BLACK LABEL SOCIETY Drops Music Video For New Single "Name In Blood" Ahead Of Engines Of Demolition Album Release BLACK LABEL SOCIETY has rolled out the official music video for its newest single "Name In Blood", shot by longtime visual partner... More

BLACK LABEL SOCIETY Drops Music Video For New Single "Name In Blood" Ahead Of Engines Of Demolition Album Release BLACK LABEL SOCIETY has rolled out the official music video for its newest single "Name In Blood", shot by longtime visual partner Justin H. Reich of Three Thirty-Three Creative. The track marks the fourth single from the band’s upcoming studio album Engines Of Demolition, due out March 27 via MNRK Heavy. The new single follows "Broken And Blind", "The Gallows", and "Lord Humungus", continuing a campaign that has BLS fans worked up the way they used to get for new Ozzy LPs at the record store. The album will clock in with 15 tracks, including "Ozzy’s Song", an obvious nod to Zakk Wylde’s decades-long partnership with Ozzy Osbourne — and let’s be honest, nobody else has earned the right to write that tune. New Music Video Fueled by Riffs, Sweat, and Wylde’s Signature Tone The "Name In Blood" video plays to the band's strengths: muscular riffs, Wylde’s unmistakable pinch harmonics, and that biker-bar-but-epic aesthetic the band practically trademarked. Reich’s been shooting this crew for years, so the visuals feel locked-in and lived-in rather than overproduced. From an SEO angle Black Label Society "Name In Blood" music video, Black Label Society Engines Of Demolition, and Zakk Wylde new album are already trending phrases across the metal web, proving that nearly three decades in, BLS still moves the needle. Zakk Wylde on Songwriting: "It Always Starts With the Riff" If you’ve been following Wylde for any amount of time, his approach hasn’t changed: riffs first, everything else after. Speaking to Rebel Radio 92.5 FM back in May 2025, Wylde put it in plain language: "For me, it always starts with the riff… Especially with the heavy stuff, for me it's usually always the riff. And the riff will dictate where the song's going." Same philosophy. Same results. If it ain’t broke, don’t fix it. In another 2025 chat with American Musical Supply, Wylde admitted that having a home studio made the whole process more efficient, not more precious: "Most the time when we would do a record, it's just like there's an implosion of ideas… Even with 'The Gallows' and 'Lord Humungus', it was just kinda like I was jamming on 'em in my weight room on my amp… put a melody to it… we recorded it just then." No spreadsheets. No committee meetings. Just riffs, reps, and results. That’s how rock used to be made and frankly, it’s refreshing to see someone still do it that way. Engines Of Demolition Track Listing For fans planning ahead — and vinyl collectors already refreshing their browser — here’s the full tracklist: 1. Name In Blood2. Gatherer Of Souls3. Hand Of Tomorrows Grave4. Better Days & Wiser Times5. Broken And Blind6. The Gallows7. Above & Below8. Back To Me9. Lord Humungus10. Pedal To The Floor11. Broken Pieces12. The Stranger13. Ozzy’s Song14. Name In Blood (Unblackened)15. Lord Humungus (Unblackened) From Ozzy’s Wingman to Metal Pillar Wylde formed BLACK LABEL SOCIETY in 1998, building the band in between constant touring and studio work with Ozzy Osbourne. For anyone keeping score, Zakk’s been at Ozzy’s side for nearly four decades, appearing on classic records like No More Tears, Ozzmosis, and Black Rain. Guitar World’s put him on their cover more than some players have sold records. With nearly a dozen studio albums under their belt, BLACK LABEL SOCIETY has sold millions, charted high, and stayed on the road when a lot of bands from their era quietly checked out. Order Of The Black (2010) and Catacombs Of The Black Vatican (2014) both cracked the top five on the hard rock charts. Not bad for a band born out of riffs and stubbornness. Current Lineup BLACK LABEL SOCIETY 2026 remains: Zakk Wylde – vocals, guitar, pianoJohn "JD" DeServio – bassJeff Fabb – drumsDario Lorina – guitar Photo credit: Justin Reich (courtesy of 30 Miles North PR) [jrEmbed module="jrYouTube" youtube_id="u4C0g5gFr1Y"] Less

FOR IMMEDIATE RELEASE Divisions of Grandeur Unveil Debut Album The Prevalence of Suffering North Carolina / Florida’s Funeral Doom Visionaries Deliver a Crushing, Symphonic Statement North Carolina / Florida – January 2026 – Emerging from the... More

