Stephen James Omen of Post Death Soundtrack Talks BARREN MOTHER OF ALL, Artistic Freedom, AI, Going Against the Grain & the Power of Real Music Post Death Soundtrack founder Stephen James Omen joins The Zach Moonshine Show for a wide-ranging... More

Stephen James Omen of Post Death Soundtrack Talks BARREN MOTHER OF ALL, Artistic Freedom, AI, Going Against the Grain & the Power of Real Music Post Death Soundtrack founder Stephen James Omen joins The Zach Moonshine Show for a wide-ranging conversation about the massive 37-song double album BARREN MOTHER OF ALL, the importance of artistic freedom, the changing music industry, AI, authenticity, his influences, his recording process, and why sometimes the best thing an artist can do is simply say “fuck it” and make the music. There are albums you listen to, and then there are albums you have to spend some time with. BARREN MOTHER OF ALL, the latest release from Canadian experimental heavy music project Post Death Soundtrack, is very much the latter. The massive 37-song double album is the latest chapter in a run of ambitious, sprawling releases that have become a defining part of Stephen James Omen's creative journey. Rather than treating the album like a collection of songs designed to fit neatly into a genre, a playlist, or an algorithm, Omen approaches the music as something much more personal and immersive. During his appearance on The Zach Moonshine Show, Omen explained that the sheer size and scope of the project wasn't necessarily something that was carefully planned from the beginning. It was something that happened because the music kept coming. “It's like falling in love. It doesn't make sense. It's compulsion,” Omen explained. For him, the creative process is about entering difficult places emotionally and coming back with something meaningful. He compared the process to a shaman venturing into frightening, nightmarish territory and returning with a “gem for the tribe.” That philosophy has shaped the last three Post Death Soundtrack albums, all of which have grown into massive projects containing 30 or more songs. BARREN MOTHER OF ALL ultimately reached 37 tracks, something Omen says is intended to be experienced almost like a book, something listeners can pick up, put down, return to and absorb over time. And ultimately, he doesn't see the project as simply another band or another series of releases. “It’s pretty much the mission of my life,” he said. From Metal Bands to a One-Man Creative Force Post Death Soundtrack began in 2006, with Omen serving as the project's founder and primary songwriter throughout its evolution. Before ultimately taking the project in a more solo direction, Omen had already spent years working in other bands and projects, including the punk/thrash metal band Inner Surge and progressive metal project The Unraveling. Eventually, he realized that if Post Death Soundtrack was going to move forward at the pace he wanted, he needed to take control of the process. The reason was simple: working with too many people could mean projects taking too long or never happening at all. That decision is a familiar one for independent musicians. Sometimes the only way to get the music out of your head and into the world is to stop waiting for everyone else to be ready. Omen's approach has increasingly become about embracing that independence rather than fighting it. That mentality is reflected in one of the strongest themes throughout the conversation: don't wait for permission to make your art. Learning From the Artists Who Refused to Play It Safe One of the most interesting parts of the interview was Omen's discussion of the artists who influenced his philosophy as much as his sound. Nine Inch Nails, particularly The Downward Spiral, came up as a major influence. Omen praised the record for taking risks and deliberately pushing against conventional songwriting and production expectations. That led to a larger discussion about artists who reached a certain level of success and then chose to do something unexpected rather than simply repeating whatever had made them successful. Nirvana's In Utero was another major example. Omen pointed to Kurt Cobain's refusal to simply reshape the album into something safer or more commercially acceptable, despite resistance from the record label. Faith No More's Angel Dust and Pantera's decision to become even heavier following Vulgar Display of Power also became part of the conversation. The common thread was obvious: the artists followed the music instead of following the money. For Omen, that's a crucial part of what makes those records special. “Life is not all about that,” he said, discussing the pressure musicians face to constantly ask whether they're making money. The point isn't that making money from music is bad. It's that financial success shouldn't be the only reason to create. Sometimes you make the record because the record needs to exist. Sometimes you make it because you have something inside you that needs to get out. And sometimes you make it because you're simply tired of being told what you're supposed to do. “I Want to Be Difficult” That attitude becomes particularly clear when Omen describes BARREN MOTHER OF ALL itself. “I want to be difficult,” he said. He described the album as radical and said he wants the music to get directly into people's faces. Listeners can embrace it, reject it, pick it up or put it down, but he's not interested in creating something that simply blends into everything else happening around it. Omen described himself as “just a truth teller,” acknowledging that the result isn't always going to be pretty. But that's exactly the point. The music isn't designed to make everybody comfortable. It is designed to communicate something real. Authenticity in the Age of AI The conversation naturally moved into one of the biggest issues facing independent musicians right now: artificial intelligence. Omen's position was blunt. With an enormous volume of music being uploaded to streaming services, he believes authenticity and the human story behind the music are becoming increasingly important. The discussion wasn't simply about whether AI music is good or bad. It was about what happens when music becomes disconnected from the person who created it. For Omen, discovering an artist isn't just about hearing a song. It's about wanting to know who made it. You find the artist's social media. You look up interviews. You learn their story. You follow them. You buy their records. You become invested in what they're doing. That human connection is a huge part of being a music fan. As the conversation pointed out, if there is no person behind the music to discover, interact with or support, that connection simply isn't there. Omen also revealed that more than 60 of his songs have already been scraped by AI systems, making the issue far more personal than an abstract debate about technology. At the same time, he believes AI may eventually settle into more of an editing or production tool rather than completely replacing human creativity. But the human element remains the important part. The flaws, imperfections, stories and experiences behind real music are things a machine can't simply manufacture. Stop Treating Music Like a Casino Another major topic was the economics of independent music. Omen questioned the obsession many musicians have with streaming payouts and the constant question of how quickly they can turn music into money. His philosophy is much more long-term. Build real fans. Build relationships. Give people something worth caring about. He pointed out that an artist doesn't necessarily need millions of casual listeners. A relatively small group of genuinely dedicated fans can become