I interviewed Amadeus for the second time at Raven Records as part of the Black Clouds Over Camden Festival 2025. This time as part of the band Eihort, plus many other projects he is involved in

I interviewed Amadeus for the second time at Raven Records as part of the Black Clouds Over Camden Festival 2025. This time as part of the band Eihort, plus many other projects he is involved in Less

FOR IMMEDIATE RELEASE AGAINST I Confront Critical Divide With “Anti Life” – Sweden Rock Magazine Review Sparks Conversation Around Blackened Death Metal’s Modern Landscape Sweden’s relentless blackened death metal force AGAINST I... More

FOR IMMEDIATE RELEASE AGAINST I Confront Critical Divide With “Anti Life” – Sweden Rock Magazine Review Sparks Conversation Around Blackened Death Metal’s Modern Landscape Sweden’s relentless blackened death metal force AGAINST I continues to command attention with their latest full-length release “Anti Life,” out now via Twisted Flesh Recordings — a record that’s already stirring debate within the extreme metal underground following a newly published review in Sweden Rock Magazine. Penned by critic Jesper Löfvenborg, the review recognizes the band’s staggering output since forming in 2022, noting that AGAINST I have already delivered three full-length albums alongside four EPs in just a few short years — a pace more reminiscent of a bygone era when bands lived in the studio and let the riffs fly fast and often. Described as a “modern, melody-driven death metal with a pronounced darkness,” “Anti Life” showcases the band’s signature fusion of bleak atmosphere and aggressive precision. Frontman Fredrik Keith Croona’s distinct vocal delivery — strained, intense, and emotionally charged — drives the album’s nihilistic themes, reinforced by track titles like “In Death’s Grip,” “Descend,” “Where We Lay to Rest,” and “Symphony for the End.” While the review highlights the album’s strong melodic backbone and shadowy tonal identity, it also places “Anti Life” within the crowded realm of blackened death metal, ultimately awarding the release a 5/10 rating and pointing to the challenges bands face in standing out within an increasingly saturated global scene. Rather than a setback, the critique underscores a larger conversation — one that AGAINST I stands firmly in the middle of. In a genre overflowing with imitators, the band’s unwavering commitment to productivity, evolution, and sonic exploration continues to separate them from the pack. Founded by prolific musician Fredrik Keith Croona (Cynical Existence, ex-Menschdefekt), alongside guitarist Mathias Back and drummer Anders Ström, AGAINST I has built its identity on blending extreme metal brutality with haunting melodic elements and subtle electronic textures. With previous releases like “Carnival of Excess” and “Songs for the Dying,” the band has steadily carved out a space that refuses to play it safe. Their 2025 single “All Hope Is Gone” further pushed that boundary — a cold, punishing track that hinted at the darker and more refined direction realized in “Anti Life.” Self-produced and driven by a fiercely independent ethos, AGAINST I continues to operate without compromise, delivering raw and unfiltered darkness straight to listeners worldwide. In a scene where many fade into the noise, AGAINST I is choosing a different route: consistency, conviction, and a refusal to slow down. Love it or hate it — “Anti Life” is making sure the band stays in the conversation. For fans of: Belphegor, Anaal Nathrakh, The Project Hate MCMXCIX Label: Twisted Flesh Recordings For press inquiries, interviews, or promotional opportunities: zach@metaldevastationradio.com Check out the magazine here: https://swedenrockmagazine.com/ Check out the band here: https://metaldevastationradio.com/thebeast/blog/27346/against-i-announce-new-single-all-hope-is-gone-a-crushing-glimpse-into-their-next-chapter-of-blackened-death-metal Less

Kerry King Set to Record Second Solo Album in April 2026 Thrash metal lifers, buckle up. Kerry King is heading back into the studio this April 2026 to begin work on his second solo album, the follow-up to 2024’s crushing debut From Hell I Rise.... More