FOR IMMEDIATE RELEASE Divisions of Grandeur Unveil Debut Album The Prevalence of Suffering North Carolina / Florida’s Funeral Doom Visionaries Deliver a Crushing, Symphonic Statement North Carolina / Florida – January 2026 – Emerging from the shadows of North Carolina and Florida, Divisions of Grandeur announces the wide release of their debut album, The Prevalence of Suffering. Originally soft-released in July 2025, the album is now available for streaming and download via Bandcamp, offering a bleak, immersive journey into the depths of symphonic funeral doom. Formed in 2018 after years of incubation, Divisions of Grandeur channels the mournful atmospheres of genre titans like Evoken, Disembowelment, Skepticism, and My Dying Bride. With deliberate, crushing riffs and sprawling compositions, their music evokes a weighty, cinematic despair that slowly envelops the listener—a musical experience that is as emotionally heavy as it is sonically massive. Recorded, mixed, and mastered by Andrew and Liam at Room Two Studio in Sylva, NC, The Prevalence of Suffering captures the band’s full vision of sorrow and monumental heaviness. Each track is a meticulously crafted descent into a world of slow, oppressive, and symphonic doom, a testament to the band’s dedication to atmosphere and emotional resonance. “This album is our statement on the human condition, framed through the lens of funeral doom,” says the band. “It’s about confronting despair, immersing in it, and finding a strange sense of catharsis in the weight of suffering.” The Prevalence of Suffering is now available for streaming and purchase at https://divisionsofgrandeur.bandcamp.com/album/the-prevalence-of-suffering Genre: Symphonic Funeral DoomFor fans of: Evoken, Disembowelment, Skepticism, My Dying Bride Media Contact: zach@metaldevastationradio.com Connect with the band: https://www.facebook.com/divofgranhttps://youtube.com/@divisionsofgrandeurhttps://divisionsofgrandeur.bandcamp.com/album/the-prevalence-of-suffering Contact for the Band:Andrew Gammill, b102dth@hotmail.comLiam Hamning, dead_mans_eyes@yahoo.com Less

FOR IMMEDIATE RELEASE BABYLON A.D. RELEASE NEW SINGLE “POWER OF MUSIC” FROM LATEST ALBUM WHEN THE WORLD STOPS Out now via Kivel Records & Apocalypse RecordsPresave/stream: https://babylonad.hearnow.com/power-of-music Hard rock veterans... More

FOR IMMEDIATE RELEASE BABYLON A.D. RELEASE NEW SINGLE “POWER OF MUSIC” FROM LATEST ALBUM WHEN THE WORLD STOPS Out now via Kivel Records & Apocalypse RecordsPresave/stream: https://babylonad.hearnow.com/power-of-music Hard rock veterans Babylon A.D. have dropped their new single “Power Of Music”, taken from the band’s sixth studio album When The World Stops, released September 3rd, 2025 through Kivel Records and Apocalypse Records. Written by vocalist/songwriter Derek Davis, the single serves as a tribute to the artists and genres that shaped him coming up — from the soul of Motown and early blues pioneers to the classic rock and arena bands that defined his generation. Musically, the track hits the gas with a high-energy melodic punch that sits comfortably alongside the band’s established hard rock grit. The accompanying music video intercuts live shots of the band with archival performance footage from influential artists across decades, underscoring the song’s message and title. ABOUT THE ALBUM — WHEN THE WORLD STOPS Track listing:01. When The World Stops02. Come On Let’s Roll03. Don’t Ask Questions04. Love Is Cruel05. Toxic Baby06. I Don’t Believe In You07. Power Of Music08. Torn09. The Damage Is Done10. Oh Suki11. Sadness Madness Produced, mixed, and engineered by Derek Davis at BADMOFO’s Recording Studio in Pleasanton, CA. CURRENT LINEUP Derek Davis — Vocals, Guitar, KeyboardsRon Freschi — Guitar, Backing VocalsJohn Matthews — GuitarDylan Soto — Drums, Acoustic GuitarCraig Pepe — Bass, Backing Vocals ABOUT BABYLON A.D. Formed in 1987 in the San Francisco Bay Area and originally known as The Persuaders, Babylon A.D. signed to Arista Records under Clive Davis after a Los Angeles showcase. Their 1990 self-titled debut reached gold status and delivered MTV-era staples including “Bang Go The Bells” and “The Kid Goes Wild,” the latter appearing in the trailer for RoboCop 2. Following their 2024 album Rome Wasn’t Built In A Day, the band returned to steady touring throughout the U.S., U.K., and Greece, backing a renewed period of momentum for the long-running Bay Area outfit. RELEASE DETAILS Artist: Babylon A.D.Single: Power Of MusicAlbum: When The World StopsAlbum Release Date: September 3, 2025Label: Kivel Records / Apocalypse RecordsGenre: Hard Rock Official Website: https://babylonad.comManagement: Malla Entertainment Check them out on YouTube and subscribe! [jrEmbed module="jrYouTube" youtube_id="uS3e1O2OQck"] Connect with the band:  https://smarturl.it/whentheworldstopshttps://babylonadband.com/https://www.facebook.com/Babylonadband/https://www.youtube.com/@babylonadbandhttps://www.bandsintown.com/a/68848-babylon-a.d.https://www.instagram.com/babylonad_/ Contact: Shawn Davis - babylonadofficial@gmail  Less

