian, who featured Burnt Witch with the following praise: “Burnt Witch is a West Tennessee doom/sludge band delivering crushing low-tuned riffs, occult atmosphere, and slow, punishing heaviness rooted in Southern grit. They bring a unique twist to the doom genre that could only be achieved in the deep south, melding clean bluesy vocals with extreme screams, and groovy stoner riffs with soul crushing slams and spacy leads. From the ritual sacrifice of biker cults, to fortune tellers, to evil wizards with drug problems, you won't wanna miss what Burnt Witch brings to the table.” That kind of recognition from a respected name in the underground doom community only reinforces what Dopelich proves front to back. Released February 13, 2026, Dopelich pushes deeper into the smoke. The EP blends sludge-soaked aggression with creeping doom textures that feel both familiar and freshly unearthed. Each track unfolds like a ritual, thick with tension and drenched in distortion. Early reactions have already started turning heads: “Move over Electric Wizard, here comes Burnt Witch!”- Reaper’s Underground, Black Flame Entertainment & Tracks of the Damned Podcast “Doom is not supposed to save the world. It is supposed to scorch it one riff at a time.”- Zach Moonshine, Metal Devastation Radio “Dopelich will take you on a ride that will leave you feeling like you are deep in Occult ritual, begging for more.”- Cody Gray, Defiler Magazine & Tracks of the Damned Podcast Burnt Witch have also appeared on The Zach Moonshine Show via Metal Devastation Radio and on Tracks of the Damned Podcast with Reaper, further cementing their presence in the underground heavy scene. Fans of Dopethrone, Weedeater, Electric Wizard, Crowbar, Eyehategod, Dopelord, Down, Superjoint Ritual, Brainoil, Cough, and Coffinworm will find plenty to sink into here. Stream Dopelich now:https://distrokid.com/hyperfollow/burntwitch/dopelich-ep For press inquiries, interviews, or further information, contact zach@metaldevastationradio.com Burnt Witch are not here to be clean. They are here to be crushing. Check out this promo video and get ready!  [jrEmbed module="jrYouTube" youtube_id="rXOKAZhJVYw"] Connect:  https://distrokid.com/hyperfollow/burntwitch/dopelich-ephttps://open.spotify.com/artist/19WSxNJAzrFZoivgL0f5Pehttps://burntwitch.bandcamp.com/album/dopelich-ephttps://www.facebook.com/burntwitch75/https://www.instagram.com/burnt_witch75/https://music.apple.com/us/artist/burnt-witch/1865047179https://shop.tonethreads.com/collections/burntwitchburntwitch75.com Contact: burntwitch75@gmail.com Less

FOR IMMEDIATE RELEASE UNMERCIFUL Unleashes James “Freight Train” Lee on Vocals for Maryland Deathfest Debut Kansas death metal powerhouse UNMERCIFUL is set to make their first-ever appearance at Maryland Deathfest 2026, and they’re bringing a... More

FOR IMMEDIATE RELEASE UNMERCIFUL Unleashes James “Freight Train” Lee on Vocals for Maryland Deathfest Debut Kansas death metal powerhouse UNMERCIFUL is set to make their first-ever appearance at Maryland Deathfest 2026, and they’re bringing a very special guest along for the carnage. James “Freight Train” Lee—renowned for his monumental work with Origin on III, Echoes of Decimation, and Antithesis—will be stepping in on vocals, delivering an unforgettable performance of UNMERCIFUL’s relentless death metal assault. The band shared the news directly: “Our first ever performance at Maryland Death Fest is just 3 months away. With that, we want to announce a very special guest that will be performing on vocals. This man is none other than the almighty James ‘Freight Train’ Lee!!! Hearing him performing our material will be something NOT to miss!! Also, Trynt is still dealing with some health issues, so Andy Vincent will be handling the relentless drum duties. We are in the process of booking some shows around this time (May 20th–May 28th). More information on show dates and venues coming soon. We look forward to delivering an unforgettably crushing set! We will see you all soon.” Following the recent tour cancellation with Vitriol and Weeping due to drummer availability, UNMERCIFUL is back stronger than ever, promising fans a blistering return to the stage. Their latest album, Devouring Darkness (Willowtip Records), has already been hailed as a brutal triumph: “Devouring Darkness is an unceasing beatdown of a death metal album where technicality takes a backseat to brutality.” – Angry Metal Guy “Malicious guidance does well to hold their focus tight on bludgeoning brutal death metal here, an ideal ratio of unreal skill and severe impact.” – Mystification Zine “Unmerciful are among us to blast our ears with Brutal Death Metal at its finest.” – The Headbanging Moose “A swirl of riffs will wrap themselves around you like a coiled snake, and the drums will cave your head in.” – Dead Rhetoric With longtime guitarist Jeremy Turner returning and Josh Riley debuting on vocals, UNMERCIFUL continues to define the cutting edge of American death metal. The record was engineered and produced by Clinton Appelhanz at Waveworks Studio, mastered by Alan Douches (Cannibal Corpse, Hate Eternal), with artwork by Santiago Francisco Jaramillo. Fans can expect crushing new performances and select shows leading up to Maryland Deathfest. UNMERCIFUL’s blend of technical ferocity and unrelenting brutality guarantees that this set will be one for the ages. Stay tuned for full tour dates and ticket information. Devouring Darkness is available now wherever extreme metal is consumed. https://deathfests.com/  Follow the band at these links: https://www.facebook.com/officialunmerciful/https://www.instagram.com/official_unmercifulhttps://music.apple.com/us/artist/unmerciful/173905522https://open.spotify.com/artist/1A7qyjUuQGJTkOL8LUmmtGhttps://www.pandora.com/station/play/98443676228797847https://www.iheart.com/artist/unmerciful-393849/?autoplay=truehttps://www.deezer.com/us/artist/81522 Contact: unmercifulbooking@gmail.com Less