Kerry King Set to Record Second Solo Album in April 2026 Thrash metal lifers, buckle up. Kerry King is heading back into the studio this April 2026 to begin work on his second solo album, the follow-up to 2024’s crushing debut From Hell I Rise. If you thought he was going to slow down after Slayer called it a day, think again. The man is keeping the engine running full throttle. New Kerry King Album: What We Know So Far According to recent updates, King already has a solid chunk of material lined up for the new record. He’s been working on lyrics and sharing early ideas with vocalist Mark Osegueda, who’s confirmed the new songs are “vicious.” That’s about as reassuring as it gets if you’re a fan of unfiltered, no-BS thrash. King has made it clear he’s not trying to reinvent the wheel here. Instead, the plan is simple and old-school: build on what worked. Keep it heavy. Keep it aggressive. Keep it moving. Expect the new album to feel like a natural continuation of From Hell I Rise, with that signature razor-wire riffing and street-level attitude that’s defined King’s career for decades. The Band Behind the Mayhem King’s solo lineup is stacked with serious firepower, and thankfully, it looks like that chemistry is staying intact: Mark Osegueda – Vocals Phil Demmel – Guitar Kyle Sanders – Bass Paul Bostaph – Drums That’s not a side project lineup. That’s a full-on metal war machine. Sound Direction: More of the Same, and That’s a Good Thing There’s always that guy asking, “Is he gonna go experimental this time?” Short answer: don’t count on it. King has already hinted that punk elements may still creep in here and there, but the core mission is staying the same. If anything, he’s doubling down on the formula that made From Hell I Rise hit so hard. And honestly, that’s the right call. When you’ve spent decades defining a genre, you don’t chase trends. You set them. Will Josh Wilbur Return? Producer Josh Wilbur played a major role on the debut, bringing a modern punch to King’s old-school aggression. King has openly praised Wilbur’s hands-on approach and lightning-fast workflow in the studio. If schedules line up, expect Wilbur back behind the board. That’s a big deal, because that chemistry helped shape the sound fans got hooked on the first time around. Touring Plans for 2027 Once the album is finished and released, the plan is to hit the road hard in early 2027. King and his band have already signed with Independent Artist Group for representation outside North America, which means a global push is coming. Given how relentless his 2024 and 2025 touring cycles were, you can expect more of the same: Festivals International runs No-frills, high-volume live shows The kind where your ears ring for two days and you’re still smiling about it. Why This Album Matters Let’s call it straight. A lot of legacy artists fade out or play it safe. King isn’t doing either. This second solo album is about proving that the fire didn’t go out with Slayer. If anything, it just found a new outlet. And with a killer lineup, a proven producer, and a clear direction, there’s a real shot this follow-up could hit even harder than the debut. Final Thoughts Kerry King heading back into the studio in April 2026 isn’t just another album cycle. It’s a statement. No gimmicks. No nostalgia act. Just pure, unfiltered metal from a guy who helped write the rulebook in the first place. Stay tuned. This one’s gonna be loud. Less

Chris Barnes Says Cannibal Corpse Feels “Threatened” by His Presence: Inside the Ongoing Death Metal Feud Death metal drama is nothing new, but this one just refuses to die. Former Cannibal Corpse frontman Chris Barnes is once again speaking out... More