FOR IMMEDIATE RELEASE DISTANT’S “NOTHING LEFT TO HATE” NAMED ONE OF REVOLVER MAGAZINE’S BEST NEW SONGS New Video Out Now Via Century Media Records Metal Devastation PR is proud to announce that Dutch deathcore powerhouse DISTANT has officially... More

FOR IMMEDIATE RELEASE DISTANT’S “NOTHING LEFT TO HATE” NAMED ONE OF REVOLVER MAGAZINE’S BEST NEW SONGS New Video Out Now Via Century Media Records Metal Devastation PR is proud to announce that Dutch deathcore powerhouse DISTANT has officially earned a spot on Revolver Magazine’s Best New Songs list with their latest single and video “Nothing Left to Hate,” released through Century Media Records. Revolver highlighted the track on January 9th, praising DISTANT for their uncompromising heaviness and sharpened songwriting approach. In their feature, Revolver wrote: “There’s plenty to love about ‘Nothing Left to Hate.’ Dutch deathcore outfit Distant go for the throat with a steely, slam-driven single full of exquisitely inky grooves and harmonized pinch squeals that soar through the air like a squadron of blood-thirsty barn owls. Wrapped in metaphorical chains, vocalist Alan Gnja bellows through personal-failures-focused lyrics in which he explains he’s dragging the ghosts of every past self around like he’s Jacob fucking Marley.” With its crushing tone, meticulous production and focus on personal reckoning, “Nothing Left to Hate” continues DISTANT’s forward momentum as one of the most dominant forces in modern heavy music. The band’s latest video for the single is streaming now and continues to generate global attention across metal media outlets and fan communities alike. Metal Devastation PR congratulates DISTANT on the well earned recognition and salutes Revolver Magazine for continuing to spotlight heavyweight acts pushing the scene forward. Watch the “Nothing Left to Hate” video now and witness why the song is turning heads across the metal world. [jrEmbed module="jrYouTube" youtube_id="4U-cKUpPkQ0"] Check out the feature: https://www.revolvermag.com/feature/6-best-new-songs-right-now-1-9-26/ The band comments:“‘Nothing Left To Hate’ is DISTANT at full destructive force. Thicker riffs, deeper grooves, and a raw dive into self-destruction and chaos. This track is built for circle pits, rage workouts, and letting the anger out.” The release lands just days before DISTANT hit the road with Sylosis for a massive European tour beginning January 16, putting the band in front of thousands of new fans across the continent. The momentum follows an already relentless run, including the Evisceratour across the USA and Canada with Ingested and Ov Sulfur, plus their own Dutch Xmas Special supporting the local scene. DISTANT have become one of the defining forces in modern European deathcore. Blending brutal death metal, slam, noise, and beatdown with a hyper-dissonant atmosphere of impending doom, the band has evolved far beyond their early metalcore roots formed among friends in Rotterdam and Bratislava. What remains is pure sonic annihilation, refined and weaponized. DISTANT – TOUR DATES 2026 DISTANT w/ Sylosis, Revocation, Life Cycles: Jan. 16, 26 (DE) Oberhausen - KulttempelJan. 17, 26 (DE) Hamburg - GruenspanJan. 18, 26 (DE) Berlin - Hole44Jan. 19, 26 (DK) Copenhagen - PumpehusetJan. 21, 26 (FIN) Helsinki - Tavastia ClubJan. 23, 26 (SE) Stockholm - Fryshuset KlubbenJan. 24, 26 (NO) Oslo - John DeeJan. 25, 26 (SE) Göteborg - PustervikJan. 27, 26 (DE) Nürnberg - HirschJan. 28, 26 (DE) Wien - SzeneJan. 29, 26 (DE) München - BackstageJan. 30, 26 (HUN) Budapest - Barba NegraJan. 31, 26 (CZ) Prague - MeetFactoryFeb. 1, 26 (DE) Karlsruhe - SubstageFeb. 3, 26 (CH) Zürich - DynamoFeb. 4, 26 (AT) Dornbirn - Conrad SohmFeb. 5, 26 (IT) Milan - Legend Club MilanoFeb. 6, 26 (FR) Villeurbanne - La RayonneFeb. 7, 26 (ES) Barcelona - SalamandraFeb. 8, 26 (ES) Madrid - Sala MON Live MadridFeb. 10, 26 (FR) Paris - La Machine du Moulin RougeFeb. 11, 26 (NL) Haarlem - PatronaatFeb. 12, 26 (BE) Gent - Vierde ZaalFeb. 13, 26 (NL) Eindhoven - DynamoFeb. 14, 26 (DE) Dresden - Reithalle DresdenFeb. 15, 26 (PL) Kraków - Klub KwadratFeb. 17, 26 (DE) Frankfurt - ZoomFeb. 18, 26 (DE) Hannover - Musikzentrum HannoverFeb. 20, 26 (UK) London O2 Forum Kentish TownFeb. 21, 26 (UK) Manchester - O2 Ritz ManchesterFeb. 22, 26 (IE) Dublin - The Academy May 10, 26 (US) Daytona Beach, FL - Welcome to Rockville Jun. 18–21, 26 (BE) Dessel - Graspop Metal MeetingJun. 24, 26 (CZ) Pilsen - Basinfire FestivalJun. 26–27, 26 (DE) Leipzig - Impericon FestivalJun. 27, 26 (NL) Ysselsteyn - Jera On AirJul. 4, 26 (ES) Viveiro - Resurrection FestOct. 31, 26 (DE) Göppingen - Core Fest Listen / Stream / Pre-save:https://distantband.lnk.to/NothingLeftToHate-Single Connect with the band:  https://linktr.ee/DistantOfficialhttps://distantofficial.com/https://www.instagram.com/distantofficial/https://www.facebook.com/DistantOfficialhttps://twitter.com/distantnlhttps://distantofficial.com/pages/epk Contact: Distantbandnl@gmail.com Less