a much more meaningful foundation. The conversation also touched on Bandcamp and how platforms like Bandcamp can provide artists with a more direct relationship with their listeners. Streaming platforms, YouTube, radio and social media can all serve as ways to get the music in front of people. But ultimately, if the music connects with somebody, that person can go looking for the artist and find a way to support them. As Omen put it, the goal shouldn't simply be asking, “Where's my cash?” The goal is to make something that changes culture, changes lives or at the very least connects with another human being. That's an old-school idea, and honestly, it's one worth remembering. Before every song became a data point, people discovered bands because somebody handed them a record, played them a song, wrote about them, or said, “Dude, you have to hear this.” The technology changes. That part doesn't. A Musical Palette That Goes Far Beyond Metal While Post Death Soundtrack certainly carries elements that will appeal to fans of heavy music, Omen's musical influences stretch far beyond traditional metal. He discussed discovering music through Nirvana before moving deeper into artists such as Sepultura, Tool and Skinny Puppy, with industrial music becoming an important influence. But that's only part of the picture. Omen described himself as extremely open musically, with influences ranging from John Coltrane to Andrea Bocelli, industrial music to heavy rap. Trap and drill-inspired beats actually played a role in the creation of BARREN MOTHER OF ALL, adding another unexpected layer to the album's sound. Chief Keef became a particularly interesting point of discussion. Omen talked about the aggression in Chief Keef's work, particularly the way he can suddenly change his vocal delivery and flow, almost flipping a switch and going into battle mode. That influence can be heard in “Red Rum,” where Omen intentionally incorporates that sudden change in energy. It's another example of why trying to categorize Post Death Soundtrack too neatly misses the point. The influences aren't coming from one scene. They're coming from everywhere. The Beauty of Imperfection Perhaps one of the coolest revelations of the interview came when Omen discussed how some of the music on BARREN MOTHER OF ALL was actually recorded. He uses delay, reverb and bit-crushing effects on his vocals and works with a Vox amplifier, Fender Stratocaster and Gibson SG. He also makes extensive use of a Seagull 12-string guitar. But some songs don't involve elaborate studio production at all. Omen explained that he sometimes simply grabs the 12-string, records his voice and guitar on his phone and captures the idea as it happens. Some of those raw recordings ended up on the album essentially as they were. They're not polished. They're not necessarily “properly recorded.” And that's precisely what he likes about them. “There’s some kind of beauty in that,” he explained. It's a fitting philosophy for an album built around authenticity. Sometimes the perfect recording is the one that captures the moment before you have time to overthink it. The Gear Behind the Chaos For those who like getting into the nuts and bolts of how the sounds are created, Omen also talked about his gear. His guitar setup includes a Vox amplifier, Fender Stratocaster, Gibson SG and Seagull 12-string. For effects, he talked about using delay, reverb and bit-crushing effects on vocals, along with EarthQuaker Devices pedals and atmospheric effects such as the Ghost Echo. The goal isn't simply to make a guitar sound like a guitar. The effects themselves can become part of the songwriting process. Omen described how plugging a simple note into an atmospheric effect can completely transform it and inspire an entirely new idea. That approach fits perfectly with Post Death Soundtrack. The equipment isn't being used merely to reproduce a preconceived sound. The equipment becomes part of the experiment. What's Next for Post Death Soundtrack? Despite having just released a gigantic 37-song double album, Omen isn't exactly slowing down. He revealed that there are already more songs in the works, with some recently completed material potentially appearing on a future release. He's also working with the two-man project He Is Me on a full-length album that was described as being nearly finished. Meanwhile, Post Death Soundtrack itself will continue to grow. Omen says the catalog is continually building, with more music and videos on the way. In other words, BARREN MOTHER OF ALL isn't the end of the story. It's another chapter. And judging from the conversation, there are plenty more chapters already being written. “I Want People to Dig In” As the interview wrapped up, Omen had a simple message for anyone discovering Post Death Soundtrack for the first time: Listen to BARREN MOTHER OF ALL. Dig into it. Take your time with it. It's a lot of music, and it's meant to be explored rather than consumed and immediately forgotten. That's probably the best way to approach a 37-song album anyway. Don't throw it on while scrolling through your phone for three minutes and decide you've got the whole thing figured out. Put the damn thing on. Get lost in it. Come back to it. Find the weird parts. Find the heavy parts. Find the beautiful parts. Find the uncomfortable parts. That's what makes a project like Post Death Soundtrack interesting. There is no obvious box to put it in. And Stephen James Omen doesn't seem particularly interested in helping you build one. Listen to the Full Interview Stephen James Omen of Post Death Soundtrack joined The Zach Moonshine Show for one of the most wide-ranging conversations we've had about music, creativity and what it means to remain genuinely independent in an increasingly automated music world. From BARREN MOTHER OF ALL and the philosophy behind the album to Nine Inch Nails, Nirvana, Faith No More, Pantera, Skinny Puppy, Chief Keef, AI, Bandcamp, independent music, recording techniques, gear and the future of Post Death Soundtrack, this one went everywhere. And naturally, we couldn't end the conversation without cranking up “Red Rum”. As Stephen put it during the interview, he wants to make music that is radical, difficult and honest. In a world increasingly filled with polished, predictable and algorithm-friendly content, maybe that's exactly the kind of music we need. Post Death Soundtrack's BARREN MOTHER OF ALL is out now. Listen to the full interview on The Zach Moonshine Show and dig into the world of Post Death Soundtrack. Interview conducted by Zach Moonshine for Metal Devastation Radio. Track List:  Battle Of The Bands Top Six Winners: 1 - Okl's FruitLoops - Scream Of Silence2 - Soul Of Sheol - Paradise Is Not For Us3 - Mistress - Terrified eyes4 - Manuel Saavedra Duarte - Warlock5 - Rēgi - AtgrieÅ¡anās6 - ALIS - Poised To Outlast The Zach Moonshine Intro 7 - Black Sabbath - Black Sabbath (live 1998)8 - Ola Englund - The Ember Saga/DOGMA PROGMA9 - ACCEPT - Balls To The Wall/Fast As A Shark (50th Anniversary editions) Post Death Soundtrack - Interview featuring Queen Bee/Red Rum 10 - Lovage - Stroker Ace11 - Nine Inch Nails - Terrible Lie/Right Where It Belongs12 - Dan Lorenzo - Silver Lined Cyanide Serenity13 - Heretic - Reckoning14 - Wizard Tattoo - Part I The Fall15 - Hellfrost - Swamp Body16 - Black Altar - Infernal Damnation17 - The End of Melancholy - Halo18 - James Legendforge - The Witchfinder's Flame19 - Fight - Human Crate/Into The Pit/Contortion Listen to the full show recap on Mixcloud: Check out the interview clips on Spotify, YouTube, Apple etc: [jrEmbed module="jrYouTube" youtube_id="rXFRymmRmP4"] https://podcasts.apple.com/us/podcast/the-zach-moonshine-show/id1533618474 Less