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, BROKEN TRINITY, crushed the... More

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, BROKEN TRINITY, crushed the competition with a staggering 46,705 VOTES, claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE! This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR! How does it work?Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST. Each Friday night, at the start of The Zach Moonshine Show, I’ll be spinning the Top Six weekly winners, and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud! At the end of the month, all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month! Winning Band of the Month gets: A featured post on our Facebook page, reaching thousands of fans A front-page spotlight on metaldevastationradio.com, which pulls in hundreds of thousands of views every month A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more Airplay every hour during general rotation Tons of social media shares and exposure across our network If you want the world to know who your band is, this is the easiest way to make it happen! 💥 Want in on the next battle?Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line. Bands can compete as many times as they want, and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title! 👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, February 27th at 9PM EST! 👇 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 02/23/26 - 02/27/26 Less

Beyond Creation Return with New Single “Reverence” Canadian technical death metal titans Beyond Creation rise from the ashes with their first new song in eight years. Celebrating the 15th anniversary of their landmark debut The Aura on a Latin... More

Beyond Creation Return with New Single “Reverence” Canadian technical death metal titans Beyond Creation rise from the ashes with their first new song in eight years. Celebrating the 15th anniversary of their landmark debut The Aura on a Latin American tour, the Montréal four-piece—Independent Music and Lit Music Award winners and Canadian Grammy nominees—deliver a stunning reminder of why they’ve become a cornerstone of modern progressive death metal. Metal Hammer hails the band’s comeback as “…a triumph for technical prowess, songwriting suss and passion,” and fans will find that description more than apt in “Reverence”. A Phoenix Rising From the outset, Beyond Creation carved their own path by blending brutal technicality with progressive curiosity and memorable melodies. Their new single continues that legacy. Simon Girard, vocalist, guitarist, and lyricist, explains: “Our new single explores the fragile line between clarity and illusion, between introspection and insanity, where the search for meaning can either elevate us or consume us. But the truth is simple and powerful: the moment you stop comparing and start focusing on who you truly are and what you genuinely want to express, something beautiful happens. You create from a place of honesty. You grow with purpose.” Watch the music video for “Reverence” on the [jrEmbed module="jrYouTube" youtube_id="64f4SKak_IY"] Exclusive Reverence merch is available via Loudtrax,and Beyond Creation’s full discography can be found on Season of Mist. The Sound of True Metal “Reverence” opens with uninhibited creativity, as Girard and guitarist Kevin Chartré trade riffs and ideas honed over 15 years together. But the track doesn’t shy from the crushing weight of expectation. Girard screams over chugging riffs: “Thrown into a sea of endless thoughts / A quiet war within my core.” The song’s tension mirrors the internal struggle that many musicians face in a world dominated by social media comparisons. Girard elaborates: “The more we compare, the further we drift from our true selves and our authentic voice. We feel our ideas lack value, our techniques insufficient, and our identity flawed. But once we stop with the comparisons, we free ourselves to grow.” Drummer Philippe Boucher guides the band through complex, maze-like rhythms, while bassist Hugo Doyon-Karout lifts the coda with mind-bending runs, elevating the track to a higher plane of technical brilliance. A Visual Experience Directed by Francois Bertrand and Girard himself, the Reverence video features actor Etienne Defresne and showcases a cinematic approach that mirrors the track’s themes of struggle, introspection, and ultimate triumph. Key visual credits include: Director of Photography: Francois Bertrand Editor & Visual Effects: Simon Girard Key Grip: Raphaël Fortin Makeup Artist: Elycia St. Amand Praise for Beyond Creation “…a go-to act for the tech-side of death metal for the better part of this decade” – Dead Rhetoric “…there are still extremely few musicians that can sound like Beyond Creation” – Heavy Blog is Heavy “…might just be the pinnacle of modern tech-death” – Angry Metal Guy “The kind of technical death metal band that I can really get behind” – BangerTV With “Reverence”, Beyond Creation prove they are not just returning—they are redefining the standard for technical death metal once again. Less