Rotting Christ Announce 2026 North American Tour with Behemoth, Deicide and Immolation Greek extreme metal legends Rotting Christ are gearing up for a full-scale North American assault in 2026, joining forces with Behemoth, Deicide and Immolation... More

Rotting Christ Announce 2026 North American Tour with Behemoth, Deicide and Immolation Greek extreme metal legends Rotting Christ are gearing up for a full-scale North American assault in 2026, joining forces with Behemoth, Deicide and Immolation for The Godless IV Tour. After thirty five years in the trenches, Sakis Tolis and company are showing zero interest in slowing down. If anything, they’re swinging harder than ever. Fresh off the release of their fourteenth studio album Pro Xristou and the massive live set 35 Years of Evil Existence: Live in Lycabettus, the band is now adding live firepower to their already busy schedule. A re-recorded version of their groundbreaking album Aealo is set to drop on January 23, keeping momentum rolling straight into tour season. Metal Injection summed up the current era with blunt admiration: “Even after a mind-blowing thirty five years and fourteen records, Rotting Christ might actually be at their very best right now”. A True Legends Tour, Not a Nostalgia Trip The Godless IV trek isn’t one of those “four bands share a poster and nobody remembers who played what” situations. This is a rare alignment of lifers from the early days of extreme metal who actually survived the wars. Between them, these bands built entire subgenres and influenced half of the scene that came after. As Sakis himself put it, this is a run with bands that have been “in the metal scene since its creation” and are still out there playing the real dark stuff. The tour hits 24 dates across the US and Canada, with Rotting Christ bowing out of select festival plays and location-specific dates. Fans looking for something extra grim should mark Maryland Deathfest on the calendar. That appearance will be Rotting Christ’s first time at MDF and will feature an exclusive old-school set drawn from Thy Mighty Contract, Non Serviam and other early classics from 1989 through 1995. That’s the kind of set most fans assumed would never happen again. Tickets are available now at the band’s official site. https://www.rotting-christ.com/en The Godless IV Tour Dates (with Behemoth, Deicide, Rotting Christ and Immolation except where noted) A Band That Refuses to Fade Out Quietly While some veteran bands try to coast on name recognition, Rotting Christ continue to write new material that actually moves units and impresses critics. Pro Xristou earned some of the strongest reviews of their career: Metal Hammer called it “their most accessible – and perhaps most magnificent – album yet”. No Clean Singing praised its arena-ready sound. Blabbermouth highlighted the importance of their new live album as a historical document. Heavy Music HQ noted the band’s stamina, saying they show “no signs of slowing down or stopping any time soon”. The upcoming Aealo re-recording is also stirring interest. When it dropped in 2010, Aealo pushed cultural and historical influences into black metal long before it became fashionable. Angry Metal Guy noted that it shows the band “thinking outside the box”, while Last Rites highlighted its mythical, geographical flavor — elements the Tolis brothers have