FOR IMMEDIATE RELEASE Interceptor to Unleash Their Fury at Hell’s Heroes Festival 2026 Charleston, South Carolina — Rising from the underground chaos of US black/speed/heavy metal, Interceptor is set to storm the stage at Hell’s Heroes Festival... More

FOR IMMEDIATE RELEASE Interceptor to Unleash Their Fury at Hell’s Heroes Festival 2026 Charleston, South Carolina — Rising from the underground chaos of US black/speed/heavy metal, Interceptor is set to storm the stage at Hell’s Heroes Festival 2026, taking place March 19–21 at Houston’s White Oak Music Hall. Fans attending the festival’s 8th installment can expect nothing less than pure, unrelenting metal as Interceptor brings their signature first-wave black metal energy fused with NWOBHM-inspired riffing and punk-fueled aggression to the stage. Fresh off the release of their latest single, “Blood On The Kudzu”, featuring the ferocious guitar work of Brandon Barker (Crazy Mad Ride, Rails to Roads), Interceptor has been steadily carving their place in the extreme metal scene. Since forming in 2022, the band has captivated audiences with their critically acclaimed debut album, Tales of Mayhem, and their live performances are a testament to their savage energy and uncompromising ferocity. “Blood On The Kudzu” channels chaos and aggression with every riff, drum blast, and guttural scream, now amplified by Barker’s signature shredding. Festival-goers can expect that same intensity on stage at Hell’s Heroes, joining a line-up that includes legendary acts such as DORO, LOUDNESS, ENSLAVED, and tributes to Quorthon/BATHORY and MANILLA ROAD. Interceptor will perform on Saturday, March 21, 2026, alongside other crushing acts like ENSLAVED, TANKARD, GRAND MAGUS, and ANGEL FURY, capping off what promises to be one of the most unforgettable nights in the festival’s history. Don’t miss your chance to witness Interceptor live, delivering their relentless brand of metal that hits like a sledgehammer and refuses to let go. Listen to “Blood On The Kudzu” now: https://distrokid.com/hyperfollow/interceptor/blood-on-the-kudzu For press, interviews, and booking inquiries, contact: zach@metaldevastationradio.com Tickets and details: https://www.musicfestivalwizard.com/festivals/hells-heroes-festival-2026/  Connect with the band:  https://distrokid.com/hyperfollow/interceptor/blood-on-the-kudzuhttps://www.facebook.com/profile.php?id=61558678774418https://www.instagram.com/interceptorbandofficial/ Contact: officialinterceptor@gmail.com Less

W.E.B. Unleashes "Morphine for Saints (Live)" Video from Darkness Alive Greek symphonic extreme metal force W.E.B. has dropped a crushing live video for “Morphine for Saints,” taken from Darkness Alive, their first-ever live album released last... More

W.E.B. Unleashes "Morphine for Saints (Live)" Video from Darkness Alive Greek symphonic extreme metal force W.E.B. has dropped a crushing live video for “Morphine for Saints,” taken from Darkness Alive, their first-ever live album released last week via Metal Blade Records. The band’s signature blend of drama, extremity, and sheer bloodthirst comes through in full force on the video. W.E.B. thrives on stage, and Darkness Alive captures them at their most commanding, transforming each performance into a relentless display of adrenaline-fueled metal. Vocalist and guitarist Sakis Prekas explains the significance of today’s video: “‘Morphine For Saints’ has been a fan favorite from the start. It’s one of the peak moments of every concert—it kicks off with a wall of death and a crowd chanting alone in the middle. It’s the perfect connection between W.E.B. and every audience.” Watch the live performance video of “Morphine for Saints” [jrEmbed module="jrYouTube" youtube_id="XEv9h33pmQ0"] Darkness Alive is available now digitally at metalblade.com/web. Born to scream, blast, and channel raw emotion, W.E.B. combines darkness, death, and poetry into a visceral live experience. Darkness Alive follows five previous studio albums, including Colosseum (2021), the band’s first release with Metal Blade. This live album documents the lineup of Prekas, Hel Pyre (bass/vocals), and new drummer Vasilis Nanos. Since recording, the band has expanded their sound with the addition of lead guitarist Alex Despotidis and second bassist Babis Kapageridis. W.E.B. is already working on their next full-length album, promising fans their heaviest and most intense material yet. Prekas concludes: “It is by far the best material we’ve ever had on a record. All new material must be better, otherwise there’s no reason to release it. Stay Dark.” https://webmetalband.comhttps://www.facebook.com/webdarknesshttps://www.instagram.com/webdarkmetalhttps://www.youtube.com/@WEBbandOfficialhttps://x.com/webdarkmetal Less