FOR IMMEDIATE RELEASE HERETIC’S “SHAPE OF THINGS TO COME” FEATURED BY BLABBERMOUTH In Case You Missed It: Blabbermouth Spotlighted the Southern California Metal Veterans Ahead of Their New Album’s Release Los Angeles, CA – August 2026 –... More

FOR IMMEDIATE RELEASE HERETIC’S “SHAPE OF THINGS TO COME” FEATURED BY BLABBERMOUTH In Case You Missed It: Blabbermouth Spotlighted the Southern California Metal Veterans Ahead of Their New Album’s Release Los Angeles, CA – August 2026 – Southern California heavy metal veterans HERETIC are celebrating the release of their latest album, Shape Of Things To Come, now available worldwide via Candlepower Records, while taking a moment to highlight a major piece of media coverage that may have flown under the radar. Ahead of the album's July 24 release, Blabbermouth featured HERETIC and Shape Of Things To Come, shining a spotlight on the band's latest chapter and their continued commitment to classic heavy metal. In the feature, Blabbermouth described HERETIC's approach as taking the band's songs to new levels with “pure intensity and grit.” That description is fitting for a band that has been delivering heavy metal since its formation in Los Angeles in 1985. Founding guitarist and songwriter Brian Korban discussed the inspiration behind Shape Of Things To Come, explaining that he wanted to pay tribute to the classic metal bands and early HERETIC recordings that helped shape the band's identity. “I made a conscious effort to create songs with a wide spectrum of styles. You will hear thrash, slow songs that end fast, an acoustic ballad and medium-paced power riffs. I couldn't be more pleased with the results.” The album was produced by Steve Watson at Watson House Studios in Pasadena, California, with the goal of capturing the band's live power while giving the songs the production they deserve. Watson, who is also a longtime HERETIC fan, offered high praise for the finished record, stating that with Shape Of Things To Come, “HERETIC takes a stand that they are, more than ever, a heavy metal band to be reckoned with.” Now that Shape Of Things To Come is officially out, HERETIC invites longtime fans and a new generation of metalheads to discover the 12-track album for themselves. From thrash and power riffs to slower material, an acoustic ballad, and plenty of classic heavy metal fire, Shape Of Things To Come showcases a band embracing its history without simply living in it. HERETIC Brian Korban – GuitarAngelo Espino – BassStewart Fujinami – GuitarJulian Mendez – VocalsSean Scott McCormick – Drums Formed in 1985, HERETIC made their mark with “Impulse” on Metal Blade Records' Metal Massacre VII, followed by the acclaimed releases Torture Knows No Boundary and Breaking Point. Following their initial run, founding member Brian Korban went on to form REVEREND before reforming HERETIC in 2011. The band has since released A Time Of Crisis (2012) and A Game You Cannot Win (2017), while their legacy was documented in the 2023 film Don't Turn Your Back - The Story Of Heretic. With Shape Of Things To Come, HERETIC continues that legacy with a record that proves the fire is still burning. SHAPE OF THINGS TO COME IS OUT NOW VIA CANDLEPOWER RECORDS. Read the Blabbermouth feature:https://blabbermouth.net/news/los-angeles-metal-veterans-heretic-to-release-new-album-shape-of-things-to-come-via-candlepower-records Listen to / purchase “Shape Of Things To Come”:https://hereticmetal.bandcamp.com/album/shape-of-things-to-come Press inquiries: zach@metaldevastationradio.net Connect:  https://www.facebook.com/HERETICUSA/https://hereticmetal.bandcamp.com/album/shape-of-things-to-comehttps://open.spotify.com/artist/7pZiZSupZWd6m41meizeWAhttps://music.apple.com/us/artist/heretic/218145641 Candlepower Recordshttps://candlepowerrecords.com/contact Less

FOR IMMEDIATE RELEASE James Legendforge Unleashes Cinematic Power Metal Debut “The Witchfinder’s Flame” Ahead of Upcoming Album UK Independent Artist Combines Dark Fantasy Storytelling, Symphonic Metal Grandeur, and AI-Assisted Production in a... More