always known how to wield without turning their music into a museum exhibit. What’s Next Pro Xristou and 35 Years of Evil Existence: Live in Lycabettus are available now through Season of Mist, and Aealo (Re-Recorded) lands January 23. If the current pace is any indication, this next chapter isn’t about victory laps or coffee table retrospectives. It’s about staying creative, staying active and staying dangerous. And honestly, it’s refreshing to see a legacy band that treats its legacy as fuel instead of a cushion. [jrEmbed module="jrYouTube" youtube_id="gmsVeuuKiw0"] Less

FOR IMMEDIATE RELEASE ABRASHED Returns With Debut Album Unfinished Business — A Raw, Progressive Thrash Statement Release Date: October 13, 2025Genre: Heavy Metal / Progressive / ThrashFor Fans Of: Megadeth, Helmet, Tool Stream and download:... More

FOR IMMEDIATE RELEASE ABRASHED Returns With Debut Album Unfinished Business — A Raw, Progressive Thrash Statement Release Date: October 13, 2025Genre: Heavy Metal / Progressive / ThrashFor Fans Of: Megadeth, Helmet, Tool Stream and download: https://www.submithub.com/link/abrashed-unfinished-business In a metal scene often obsessed with polish and perfection, ABRASHED emerges as a bold reminder that true artistry comes from grit, fire, and unfinished business. Formed during the isolation of the COVID lockdowns, ABRASHED channels raw emotion, decades of untapped creativity, and a fearless DIY ethos into their debut album, Unfinished Business. What began as a reunion between founding members Cliff David Greenberg and guitarist Sean McMechen to revisit their metal roots quickly evolved into something much larger. With drummer and songwriter Eddie Gresely joining the mix, the trio embraced improvisation, remote collaboration across Florida and New Jersey, and a relentless drive to create something authentic. The result is an album that fuses crushing riffs, complex rhythms, and introspective melodies into a sound that defies simple classification. "In a world chasing polished perfection, ABRASHED stands as a testament to raw creation fueled by decades of unfinished business and unbreakable grit," says the band. "This is DIY stripped to the bone. A restless fire that refused to dim. A fierce declaration that true art is made, not manufactured." Early reactions are already buzzing: Stampede: "Angst-driven vocal performance and I can hear the rip-roaring guitar, kick and fierce drumming!" Fineline: "I really loved how the percussions give that marching type of vibe and your vocals really shine through." Storm: "I really enjoy the groovy melodies—it's definitely a banger that makes me want to nod along to the rhythm." Self-produced out of Stuonenine Studios by Cliff Greenberg, Sean McMechen, and Eddie Gresely, with mixing and mastering by Greenberg, Unfinished Business embodies ABRASHED’s signature tagline: “Where melody meets heaviness — Abrashed forges powerful, introspective metal that hits both heart and mind.” For interviews, review copies, and media inquiries regarding ABRASHED and their debut album Unfinished Business, contact: zach@metaldevastationradio.com Check out this video: [jrEmbed module="jrYouTube" youtube_id="C-krwl7ISVw"] Connect with the band: https://abrashed.com/https://www.facebook.com/profile.php?id=61577920151886https://www.instagram.com/abrashedmusic Contact: abrashedmusic@gmail.com Less