Greek Black Metal Titans Yoth Iria Reissue Landmark Debut As The Flame Withers on Vinyl Pagan Records is set to unleash a piece of Hellenic black metal history with a limited 2026 reissue of Yoth Iria’s seminal debut, As The Flame Withers.... More

Greek Black Metal Titans Yoth Iria Reissue Landmark Debut As The Flame Withers on Vinyl Pagan Records is set to unleash a piece of Hellenic black metal history with a limited 2026 reissue of Yoth Iria’s seminal debut, As The Flame Withers. Originally released in 2021, this album marked a resurgence of the dark, occult spirit that defined ’90s Greek extreme metal, and now it’s back in a definitive collector’s edition. This edition is strictly limited to 300 copies and pressed on 12” 180g smoked splatter vinyl, complete with a deluxe gatefold sleeve and printed insert, making it a must-have for collectors and fans of the scene. The recording, engineered at Pentagram Studio with George Emmanuel (Rotting Christ, Septicflesh, Lucifer’s Child), captures the full diabolical majesty of the album, while Harnasash Singh’s cover art seals the visual intensity. Yoth Iria is the brainchild of two of Greek black metal’s most influential figures: Jim Mutilator, a founding member of both Rotting Christ and Varathron, and The Magus, mastermind of Necromantia and ex-Rotting Christ. Their collaboration on As The Flame Withers blends centuries-old Hellenic occult sensibilities with a forward-looking vision, producing music that is simultaneously ritualistic, crushing, and epic in scope. Jim Mutilator’s history reads like a blueprint of Greek black metal: from the genre-defining Thy Mighty Contract with Rotting Christ to the swampy, dark atmospheres of Varathron’s His Majesty at the Swamp. The Magus’s work with Necromantia and contributions to Thou Art Lord and Rotting Christ helped define the sound that Yoth Iria channels so fully on this record. Since The Magus’s departure in 2023, Jim Mutilator has steered Yoth Iria into a bold new era. Their sophomore album, Blazing Inferno (2024, Edged Circle Productions), introduced the haunting vocals of Rustam Shakirzyanov (aka “He”) and earned critical acclaim. Momentum continues as the band has recently signed with Metal Blade Records and is already in the studio crafting their third full-length, slated for Spring 2026. Fans can also experience Yoth Iria live in 2026, with a European run that includes a confirmed appearance at Poland’s Mystic Festival. This reissue of As The Flame Withers is more than a collector’s item—it’s a reminder of the power and longevity of Greek black metal, and the living legacy of two of its foundational architects. Order the limited edition vinyl here: Pagan Records Listen online: YouTube [jrEmbed module="jrYouTube" youtube_id="l878SoA1QGU"] Less

FOR IMMEDIATE RELEASE METAL DEVASTATION PR CLIENTS FEATURED IN THE LATEST ISSUE OF Bathory Magazine — FEATURING Holy Moses ON THE COVER Metal Devastation PR is proud to announce that multiple clients have been spotlighted in this month’s issue... More