Chris Barnes Says Cannibal Corpse Feels “Threatened” by His Presence: Inside the Ongoing Death Metal Feud Death metal drama is nothing new, but this one just refuses to die. Former Cannibal Corpse frontman Chris Barnes is once again speaking out about his split from the band and why a reunion, even for something as big as a Hall of Fame moment, probably isn’t happening. And yeah, he didn’t exactly hold back. Barnes on Cannibal Corpse Reunion: “They Wouldn’t Do It” In a recent interview, Barnes made it clear he’d be open to sharing the stage again with his former band. But according to him, the feeling isn’t mutual. Even in a hypothetical scenario like a Rock and Roll Hall of Fame induction, Barnes says: He and former guitarist Jack Owen likely wouldn’t be invited to perform At best, they might be acknowledged but not included musically A full-circle reunion is basically off the table That’s not exactly shocking if you’ve followed this story over the years. “They Feel Threatened by My Presence” Here’s where things get spicy. Barnes claims the reason behind the continued distance is more than just old grudges. He believes his former bandmates feel overshadowed by his legacy and contributions. According to him: His role in shaping early Cannibal Corpse has been downplayed There’s been a long-standing effort to minimize his impact His presence still carries weight that the band would rather avoid That’s a bold statement, but in the world of death metal egos, not entirely unheard of either. From Cannibal Corpse to Six Feet Under After leaving Cannibal Corpse in the mid-‘90s, Barnes went on to form Six Feet Under, which he still fronts today. And here’s the twist. According to Barnes, Six Feet Under was never meant to be a side project. It was his exit plan. He described it as: His “escape pod” from a situation he no longer wanted to be in A creative reset and personal lifeline Ultimately, the best thing that ever happened to him Not exactly the language of someone looking back with regret. Tension With Current Vocalist George “Corpsegrinder” Fisher Barnes also touched on his relationship with current Cannibal Corpse vocalist George Fisher, better known as Corpsegrinder. While Barnes says he’s tried to keep things respectful, he’s clearly not thrilled with how his material is handled. His main issues: He believes Fisher doesn’t perform his original songs properly He takes issue with Fisher claiming ownership over songs Barnes wrote He’s frustrated by what he sees as a lack of respect for the original era At one point, Barnes even reached out directly to clear the air. According to him, the message was seen but never answered. That silence probably says more than any interview quote ever could. No Bad Blood… Sort Of Here’s the interesting part. Barnes insists he’s not bitter about being fired. In fact, he says he was relieved when it happened. But at the same time: He acknowledges ongoing personal tension with certain members He admits he simply didn’t want to be around some of them anymore He still feels disrespected when his contributions are minimized So yeah, maybe not bitter. But definitely not over it either. The Legacy of Early Cannibal Corpse Barnes fronted Cannibal Corpse from 1988 to 1995, contributing to some of the band’s most iconic material, including tracks like Hammer Smashed Face and Stripped, Raped and Strangled. Those songs helped define death metal as we know it. No matter where you stand on the debate, that part isn’t really up for argument. Meanwhile, the current lineup featuring longtime members like Alex Webster and Paul Mazurkiewicz has continued to evolve the band’s sound for decades. Two eras. Two identities. Same name. Could a Reunion Ever Happen? If you’re holding out hope for a classic-era reunion, you might want to sit down. Between: Personal differences Creative disagreements Years of public and private tension …it’s hard to see all sides coming together anytime soon. Even Barnes himself seems to accept that reality, despite being open to the idea. Final Thoughts This is one of those classic metal splits that never really healed. Too much history, too many strong personalities, and way too much pride on all sides. But here’s the truth. Both Cannibal Corpse and Six Feet Under carved out their own lanes and kept moving forward. And in the end, that’s kind of the most metal outcome possible. Still, if these guys ever did share a stage again, even for one song, the internet would probably break. Less

Anthrax Teases New 2026 Album: Charlie Benante Calls Upcoming Single a “Banger” and a “Love Letter to Fans” Thrash legends Anthrax are gearing up for a massive return in 2026, and according to drummer Charlie Benante, fans better brace... More