FOR IMMEDIATE RELEASE James Legendforge Unleashes Cinematic Power Metal Debut “The Witchfinder’s Flame” Ahead of Upcoming Album UK Independent Artist Combines Dark Fantasy Storytelling, Symphonic Metal Grandeur, and AI-Assisted Production in a Bold New Chapter of Modern Metal Listen / Pre-Save “The Witchfinder’s Flame”:https://distrokid.com/hyperfollow/jameslegendforge/the-witchfinders-flame-2?ref=release Purchase the Album:https://jameslegendforge.bandcamp.com/album/the-witchfinders-flame United Kingdom-based independent power metal project James Legendforge has opened the gates to a new world of cinematic storytelling with the release of debut single “The Witchfinder’s Flame,” the first chapter in an ambitious multi-release campaign leading toward the upcoming debut album The Witchfinder’s Flame, arriving September 20, 2026. Blending symphonic power metal, melodic hard rock, dark fantasy themes, and dramatic orchestration, James Legendforge creates an immersive sound built around epic melodies, anthemic choruses, and stories of myth, conflict, transformation, and inner struggle. “The Witchfinder’s Flame” introduces listeners to a world of ancient fears, judgement, and defiance. Driven by soaring vocal melodies, powerful guitar work, theatrical arrangements, and a cinematic atmosphere, the track captures the feeling of a legendary tale brought to life through modern metal production. “The Witchfinder’s Flame is the first spark of the James Legendforge world, a dark, cinematic power metal track about fear, judgement and defiance. It brings together my own lyrics and original vocal source recordings with AI-assisted production to create something that feels huge, cinematic, theatrical and completely true to the story I wanted to tell.” — James Legendforge The creative force behind the project, UK artist James Spreadbury, brings together original songwriting, human-created lyrics, and original vocal source recordings with AI-assisted production tools supporting arrangement, instrumentation, sound design, and studio effects. This unique approach allows James Legendforge to achieve the scale and atmosphere of a full production team while maintaining a personal and independent creative vision. The debut single is only the beginning. The upcoming release campaign will continue with additional singles including “Alter Ego – The Beast Within” arriving August 2, 2026, and “The Grip of Insanity” arriving August 23, 2026, before the full 10-track debut album The Witchfinder’s Flame is unleashed on September 20, 2026. Drawing inspiration from the worlds of fantasy, folklore, history, and personal reflection, James Legendforge delivers melodic metal for fans of Dionysus, Rhapsody, Avantasia, and listeners who crave powerful hooks, epic arrangements, and music that tells a story. With “The Witchfinder’s Flame,” James Legendforge begins a journey where myth meets melody, and where the past, present, and imagination collide in a blazing new era of independent metal. Release Details Artist: James LegendforgeRelease: “The Witchfinder’s Flame”Release Date: July 19, 2026Upcoming Album: The Witchfinder’s FlameAlbum Release Date: September 20, 2026Genre: Cinematic / Symphonic / Melodic Power Metal / Melodic Hard RockLabel: Independent / Self-Released via DistroKid Credits Lyrics: James Spreadbury / James LegendforgeOriginal Vocal Source Recordings, Melodies & Creative Direction: James Spreadbury / James LegendforgeArrangement, Instrumentation, Production Support, Sound Design & Studio Effects: AI-assisted production workflow utilizing Suno and related digital audio toolsFinal Mastering / Audio Preparation: Mixea Mastering via DistroKid Management: Self-managed / Independent Artist For interviews, reviews, airplay, and promotional inquiries:zach@metaldevastationradio.net Connect: https://www.facebook.com/JamesLegendforgehttps://www.instagram.com/jameslegend4ge/https://jameslegendforge.bandcamp.com/album/the-witchfinders-flamehttps://open.spotify.com/artist/0W36BM1n049tr1JJzMhp42https://music.apple.com/us/artist/james-legendforge/6790153873 Contact: James.legendforge@hotmail.com Less

FOR IMMEDIATE RELEASE BLEEDING ANTLERS Return With Darker, Heavier Sophomore Album Songs of Praise Out August 22, 2026 For Fans of Pallbearer, Candlemass, and Type O Negative Six years after emerging from the shadows with their critically... More

FOR IMMEDIATE RELEASE BLEEDING ANTLERS Return With Darker, Heavier Sophomore Album Songs of Praise Out August 22, 2026 For Fans of Pallbearer, Candlemass, and Type O Negative Six years after emerging from the shadows with their critically acclaimed debut Stagmata, UK doom metal collective Bleeding Antlers return with their long-awaited sophomore album, Songs of Praise, arriving August 22, 2026. Born from what was originally meant to be nothing more than a stag party adventure across Europe in 2016, Bleeding Antlers transformed an unlikely brotherhood into one of underground doom's most distinctive voices. Blending crushing doom metal with progressive rock, sleaze, folk shanties, and gothic atmosphere, the band has carved out a sound that is both theatrical and deeply immersive. Where Stagmata introduced the world to Bleeding Antlers, Songs of Praise pushes their vision even further into the darkness. "Stagmata was us finding the sound of Bleeding Antlers. Songs of Praise is us learning what to do with the silence around it. More space, more weight, and a lot darker in tone than Stagmata." Produced, mixed, and mastered by Simon Bismarck, Songs of Praise presents seven haunting compositions that explore temptation, loss, mythology, mortality, and spiritual conflict. Despite its title, this is no traditional hymnbook. These are songs of devotion aimed toward altogether different altars. From the apocalyptic groove of "When the Sun Bursts" to the folk-horror atmosphere of "Meet Me in the Woods at Midnight," the Norse-inspired weight of "Fimbulwinter," and the haunting reinterpretation of Lana Del Rey's "Blue Jeans," the album offers a diverse yet cohesive journey through doom-laden storytelling. It concludes with "Crooked Lines," an epic meditation on faith, temptation, and the eternal struggle between light and darkness. Track Listing The Devil of MariazellMeet Me in the Woods at MidnightBlue JeansWhen the Sun BurstsThe Ghost of Oliver ReedFimbulwinterCrooked Lines Bleeding Antlers first captured attention with Stagmata, earning widespread praise throughout the underground metal community. Critical acclaim for Stagmata: "Behind the satyr masks and cloven-hoofed animal obsession they have genuinely excellent songs and an album that draws you in with each listen."4.5/5 – Emerging Rock Bands Magazine "Perhaps the finest set of sleazy psychedelic doom shanties ever committed to record."The Metal Show "Folk-goth glamour, Hammer-horror camp and drunken satanic swagger... you'd have a hell of a good time."No Clean Singing "Stagmata is the sound I wish Metallica had evolved into after Reload."7.5/10 – Rock Hard Greece To celebrate the release, Bleeding Antlers will embark on a series of UK headline performances beginning in September, followed by appearances at Rustfest, North West Doom Fest, Godivageddon, and additional festival dates extending into 2027. With Songs of Praise, Bleeding Antlers have crafted an album that is darker, more dynamic, and more emotionally powerful than its predecessor while remaining unmistakably their own. Equal parts cathedral doom, occult folk tale, and drunken midnight sermon, the record stands as the band's boldest statement to date. Album Information Artist: Bleeding Antlers Album: Songs of Praise Release Date: August 22, 2026 Genre: Doom Metal For Fans Of: Pallbearer, Candlemass, Type O Negative Produced, Mixed & Mastered By: Simon Bismarck Band Lineup Simon Bismarck – VocalsGood Luke – GuitarPrince Ben – BassBad Luke – Brown NotesGhost Pete – Drums & Vocals Check out the video:  [jrEmbed module="jrYouTube" youtube_id="BBxTEWlofAk"] Listen / Pre-Save / Follow Pre-Save: https://bleeding-antlers.ffm.to/songsofpraiseLinktree: https://linktr.ee/BleedingAntlersBandcamp: https://bleedingantlers.bandcamp.comWebsite: https://bleedingantlers.com Email: Bleedformedonington@gmail.com Less

