According to Manson, vampirism is just one of the dark themes running through Eat Me, Drink Me. "If I had to do a record review, I'd say it's got a cannibal, consumption, obsessive, violent-sex, romance angle, but with an upbeat swing to it." Aside from the obvious Lewis Carroll and Jesus Christ references, Manson says the album's title was also inspired by the story of Armin Meiwes, who placed an ad online for a person consenting to be eaten.
The Vampire, whom Manson personified during "Eat Me, Drink Me", in one regard is an inversion of the mythology of Christ. Both entities rise from the dead but as Christ offers his body and blood for his disciples to feast upon in communion with him, the vampire as contrary to this, devours the flesh and blood of his victims in order to make them one with him.
The Eat Me, Drink Me era's visuals, was inspired by the iconography of the 1935 Karl Freund film Mad Love. As can be seen within both the album artwork and repeated on the CD single for "Putting Holes in Happiness", we see a closeup of Manson's eye with a heart as the pupil signifying a romantic and newly inspired Manson with literal "hearts in his eyes". In very close relation to the film and artwork of Mad Love, which portrayed an insane and malformed monster of a man who is driven to create his mad abominations by the love of a woman, Manson's eyes can be seen to signify this theme likewise in reflecting how Evan inspired his resurgence of creativity needed to compose the album.
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Video clips taken from “DeathYard” short film
Editing by The Pure Music Factory
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