Anthrax Teases New 2026 Album: Charlie Benante Calls Upcoming Single a “Banger” and a “Love Letter to Fans” Thrash legends Anthrax are gearing up for a massive return in 2026, and according to drummer Charlie Benante, fans better brace themselves. The band’s long-awaited new album is on the horizon, and the first single, arriving in May, is already being hyped as “a f***ing banger” and a direct tribute to the diehards who’ve stuck with them for decades. If you’ve been waiting since For All Kings, yeah, this one’s aimed straight at you. New Anthrax Single Drops May 2026 Benante didn’t hold back when talking about the upcoming track. He made it clear this isn’t some soft re-entry. This is Anthrax kicking the door in. The first single is described as: A high-energy, aggressive anthem A “love letter” to longtime fans A statement of exactly what Anthrax still does best In other words, no reinvention for the sake of trends. Just pure, unapologetic thrash with a modern punch. Album Release Slated for September 2026 The full album is now expected in September 2026, with releases handled by Megaforce Records in North America and Nuclear Blast in Europe. Production duties once again fall to Jay Ruston, who worked on both Worship Music and For All Kings. At this point, he’s basically the band’s secret weapon behind the board. Some recording and mixing took place at Studio 606, owned by Dave Grohl, which tells you everything you need to know about the level of production here. “Not for the Faint of Heart” Benante says the new record is packed with 10 or 11 tracks, and every single one hits hard. No filler. No coasting. His take is pretty blunt: The album is aggressive throughout Each track stands on its own The energy doesn’t drop from start to finish That old-school mindset is still intact. If it doesn’t hit, it doesn’t make the cut. A Strange Title with Real Meaning The album title hasn’t been revealed yet, but Benante hinted it’s “very strange” and deeply personal. According to him, it reflects exactly where the band is at this stage in their career. That usually means one thing. This isn’t just another record. It’s a snapshot of a band that’s been through everything and is still swinging. Unique Artwork Inspired by Vintage Posters Visually, the band is going in a different direction too. The album artwork draws inspiration from vintage sideshow and Harry Houdini-era poster art, mixed with a modern surreal twist. The artist behind it caught Benante’s attention while watching a series featuring David Blaine. One of those “right place, right time” moments that ended up shaping the entire visual concept. Writing Process Evolved After the Pandemic Like a lot of bands, Anthrax had to rethink how they work. Gone are the days of everyone in a room hashing out riffs from tape decks. Now it’s: Home demos File sharing Video breakdowns of riffs Then bringing the best ideas together in person Still old school at the core, just updated for the times. Benante also admitted something interesting. Some of these songs wouldn’t have been possible 15 or 20 years ago. That usually means growth, not compromise. Band Chemistry Still Driving the Sound The creative engine is still the same trio: Charlie Benante handling much of the music Scott Ian leading lyrics Frank Bello contributing melodies and riffs And of course, Joey Belladonna is reportedly delivering some of his strongest vocal performances yet. Not bad for a band pushing 40-plus years in the game. Touring Plans and Live Previews Anthrax is already teasing snippets of new material live and plans to expand that during upcoming shows, including dates in Australia. Benante hinted they may go beyond quick previews and give fans a real taste this time around. Not just an appetizer, but maybe a full shot with it. A Legacy Band That Still Has Something to Prove Let’s be honest. A lot of bands from the early ‘80s are coasting on legacy at this point. Anthrax doesn’t sound like they’re interested in that. Since forming in 1981 alongside bands like Metallica, Slayer, and Megadeth, they’ve stayed in the fight. And from the sound of it, this new record isn’t about nostalgia. It’s about proving they still belong in that conversation. Final Thoughts A decade between albums is a long time. No way around it. But if what Benante is saying holds up, this isn’t just a comeback. It’s a statement. A heavy one. If that first single hits like promised, May might get loud real quick. Less

Rachel Bolan Announces Debut Solo Album Gargoyle Of The Garden State and Drops First Single “At War With Myself” Fans of Skid Row finally get something a little different from longtime bassist Rachel Bolan, who’s stepping out front with his... More