FOR IMMEDIATE RELEASE METAL DEVASTATION RADIO AND PR CLOSE IN ON 30 MILLION TOTAL VIEWS July Growth Pushes Underground Metal Platform to 29.9 Million Views With Historic Milestone Within Reach The countdown is on. Metal Devastation Radio and... More

FOR IMMEDIATE RELEASE METAL DEVASTATION RADIO AND PR CLOSE IN ON 30 MILLION TOTAL VIEWS July Growth Pushes Underground Metal Platform to 29.9 Million Views With Historic Milestone Within Reach The countdown is on. Metal Devastation Radio and Metal Devastation PR have continued their unstoppable growth, adding 369,317 views during July 2026 and pushing the platform's all-time total to an incredible 29,928,478 views. With less than 75,000 views remaining before reaching the historic 30 million view milestone, Metal Devastation is closer than ever to achieving one of the biggest milestones in its history. Built from the ground up through dedication, independent spirit, and a relentless commitment to underground heavy music, Metal Devastation continues proving that independent metal media can reach a worldwide audience without corporate backing or industry gatekeepers. JULY KEEPS THE UNDERGROUND MOVING The July numbers continue to show the strength and reach of the Metal Devastation community: 369,317 total views 88,000 active users 86,000 new users 1.2 million tracked events, including article views, radio streams, submissions, clicks, and fan engagement 957,000 Google Search impressions Those numbers pushed Metal Devastation's lifetime view count from 29,559,161 to 29,928,478. The next milestone is already in sight. 30 million views is within reach. FROM THE FRONTLINES "Watching this continue to grow is absolutely incredible," says Zach Moonshine. "Every month proves what happens when independent artists, fans, media, and supporters come together. These numbers aren't just statistics. Every view represents someone discovering a band, hearing a new song, reading an interview, or finding an artist they may have never encountered otherwise." "We're less than a milestone away from 30 million views, and that achievement belongs to everyone who has supported Metal Devastation over the years." BUILT BY THE UNDERGROUND, FOR THE UNDERGROUND Behind every number is a worldwide community keeping heavy music alive: Independent bands creating powerful new music Labels supporting the next generation of metal Promoters and publicists creating opportunities Media outlets covering the scene DJs sharing new sounds with listeners worldwide Fans discovering and supporting underground artists Metal Devastation Radio delivering heavy music around the clock Tennessee Metal Devastation Music Fest bringing the community together in person Every article, interview, stream, submission, premiere, and share continues expanding the reach of underground metal. SEARCHING FOR METAL Search visibility continues to be one of Metal Devastation's strongest growth engines. During July alone, Metal Devastation generated 957,000 Google Search impressions, helping connect fans with underground bands, breaking news, interviews, reviews, festival coverage, and new music discoveries. Every search is another chance for an independent artist to be discovered. THE FINAL PUSH TO 30 MILLION The road that started with a passion for heavy music is now approaching another historic milestone. Metal Devastation Radio and PR will continue supporting independent artists, promoting new releases, interviewing legendary musicians and rising talent, covering the underground scene, and providing a worldwide platform for bands that deserve to be heard. "The numbers are exciting, but the real victory is the community behind them," Moonshine adds. "Thirty million views represents millions of moments where someone connected with heavy music. That's what this has always been about." THANK YOU This milestone belongs to every musician, listener, label, promoter, venue, festival organizer, journalist, DJ, and supporter who continues standing behind independent heavy music. The underground doesn't wait for permission. It builds its own stage. And together, we're about to cross 30 million views. About Metal Devastation Radio and PR Founded in 2013, Metal Devastation Radio and Metal Devastation PR have become leading voices in the global underground metal community. Through 24/7 radio programming, worldwide promotional campaigns, artist interviews, news coverage, festival production, and dedicated support for independent bands, the platform continues connecting heavy music fans across the globe. Contact:Zach Moonshinezach@metaldevastationradio.net Less