FOR IMMEDIATE RELEASE Everyperson Emerges from the Shadows with Darkly Cinematic Metalcore Synthwave Fusion Masked, mysterious, and mercilessly heavy, Everyperson is carving out a new lane in modern heavy music. Everyperson, the anonymous... More

FOR IMMEDIATE RELEASE Everyperson Emerges from the Shadows with Darkly Cinematic Metalcore Synthwave Fusion Masked, mysterious, and mercilessly heavy, Everyperson is carving out a new lane in modern heavy music. Everyperson, the anonymous rising force in metalcore, is gaining traction with a genre bending blend of crushing riffs, glitch driven electronics, and neon soaked synthwave atmospheres. Pairing cinematic soundscapes with emotionally charged vocals, Everyperson creates a sonic world where raw heaviness collides with digital futurism. Formed with the intent to push heavy music into unfamiliar territory, Everyperson fuses metalcore intensity with immersive electronic textures. Taking inspiration from Architects, Northlane, Bad Omens, Bring Me the Horizon, Sleep Token, and The Midnight, Everyperson explores themes of identity, resilience, and psychological fracture in a world that feels increasingly unreal. The upcoming 2026 EP, The Beginning of Endings, marks the project’s most ambitious output to date. A cinematic journey through impermanence, digital decay, and emotional rebirth, the record balances glitchy synths, crushing guitars, massive breakdowns, and atmospheric hooks without sacrificing cohesion or weight. Recent singles like Subluxation, Grenade, and Higher Ground spotlight Everyperson’s ability to combine punishing heaviness with electronic depth. Tracks swing from tense, claustrophobic passages to cathartic release like a twisted sci fi score built for a collapsing metropolis. On stage, Everyperson matches the intensity. High energy performances, dynamic vocal shifts, and masked visual aesthetics turn the live show into a neon lit experience that feels cinematic rather than just loud for loud’s sake. Fans of Dayseeker, Gunship, and Spiritbox will find familiar ground in Everyperson’s world. With the debut release Fathoms already online and momentum building, the masked architect of Everyperson is positioning this project to leave a serious impact on modern heavy music. Stream and download Fathoms here: https://everypersonband.bandcamp.com/album/fathomsDiscover more: https://linktr.ee/everyperson Connect with the band: https://m.facebook.com/Everypersonband/https://www.instagram.com/everypersonband/ Contact: grejarra@gmail.com Less

FOR IMMEDIATE RELEASE Korbo Returns with Ambitious Concept Album Amnésiste; Lead Single “Sans Maintenant” Out Now French progressive metal innovators Korbo are back with their highly-anticipated follow-up to 2024’s debut 6ème Extinction. Their... More

FOR IMMEDIATE RELEASE Korbo Returns with Ambitious Concept Album Amnésiste; Lead Single “Sans Maintenant” Out Now French progressive metal innovators Korbo are back with their highly-anticipated follow-up to 2024’s debut 6ème Extinction. Their new album, Amnésiste, drops March 13th, 2026, continuing the band’s exploration of progressive metal’s boundless possibilities. Ahead of the album, the lead single “Sans Maintenant” has already arrived January 16th, with its official video releasing January 23rd. Formed in 2018 by guitarists Aaron Djéla and Léa Périgois, Korbo carved their niche by blending the thunder of metal riffs with the unpredictability of progressive rock. Drawing inspiration from bands like Porcupine Tree, Mastodon, and King Crimson, the band delivers complex, evolving compositions that take listeners on medley-like journeys through shifting musical landscapes. After establishing a solid lineup in early 2024, Korbo hit the road, performing across French cities including Paris, Lyon, and Strasbourg, and expanding internationally with shows in Luxembourg and Belgium. Their debut album, 6ème Extinction, showcased the band’s signature fusion of melodic, acoustic atmospheres with heavy, distorted riffs, tackling themes from ecological emergency to existential unease. Amnésiste is a conceptual tour de force exploring the harrowing reality of Alzheimer’s disease. Each track acts as a fragment of a forgotten tale, immersing listeners in a visceral narrative of struggle, anger, and isolation. Across its five vibrant tracks, the album traces the story of a character grappling with memory loss, the quest for meaning, and the emotional void left by absence and longing. “Amnésiste is an ambitious and conceptual album that dives us deep down into the hellish state of a person suffering from Alzheimer. This forgotten tale, of which each song is a fragment, draws us ever so deeper into this atmosphere of struggle, anger, loneliness, and wandering,” says Korbo. Production Credits: Produced by Aaron Djéla & Léa Périgois Mixed by Jean-Luc Pagni Mastered by Raphaël Jonin Management: Syna Music Consulting Pre-save the album and explore the immersive universe of Korbo: https://snd.click/mgms Fans of progressive metal and rock won’t want to miss this journey through memory, loss, and sonic experimentation. Amnésiste promises a compelling, emotionally charged experience that cements Korbo’s place among the most inventive acts in European progressive music today. Check out the video premiere: [jrEmbed module="jrYouTube" youtube_id="l4ppw87d_D4"] Connect with the band:   https://www.facebook.com/people/Korbo/61555116524473/https://www.instagram.com/korbo_officielhttps://www.youtube.com/@Korbo_officielhttps://korbo1.bandcamp.com/album/6-me-extinctionhttps://open.spotify.com/intl-fr/artist/0K57EE9j2YCoM8KKASBnS3https://music.apple.com/us/artist/korbo/1774542600https://www.deezer.com/fr/album/658960521 https://snd.click/mgms Contact:  Management: simone@syna-music-consulting.com  Band: korbocontacts@gmail.com Less