Rachel Bolan Announces Debut Solo Album Gargoyle Of The Garden State and Drops First Single “At War With Myself” Fans of Skid Row finally get something a little different from longtime bassist Rachel Bolan, who’s stepping out front with his first-ever solo album, Gargoyle Of The Garden State. The record lands June 12 via earMUSIC, and if the early details are anything to go by, this isn’t just a side project. It’s a full-on statement. A Personal Record Rooted in New Jersey Grit Bolan describes the album as deeply personal, shaped by his upbringing in New Jersey and decades in the trenches of rock and metal. This isn’t just another name slapped on a release. It’s his identity poured into vinyl, CD, and digital formats. Produced by Nick Raskulinecz, the same guy behind Skid Row’s The Gang’s All Here, the album carries a polished but gritty edge. Bolan reportedly handled most of the instruments himself, stepping into a frontman role with confidence and a bit of swagger that longtime fans might not expect. Star-Studded Guest Lineup Even though this is a solo effort, Bolan didn’t exactly go it alone. The album features a stacked lineup of contributors, including: Dave Sabo and Scotti Hill on guitar Rob Hammersmith on drums Corey Taylor bringing his unmistakable vocals Nuno Bettencourt delivering a signature solo Danko Jones featured on the lead single Steve Conte and Damon Johnson adding even more firepower That’s not a guest list. That’s a backstage party that somehow made it onto tape. “At War With Myself” Sets the Tone The first single, At War With Myself, features Danko Jones and gives fans a taste of what’s coming. Expect hook-driven songwriting, punk attitude, and a melodic backbone that leans more into rock than straight metal. Bolan himself has made it clear. This does not sound like Skid Row. And honestly, that’s probably the whole point. A Blend of Influences with a Classic Twist Musically, Gargoyle Of The Garden State pulls from everywhere. Punk, glam, Britpop, and even a bit of new wave creep into the mix. One of the more interesting moments is a reworked version of Rock and Roll Star by Oasis, flipped into something entirely different while keeping its core intact. It’s the kind of move that shows confidence. You don’t mess with a classic unless you’ve got a vision. Creative Freedom Outside the Band Machine One thing Bolan emphasized in interviews is how different this process was compared to working within Skid Row. No committee decisions, no waiting around for approvals. Just him, the producer, and the songs moving fast and staying raw. That kind of freedom tends to bring out the real stuff. Sometimes messy, sometimes brilliant, but always honest. Where Skid Row Stands Now While Bolan explores new territory, Skid Row is still in a state of transition. The band is currently searching for a new frontman following the departure of Erik Grönwall in 2024. It’s been a long road since the days of Sebastian Bach, and if history has proven anything, it’s that Skid Row doesn’t stay down for long. Final Thoughts Look, solo records from band members can go either way. Sometimes they’re forgettable. Sometimes they surprise the hell out of you. This one feels like it might land in the second category. Between the stacked guest list, the stylistic curveballs, and Bolan finally taking center stage, Gargoyle Of The Garden State has all the ingredients to turn some heads. And let’s be real. After decades holding down the low end, the guy’s earned the right to do whatever the hell he wants. [jrEmbed module="jrYouTube" youtube_id="XUr4Fl9Dv58"] Less

FOR IMMEDIATE RELEASE Rhinderpest Announces Self-Titled Debut Album Out Now – A Haunting Descent Into Blackened Death Metal Release Date: March 13, 2026Genre: Black Metal, Death MetalFFO: Mortuary Drape, Varathron, Morbid AngelLabel: Apophenion... More

FOR IMMEDIATE RELEASE Rhinderpest Announces Self-Titled Debut Album Out Now – A Haunting Descent Into Blackened Death Metal Release Date: March 13, 2026Genre: Black Metal, Death MetalFFO: Mortuary Drape, Varathron, Morbid AngelLabel: Apophenion Records From the shadowy corners of the Pacific Northwest emerges Rhinderpest, a band steeped in the spirit of classic ‘90s extremity, now unleashing their long-awaited self-titled debut album, out now via Apophenion Records. Blending the savage force of death metal with the eerie, ritualistic atmosphere of black metal, Rhinderpest is more than just a record, it’s an experience. Drawing from the raw, unfiltered energy of genre pioneers while injecting their own theatrical edge, the band crafts a sound that feels both ancient and immediate, like something unearthed rather than created. Since 2021, Rhinderpest have been carving out a name across the Pacific Northwest with intense, theatrical live performances that blur the line between ritual and chaos. That same energy seeps into every track of this release, capturing a sense of unease, decay, and fleeting existence. “The inspiration for this album came from visits to strange, forgotten places: crypts, lost mines, abandoned cemeteries, desolate mountain passes. The conclusion we drew from those visits is absurdity; where there is now an apparition passing by, soon it will no longer be. Was it ever real at all?” That philosophy bleeds into the album’s core, a meditation on impermanence, illusion, and the thin veil between presence and absence. The result is a record that doesn’t just hit hard, it lingers. The album was mixed by Rich Canut and mastered by Adam Pike, giving it a crushing yet organic sound that stays true to the grit and atmosphere of the underground while still delivering modern sonic weight. With their self-titled debut now unleashed, Rhinderpest stand ready to stake their claim among the new wave of extreme metal bands honoring the old ways while forging something darker. For press inquiries, interviews, or coverage, please contact: zach@metaldevastationradio.com Stream / Support: Bandcamp: https://rhinderpest.bandcamp.com/ Follow Rhinderpest: Facebook: https://www.facebook.com/RhinderpestInstagram: @rhinderpest Less