Kelly Osbourne Appears To Respond To Sid Wilson Rumors As Slipknot Drama Continues The ongoing speculation surrounding SLIPKNOT turntablist Sid Wilson’s reported departure from the band has taken another unexpected turn after Kelly Osbourne... More

Kelly Osbourne Appears To Respond To Sid Wilson Rumors As Slipknot Drama Continues The ongoing speculation surrounding SLIPKNOT turntablist Sid Wilson’s reported departure from the band has taken another unexpected turn after Kelly Osbourne shared a series of emotional messages on social media that many fans believe were aimed at her former fiancé. Although Osbourne never directly mentioned Wilson by name, the timing of the posts and the subject matter have led many followers to connect the messages to the recent reports surrounding the longtime SLIPKNOT member. In one Instagram Story, Kelly wrote: “Wake the fk up take some responsibility I will not take your st anymore! I’m done. I want to be happy and I have a beautiful son to raise. Leave me alone. let me heal. I can’t protect you from yourself anymore.” She followed that message with another post appearing to address personal matters, writing: “Also while I’m at it can I have my dogs back and all my possessions. Oh yeah and maybe some child support?” Earlier in the series of posts, Osbourne shared the statement: “The loudest defense of the guilty is rarely innocence.” She continued with another message about accountability and blame, writing: “When the mask slips, they don’t face the mirror they throw it at someone else. This is why I always take accountability!” Kelly also reposted quote cards focused on protecting her son and shared music alongside the posts, including songs by Lewis Capaldi and “Love the Hell Out of You.” Kelly Osbourne And Sid Wilson’s Relationship Timeline The posts come several months after Kelly Osbourne and Sid Wilson reportedly ended their engagement. The couple, who share a son named Sidney, born in November 2022, became engaged backstage during BLACK SABBATH’s final concert in July 2025. Reports later indicated that the engagement ended in March 2026. Their relationship had been closely followed by both rock and metal fans, as Wilson’s connection to SLIPKNOT and Osbourne’s longtime place in the rock world made them a high-profile couple. Reports Claim Slipknot’s Split With Sid Wilson Was Long Developing The latest social media developments follow a report from TMZ claiming that Wilson’s reported exit from SLIPKNOT was “a long time coming.” According to the report, the band allegedly decided to part ways with the 49-year-old musician after members had “finally had enough” of issues involving his behavior and interactions with bandmates. TMZ also reported that SLIPKNOT had planned to announce Wilson’s departure themselves but that the announcement was reportedly disrupted after the news leaked before the band’s expected statement. At this time, SLIPKNOT has not publicly released an official announcement confirming Wilson’s departure. Slipknot Members Share Cryptic Messages Amid Fan Speculation Following the reports, several people connected to SLIPKNOT have shared messages online that fans have interpreted as reactions to the situation. Guitarist Jim Root posted a message on Instagram urging fans not to rush to judgment: “Don’t believe every thing you read. Stop. Think. Take a breath. Sit with it for awhile. Maybe. Just maybe even wait until there’s more information.” Root’s post did not directly mention Wilson or SLIPKNOT’s reported lineup changes, but many fans viewed it as a reminder to wait for confirmed information. Mick Thomson’s wife, Stacy Thomson, also shared a message that drew attention from fans. She reposted a humorous quote from the 1986 film Ferris Bueller’s Day Off:  “My best friend’s sister’s boyfriend’s brother’s girlfriend heard from this guy who knows this kid who’s going with a girl who saw Ferris pass out at 31 Flavors last night. I guess it’s pretty serious.” Like Root’s message, Stacy Thomson’s post made no direct mention of Sid Wilson or the reports surrounding SLIPKNOT. However, many fans interpreted the playful quote as a commentary on the growing rumor cycle and the rapid spread of unconfirmed information across social media. Wilson himself has remained publicly silent regarding the reports. His first Instagram post following the rumors focused on promoting his independent merchandise store and did not address SLIPKNOT or the speculation surrounding his status with the band. He later avoided answering questions from photographers who approached him about his reported departure while he was arriving at a recording studio in Los Angeles. Less

FOR IMMEDIATE RELEASE Ola Englund Unleashes New Single and Video "Dogma Progma" Ahead of The Neverending Story Acclaimed guitarist, songwriter, and content creator Ola Englund returns with another crushing preview of his highly anticipated solo... More

FOR IMMEDIATE RELEASE Ola Englund Unleashes New Single and Video "Dogma Progma" Ahead of The Neverending Story Acclaimed guitarist, songwriter, and content creator Ola Englund returns with another crushing preview of his highly anticipated solo album. Metal Devastation PR is proud to announce the release of "Dogma Progma," the brand new single and official music video from Ola Englund. The track is the latest offering from his upcoming solo album, The Neverending Story, arriving October 14, 2026. Following the enthusiastic response to previous singles including "The Ember Saga" and "The Guillotine," Englund continues building anticipation for the album with another powerful display of soaring melodies, crushing riffs, and cinematic songwriting. Watch the official video for "Dogma Progma" here: [jrEmbed module="jrYouTube" youtube_id="_KWZcx_--2w"] Stream, listen, and pre-order The Neverending Story here: https://olaenglund.com/dogma Blending technical precision, memorable hooks, and Ola's unmistakable guitar tone, "Dogma Progma" further showcases the ambitious scope of The Neverending Story. The album promises a dynamic journey inspired by fantasy, cinematic storytelling, and riff driven metal, while highlighting the musicianship that has made Englund one of modern metal's most respected guitarists and creators. Previous singles from the album campaign have earned praise from leading metal media outlets including Metal Injection, BraveWords, Burn, Lambgoat, Metal Anarchy, Metal War, Eternal Terror, The Metal Mag, and The Metallist, helping build excitement for what is shaping up to be one of the year's most anticipated metal releases. The Neverending Story features ten original tracks: The Ember SagaGame OverThe Astral GateDogma ProgmaThe GuillotineMeans to an EndWorld RiftThe First of its KindArtax RebornSun & The Moon Part 2 Known worldwide as the founder of Solar Guitars, a member of Feared, and for his work with The Haunted and Six Feet Under, Ola Englund has become one of modern metal's most recognizable guitarists. His massively successful YouTube channel and dedication to the global guitar community have earned him millions of followers and a reputation that extends far beyond the stage. As anticipation continues to build toward the release of The Neverending Story, "Dogma Progma" stands as another powerful chapter in an album that promises to be Ola Englund's most ambitious solo work to date. Check out the previous videos below:  [jrEmbed module="jrYouTube" youtube_id="MXXMLRD9mz8"] [jrEmbed module="jrYouTube" youtube_id="-yXpa7zCpbM"]  Connect with Ola: https://olaenglundshop.com/https://www.facebook.com/olaenglundhttps://www.instagram.com/olaenglund Less