Few acts in the modern pagan world have carved out their own lane quite like Eihwar. Folk N Rock wasn’t exaggerating when they said the duo has been hard to ignore. With their strange brew of Nordic folk ritual and electro-industrial sweat, Eihwar... More

Few acts in the modern pagan world have carved out their own lane quite like Eihwar. Folk N Rock wasn’t exaggerating when they said the duo has been hard to ignore. With their strange brew of Nordic folk ritual and electro-industrial sweat, Eihwar have gone from underground curiosity to full-blown cult force. After a year hitting battlefields like Wacken Open Air, Midgardsblot and European dates with The Hu, the project now returns to drag the world deeper into what they’ve dubbed Viking War Trance. Today, Eihwar have officially announced their highly anticipated second full length Hugrheim alongside a new music video for its lead single, “Nauðiz.” The track embodies the band’s signature fusion, hammering out a narrative that transformation isn’t chosen, it’s survived. War drums and horns collide with trance-laced chants until the whole thing feels half ritual and half confrontation. The video takes that energy even further with a cinematic, live-action aesthetic. Struck down by her most intimate fear, Asrunn faces annihilation before rising through the protective magic of Mark. Fire becomes both executioner and catalyst, turning “Nauðiz” into a tale of sacred trial and rebirth. Watch the video for “Nauðiz” on Eihwar’s official YouTube channel:[jrEmbed module="jrYouTube" youtube_id="lPlhajTopuk"] Hugrheim Details Hugrheim will be released March 13, 2026 via Season of Mist. Pre-order and pre-save:https://orcd.co/eihwarhugrheimalbum Spotify pre-save:https://open.spotify.com/prerelease/2BDUUsqBy3TbR6HKaFnLnZ/ Available Formats CD Digipak12" Vinyl Gatefold — Black12" Coloured Vinyl Gatefold — Blue, Black & White Marbled12" Coloured Vinyl Gatefold — Magenta, Crystal Clear, Pink & Blue Marbled12" Coloured Vinyl Gatefold — Clear, Blue & Black Marbled12" Feather Filled Vinyl Gatefold Less

Doro Announces Special VIP Celebration for Warlock’s “True as Steel” at Dingbatz Heavy metal royalty is coming back to Jersey. Legendary vocalist Doro Pesch, iconic frontwoman of Warlock and widely hailed as The Queen of Metal, has confirmed an... More