FOR IMMEDIATE RELEASE ON THE LOOSE Score 8/10 in Rock Hard Germany – New Single & Video “Soulless Destruction” Out Now! Algarve, Portugal – Epic Doom Metal titans ON THE LOOSE are charging into 2026 with their latest single and official... More

FOR IMMEDIATE RELEASE ON THE LOOSE Score 8/10 in Rock Hard Germany – New Single & Video “Soulless Destruction” Out Now! Algarve, Portugal – Epic Doom Metal titans ON THE LOOSE are charging into 2026 with their latest single and official video, “Soulless Destruction”, off their acclaimed album Path to Serenity (Nov 2, 2025). The band just earned 8/10 from Stefan Glas at Rock Hard Germany, a publication known for its serious reach and influence. This issue of Rock Hard Germany is a heavyweight: Kreator on the cover, plus major features on Testament, Alter Bridge, Yungblud, and more—guaranteeing strong circulation and serious visibility for ON THE LOOSE. Stefan Glas highlights the band’s epic compositions, crushing riffs, and masterful performances, cementing their place among modern doom metal’s elite. Frontman Rick Thor (ex-Els Focs Negres, ex-Ironsword) delivers haunting, intense vocals, while Marco Marouco’s colossal guitar riffs, JP Ventura’s thunderous drums, and Toni Cagaita’s commanding bass anchor the band’s signature epic doom metal sound. The video for “Soulless Destruction,” produced by Paulão Vieira (The Limit, Ironsword, Midnight Priest), brings the track’s grandeur to life with striking visuals and dramatic storytelling. Looking Ahead: ON THE LOOSE are gearing up for worldwide live shows in 2026. Their first three albums have been licensed in Brazil through Gate of Doom Records, with limited edition CDs released in March. In Europe, the debut album will be remixed, remastered, and reissued, including a special instrumental edition with orchestral arrangements in collaboration with the Lisbon Film Orchestra. WE ARE ALL DEVILS ON THE LOOSE. For Fans Of: Candlemass, Sorcerer, Paradise Lost Press Contact: zach@metaldevastationradio.com Check out the magazine here: https://www.rockhard.de/ Check them out on YouTube and subscribe:  [jrEmbed module="jrYouTube" youtube_id="bCxl7Aax4Ac"]  Connect with ON THE LOOSE https://www.facebook.com/OntheLoose7sinshttps://www.instagram.com/onthelooseontheloosehttps://www.youtube.com/@ontheloose666https://ontheloose2.bandcamp.com/https://hyperfollow.com/OntheLoose Contact: ontheloose7@protonmail.com Less

FOR IMMEDIATE RELEASE Sugar Virus’ Kill the Messenger Out Now – 4-Star Review From Rue Morgue Magazine Central Georgia – Horror punk doom metal legends SUGAR VIRUS have officially unleashed their third full-length album, Kill the Messenger, now... More