FOR IMMEDIATE RELEASE HERETIC UNLEASH NEW ALBUM “SHAPE OF THINGS TO COME” VIA CANDLEPOWER RECORDS Los Angeles Metal Legends Deliver 12 Tracks of Classic Heavy Metal Power and Renewed Fury Los Angeles, CA – July 2026 – The wait is over. Heavy... More

FOR IMMEDIATE RELEASE HERETIC UNLEASH NEW ALBUM “SHAPE OF THINGS TO COME” VIA CANDLEPOWER RECORDS Los Angeles Metal Legends Deliver 12 Tracks of Classic Heavy Metal Power and Renewed Fury Los Angeles, CA – July 2026 – The wait is over. Heavy metal veterans Heretic have officially released their highly anticipated new 12-song LP “Shape Of Things To Come” through Candlepower Records, a division of Electracast Media, in partnership with Virgin Music Group/UMG. Formed during the explosive Southern California heavy metal movement of the 1980s, Heretic have spent more than four decades delivering the crushing riffs, powerful songwriting, and uncompromising attitude that define true heavy metal. With “Shape Of Things To Come,” the band proves that their legendary sound remains as powerful and relevant as ever. Produced by Steve Watson at Watson House Studios in Pasadena, California, the album captures the raw energy of Heretic while delivering a modern production that allows every riff, rhythm, and vocal performance to hit with maximum impact. “When I started writing the record, I knew I wanted to pay tribute to classic metal bands and early Heretic records,” says guitarist and longtime creative force Brian Korban. “I made a conscious effort to create songs with a wide spectrum of styles. You will hear thrash, slow songs that end fast, an acoustic ballad, and medium-paced power riffs. I couldn't be more pleased with the results.” Known as true riff masters, Heretic continue their tradition of combining aggressive musicianship with memorable hooks and relentless grooves. Brian Korban’s signature guitar work remains at the center of the band’s identity, guiding a collection of songs that celebrate both the band’s history and their future. Heretic first announced their arrival in 1986 with their appearance on Metal Blade Records’ Metal Massacre VII compilation featuring the track “Impulse.” This introduction helped launch the band into the forefront of the American metal movement and led to the release of their landmark debut album “Torture Knows No Boundary.” Two years later, “Breaking Point” further cemented Heretic’s reputation as one of Southern California’s most powerful heavy metal acts. After lineup changes and evolving musical landscapes, Heretic returned with renewed intensity on “A Time of Crisis” (2012) and “A Game You Cannot Win” (2017), proving their signature sound remained sharp and vital. Their history was further celebrated through the box set “Tortured and Broken,” featuring remastered recordings and rare live footage from the band’s early years. In 2023, Heretic’s legacy was documented in the acclaimed film “Don’t Turn Your Back – The Story of Heretic,” directed by Tanner Poppitt. The documentary premiered to a sold-out Los Angeles audience and screened internationally, chronicling the band’s journey, struggles, achievements, and lasting influence on American heavy metal. Now, with “Shape Of Things To Come,” Heretic enter a powerful new era with the current lineup: Brian Korban – GuitarAngelo Espino – VocalsStewart Fujinami – BassJulian Mendez – DrumsSean Scott McCormick – Guitar Producer Steve Watson reflects on the creation of the album: “Tracking and producing Heretic's Shape Of Things To Come was an honor and a lot of fun. We wanted to capture the power of Heretic live but give the songs the production they deserve. As a fan of Heretic I could not love these songs more, as a friend of Heretic I am very proud of each of them, and as the producer I hope this album touches people the way it touched me.” With “Shape Of Things To Come,” Heretic deliver a commanding statement that proves authentic heavy metal has no expiration date. Packed with crushing riffs, dynamic songwriting, and the unmistakable spirit that built their legacy, the album marks another defining chapter in the band’s ongoing journey. Heretic – “Shape Of Things To Come” is out now via Candlepower Records. Founded by hard rock veterans, Candlepower Records is built by musicians for musicians. The label is led by Hollywood production professional Diego Negrete, a three-time Primetime Emmy Certificate recipient with more than 40 years of television experience, including work with American Idol, The Voice, and Dancing With the Stars. Legendary producer and engineer Bill Metoyer, former Vice President of Metal Blade Records and studio force behind releases from artists including Slayer, D.R.I., Fates Warning, and Dark Angel, oversees production for the label. Stream and purchase “Shape Of Things To Come” now: Shape of Things To Come by Heretic Connect:  https://www.facebook.com/HERETICUSA/https://hereticmetal.bandcamp.com/album/shape-of-things-to-comehttps://open.spotify.com/artist/7pZiZSupZWd6m41meizeWAhttps://music.apple.com/us/artist/heretic/218145641 Candlepower Recordshttps://candlepowerrecords.com/contact Less