Doro Announces Special VIP Celebration for Warlock’s “True as Steel” at Dingbatz Heavy metal royalty is coming back to Jersey. Legendary vocalist Doro Pesch, iconic frontwoman of Warlock and widely hailed as The Queen of Metal, has confirmed an exclusive VIP event set for March 21 at Dingbatz in Clifton, New Jersey. Doors open at 7 PM with the performance kicking off at 8 PM. This one isn’t just another gig. It marks the anniversary of Warlock’s True as Steel, Doro’s first American album release, originally issued in 1986. That milestone record coincided with her debut promotional tour of the United States, beginning in New York at the height of the eighties metal explosion. For Doro, that first American encounter lit a fuse that never went out. She fell head over heels for the country, the culture and, most importantly, the passion of U.S. metal fans. The creative spark from that tour would propel Warlock’s next studio assault, 1987’s Triumph and Agony, a landmark release that blasted the band to worldwide prominence. That album carried the now-immortal anthem “All We Are,” a sing-along war cry that became a global hit and a defining moment in Doro’s career. Decades later, it remains a fist-pumping staple of heavy metal history. The Dingbatz event promises an extremely up-close acoustic performance with full band, offering an intimate look at Warlock classics from this pivotal era along with updated material. For diehards used to stadium volume and pyro, this is a rare chance to hear these songs stripped down to their emotional core. “True as Steel is very special to me because it was my first American record and the first time I came to the United States, starting in New York,” says Doro. “I fell in love with America immediately. The people, the energy, the metal fans. That experience led directly to Triumph and Agony and ‘All We Are.’ I can’t wait to celebrate this music in such a personal way and spend time with the fans in New Jersey. This will be a night from the heart.” VIP Perks and Collectibles VIP attendees won’t be walking out empty-handed. The package includes: • VIP laminate credential• Signed commemorative poster• Signed photo• Exclusive jacket patch On top of that, fans can expect limited-edition merchandise created specifically for this one-night celebration. It won’t be sold online and it won’t pop up on tour later, so collectors are already circling the date. After the performance, Doro will meet with all VIP ticket holders for photos, additional autographs and a Q&A session. True to her long-running reputation as one of metal’s most fan-centric artists, she’s making sure the night isn’t just nostalgic but personal. Tickets are limited, and they’re already in motion at dingbatzlive.com. Any metal fan who grew up on Warlock or found Doro later in her solo career knows this doesn’t hit the calendar every year. Clifton just became the spot for old-school heavy metal reverence and a slice of living history. Less

Photo credit: Rosa Saul (IG: @disgrace_photography) UK deathcore wrecking crew Bound In Fear have officially lifted the lid on their third full-length album, A Mind Too Sick To Heal, due out March 13, 2026 through Unique Leader Records. The... More

Photo credit: Rosa Saul (IG: @disgrace_photography) UK deathcore wrecking crew Bound In Fear have officially lifted the lid on their third full-length album, A Mind Too Sick To Heal, due out March 13, 2026 through Unique Leader Records. The announcement lands alongside the release of their newest single and video, “Three Knee Deep,” which wastes zero time showing listeners that the band hasn’t softened during their time away from the spotlight. Pre-orders for A Mind Too Sick To Heal are live now in multiple formats, and for anyone keeping score at home, the album also includes their previously dropped single “Sentenced” and the 2025 track “Chasm.” The band bills this record as their most punishing and personal work yet. Judging from the singles, they’re not kidding. [jrEmbed module="jrYouTube" youtube_id="FH99HxLhbRc"] From Underground Brutality to Festival-Stage Force Bound In Fear first crawled out of the UK extreme scene in 2016, quickly gaining attention for their downtempo savagery layered with bleak atmospherics and uncomfortably real lyrical themes. Releases like the Regicide EP and 2019’s The Hand of Violence put them on the map, backed by steady touring through the UK and Europe and a growing fanbase hungry for heavier and darker. Their output in 2021 — the Eternal EP and sophomore LP Penance — pushed deeper into personal territory, detailing vocalist Ben Mason’s upbringing and battles with depression, anger, and abuse. Critics and fans praised the emotional weight, with Distorted Sound Magazine calling Penance “crushing from start to finish.” Then the band disappeared into the workshop for three years. No gimmicks, no forced hype cycle, just silence. In a time when bands struggle to stay “algorithm relevant,” Bound In Fear did it the old-school way and wrote the heaviest record they could muster. The New Era Arrives Now in 2026, the group is ready to re-emerge armed with A Mind Too Sick To Heal, which they describe as: “A crushing statement of intent... our signature suffocating blend of down-tempo brutality and emotional uncomfortable torment... our most punishing and personal album yet. A visceral descent into darkness that won’t loosen its grip.” Honestly, it’s refreshing hearing a band not trying to sell sunshine. Metal was never supposed to be polite. Live Plans Bound In Fear will be hitting the legendary Bloodstock Festival in the UK on August 8, 2026, which feels like a fitting battleground for this new era. Lineup Ben Mason – VocalsSteven Hunt – GuitarSam Mitchell – BassKim Hughes – Drums Bound In Fear online: https://www.instagram.com/boundinfear https://www.facebook.com/boundinfear/ https://open.spotify.com/artist/58P2qDnyWpUDoiCtfHvLTL Less