FOR IMMEDIATE RELEASE Sugar Virus’ Kill the Messenger Out Now – 4-Star Review From Rue Morgue Magazine Central Georgia – Horror punk doom metal legends SUGAR VIRUS have officially unleashed their third full-length album, Kill the Messenger, now available via Spooky Heaven Records. The album has already earned critical praise, receiving a 4-star review from Rue Morgue Magazine, which lauded the band’s “doom-laden, Danzig-lite, rocky punk” and highlighted standout tracks like “Rise of Dracula,” “Sugar Virus,” and “Old School Shock.” “This is pure horror metal that fuels its eerie and thematically haunting tracks with just enough melody,” writes AVL from Rue Morgue, capturing the band’s signature blend of southern-fried doom, horror punk theatrics, and melodic menace. Frontman Jason Virus delivers his iconic low, ghoul-like vocals while the band’s riffs channel influences from Danzig, Black Sabbath, and early ’90s alt-metal. With over three decades in the scene, SUGAR VIRUS continues to evolve their dark, cinematic sound with each release. The current lineup: Jason Virus – VocalsSpenser Lewis – GuitarThe Timmy Vancura – GuitarJoshua Jackson – BassTyler Mathis – Drums Kill the Messenger is a 100% DIY creation, written, produced, engineered, mixed, and mastered by Jason Virus, marking the band’s heaviest and most atmospheric chapter yet. Fans can also catch their latest video, “His Name is Father,” showcasing the album’s eerie, southern-infused horror metal. Listen now and experience the terror: https://sugarvirus.hearnow.com/ For press inquiries, interviews, or promo requests, contact: zach@metaldevastationradio.com Label: Spooky Heaven RecordsRelease Date: Out NowAlbum: Kill the MessengerGenre: Horror Punk Doom Metal Check out the magazine here: https://rue-morgue.com/subscriptions/ 📺 Watch the video for “His Name is Father” now [jrEmbed module="jrYouTube" youtube_id="UAGig5f39X4"] Follow SUGAR VIRUS: https://www.facebook.com/sugarvirushttps://www.instagram.com/sugar_virus_/https://www.youtube.com/@SPOOKYHEAVENRECORDShttps://sugarvirus.bandcamp.comhttps://open.spotify.com/artist/44r1bYblz6Io0IPV3OzuFXhttps://music.apple.com/us/artist/sugar-virus/550868056https://sugarvirus.bandcamp.com/album/kill-the-messengerhttps://sugarvirus.hearnow.com/ Contact: jasonvirus@hotmail.com Less

FOR IMMEDIATE RELEASE Hegeroth Premiere Sixth Album “Soaked In Rot” – Black Metal Unchained Polish black metal veterans Hegeroth have officially unleashed their sixth full-length album, Soaked In Rot, now available  worldwide via their official... More

FOR IMMEDIATE RELEASE Hegeroth Premiere Sixth Album “Soaked In Rot” – Black Metal Unchained Polish black metal veterans Hegeroth have officially unleashed their sixth full-length album, Soaked In Rot, now available  worldwide via their official landing page: https://hegeroth.pl/soakedinrot. Following the momentum of their third single, The Nails, the album delivers nine tracks of relentless black metal, showcasing the band’s signature aggression, boundary-pushing creativity, and unflinching vision. Recorded and mixed at HH Soundlab Studios and mastered by Bene, Soaked In Rot continues Hegeroth’s tradition of full artistic control—from the first riff to the final physical copy. Album artwork, created by Maciej Kamuda (Blut Aus Nord, Nunslaughter, Master, Deceased), complements the music’s dark, intricate themes, reinforcing Hegeroth’s reputation for black metal done entirely on their own terms. Fans can stream or download Soaked In Rot in multiple formats including CD (jewel case), digital download, and streaming platforms. With its inventive compositions, fierce energy, and cross-genre influences, the album is perfect for listeners who appreciate the intensity of Emperor, Satyricon, and Edge of Sanity. Experience the full album here: https://hegeroth.pl/soakedinrot For media inquiries, interviews, or review copies, contact: zach@metaldevastationradio.com Check them out on YouTube and subscribe:  [jrEmbed module="jrYouTube" youtube_id="K6T5mJw5nlQ"]  Connect with the band: https://hegeroth.bandcamp.com/http://www.facebook.com/Hegerothhttps://www.instagram.com/Hegeroth_Official/ Contact: hegeroth@gmail.com Less