FOR IMMEDIATE RELEASE The End of Melancholy Return With Powerful New Single "Halo" Out August 15 | Gothic Alternative Metal Rising From Adversity For Fans Of: Lacuna Coil, Infected Rain, Spiritbox After years of international touring, major... More

FOR IMMEDIATE RELEASE The End of Melancholy Return With Powerful New Single "Halo" Out August 15 | Gothic Alternative Metal Rising From Adversity For Fans Of: Lacuna Coil, Infected Rain, Spiritbox After years of international touring, major support slots, and overcoming extraordinary challenges, Georgia-based gothic alternative metal outfit The End of Melancholy are set to unleash their emotionally charged new single "Halo" on August 15, marking a powerful new chapter for the band. Fronted by haunting female vocals and backed by crushing modern metal instrumentation, The End of Melancholy have spent years carving out their place in the international metal scene. The band has shared stages with artists including Motionless in White, Theatres des Vampires, and Hanzel und Gretyl, while touring extensively across Europe with performances in Poland, Lithuania, France, the Czech Republic, Hungary, Belgium, Switzerland, Estonia, and beyond. One of the band's defining career moments came in 2019 when Chris Motionless personally selected The End of Melancholy as the support act for Motionless in White's show in St. Petersburg. Their momentum continued in 2020 when they signed with renowned European booking agency Massive Music, home to artists including Infected Rain, Nile, Gorgoroth, and Vader. The band has also earned praise from Chris "The Lord" Harms of Lord of the Lost, who publicly shared and complimented their cover of one of his band's songs across social media. Following the release of their acclaimed sophomore album Nature Unleashed in 2021, supported by multiple music videos and an international PR campaign with Maria Ferrero of Adrenaline PR, The End of Melancholy signed with DI Records in the United States before releasing the single "No Karma" in 2023. Now operating independently once again, the band is preparing for the release of their next full-length album while actively seeking the right label and industry partners to help propel the project to the next level. Leading the charge is "Halo," a deeply personal and significant release for the band. "'Halo' is the band's most significant release since being forced to leave Russia. It is only our second release since relocating and marks another important step toward our new full-length album. The song was professionally recorded in the studio and accompanied by a full-scale music video filmed in Georgia. The entire process, from writing and recording the track to producing the video, took approximately one year." Produced by Andrew Petroff, who handled the songwriting, production, studio recording, mixing, mastering, and music video production, with all lyrics written and vocals recorded by Olly Lex, "Halo" showcases the band's continued artistic evolution while delivering the cinematic atmosphere, emotional intensity, and modern heaviness fans have come to expect. With a renewed sense of purpose and years of international experience behind them, The End of Melancholy continue proving that adversity can fuel creativity. "Halo" stands as both a statement of resilience and an exciting preview of what's to come from one of gothic alternative metal's most determined independent acts. "Halo" will be available worldwide on August 15 across all major digital streaming platforms. Pre-Save https://social.tunecore.com/linkShare?linkid=Fa4vxEVqIdvZaUyLvpTCUg Bandcamp Pre-Order https://theendofmelancholy.bandcamp.com/album/halo Linktree https://linktr.ee/theendofmelancholy [jrEmbed module="jrYouTube" youtube_id="CImbcuQDgR8"] Follow The End of Melancholy Facebook:https://www.facebook.com/theendofmelancholy Instagram:https://www.instagram.com/theendofmelancholy Linktree https://linktr.ee/theendofmelancholy Less

FOR IMMEDIATE RELEASE Hellfrost Returns With Savage New Single "Swamp Body" Florida Blackened Death Metal Trio Unleashes Their Latest Swamp-Soaked Assault Naples, FL, August 3, 2026 – Florida blackened death metal powerhouse Hellfrost has... More

FOR IMMEDIATE RELEASE Hellfrost Returns With Savage New Single "Swamp Body" Florida Blackened Death Metal Trio Unleashes Their Latest Swamp-Soaked Assault Naples, FL, August 3, 2026 – Florida blackened death metal powerhouse Hellfrost has unleashed their crushing new single, "Swamp Body," delivering another relentless blast of aggression that showcases the band's signature blend of blistering riffs, thunderous grooves, and feral intensity. The new track is now available on Bandcamp, with streaming on all major digital platforms arriving soon. Listen now:https://hellfrost.bandcamp.com/track/swamp-body More Hellfrost:https://linktr.ee/Hellfrost Opening with a rumbling bass line before erupting into a barrage of crushing drums, razor-sharp guitar work, and venomous vocals, "Swamp Body" captures the dark, untamed spirit of Florida's underground extreme metal scene. The single continues Hellfrost's evolution while staying true to the uncompromising heaviness that has earned them a loyal following. Fans of Trivium, Lamb of God, Shadows Fall, and modern blackened death metal will find plenty to sink their teeth into as Hellfrost delivers another uncompromising slab of metallic fury. Following the release of their previous single, "Bestial Rage," the band shows no signs of slowing down, continuing to build momentum with new music that pushes their sound even further into savage territory. With additional releases on the horizon, Hellfrost is proving that the next chapter of the band is heavier and more aggressive than ever. For interviews, review requests, radio airplay, or additional information, contact: zach@metaldevastationradio.com About Hellfrost Hailing from Naples, Florida, Hellfrost delivers an unrelenting fusion of blackened death metal and modern melodic heaviness. Combining crushing riffs, blistering percussion, and dark, atmospheric intensity, the band continues to carve its own path through the underground metal scene with each new release. Stay connected with Hellfrost for upcoming releases, merchandise, and live announcements: Official Website:https://hellfrostband.com Bandcamp:https://hellfrost.bandcamp.com Linktree:https://linktr.ee/Hellfrost Less