FOR IMMEDIATE RELEASE METAL DEVASTATION PR CLIENTS FEATURED IN THE LATEST ISSUE OF Bathory Magazine — FEATURING Holy Moses ON THE COVER Metal Devastation PR is proud to announce that multiple clients have been spotlighted in this month’s issue of Bathory Magazine, a respected voice in the underground metal community. This killer edition, headlined by thrash legends Holy Moses on the cover, digs deep into a diverse lineup of heavy hitters from across the globe. Here’s a look at the artists representing the Metal Devastation PR roster: Autumn Lies Buried (Deathcore/Slam) Hailing from Tennessee, Autumn Lies Buried delivers an explosive fusion of mathcore precision, slam brutality, and hip hop swagger. In the feature, the band opens up about crafting a visceral sound shaped by the tension and contradictions of life in the Bible Belt. They also discuss their upcoming “Beasts Of The East” tour kicking off in March 2026 alongside FILTH, and their firm stance on physical media in an era they see as oversaturated by disposable digital content. For them, an album is meant to be a complete, indestructible experience, not just a playlist of singles. 💿 Mob Mentality is out now!🎧 Stream: https://hypeddit.com/autumnliesburied/mobmentality Black Reuss (Doom/Gothic Metal) The Liechtenstein based project led by Maurizio Dottore takes center stage as he reflects on Death, the final chapter in a conceptual tetralogy that began in 2018 with Metamorphosis. The series explores themes of identity dissolution, acceptance, and the inevitability of the end. While this chapter closes a narrative arc, Black Reuss is far from finished. Maurizio reveals plans to continue with a more spontaneous, moment driven creative direction and future live performances.   Pre-save the first single “Oblivion” here: https://orcd.co/black-reuss-oblivion   Serpico (Hard Rock) Finland’s Serpico celebrates the re release of The Chosen Four, doubling down on their commitment to a 100 percent analog recording process. In a world drowning in digital shortcuts and pitch correction, Serpico stands firm in delivering raw, authentic rock and roll. The re issue includes the bonus track “Heat Of The Moment,” originally intended for a 2022 Japanese edition, and the band highlights their strong partnership with Golden Robot Records in expanding their global reach. All official streaming, purchase, and social links can be found here: https://linktr.ee/serpico_official Patriarchs in Black (Doom/Heavy Metal) Featuring Dan Lorenzo and Johnny Kelly of Type O Negative, Patriarchs in Black discuss their limited run of 200 orange vinyl copies, reinforcing their belief that music only feels official when it exists in physical form. The project also boasts an impressive lineup of guest vocalists including Karl Agell and Rob Dukes. Their creative process flips the script by choosing the vocalist first, then crafting or selecting a track to match the voice. now available here:  https://roxxrecords.com/collections/nltm-2019-releases/patriarchs-in-black Hellfrost (Blackened Death Metal) Representing the ferocity of Florida’s extreme metal lineage, Hellfrost dives into their new album Bestial Rage. The band strives to strike a balance between memorable hooks and destructive intensity, drawing inspiration from the historic Naples and Tampa death metal scenes. With a focus on faster, more violent compositions, Hellfrost aims to keep their live energy completely indomitable. Now available for streaming and download on all major platforms: https://linktr.ee/Hellfrost Bitter Price (Heavy Metal) Formed in 2024 in Berlin’s legendary Orwohaus rehearsal complex, Bitter Price channels a true DIY spirit. Their debut EP, The Orwohaus Tapes, was released on cassette as a tribute to the building’s history as a tape manufacturing site during the former GDR era. The band credits the creative atmosphere of Orwohaus for shaping their sound and identity from day one. Out Now via Witches Brew — Stream / Purchase Here: https://witchesbrewthrashes.bandcamp.com/album/the-orwohaus-tapes Banished Truth (Extreme Metal) This India based solo project showcases one musician handling all production duties, fusing 80s shred inspired by Children of Bodom with the unrelenting brutality of Deicide and Morbid Angel. In the interview, the artist speaks candidly about the challenges of finding fellow metal musicians in India and the frustration of navigating sociopolitical injustice as an extreme music creator. Exilium Veritatis is now available for streaming and download at:https://banishedtruth.bandcamp.com/album/exilium-veritatis The Lucidia Project (Alternative Symphonic Metal/Post-Metal) Emerging in 2022 with the EP Requiem, The Lucidia Project began in the realms of symphonic metal and death-doom before evolving into a sound blending alternative symphonic metal with post-rock and post-metal textures inspired by Explosions in the Sky and If These Trees Could Talk. Their latest EP, The Twilight Affliction, explores liminal spaces between light and darkness, presenting lyrics as personal diaries and cathartic releases. Songs like Bloodlines showcase their heavier, death metal-influenced side, while Lockdown highlights symphonic melodic textures. With recent lineup changes and rehearsals underway, they are preparing for live performances in Spring 2026, blending material from The Lucidia Project and collaborator Vee Dour’s project Dressed in Flesh. Out Now: https://distrokid.com/hyperfollow/thelucidiaproject/the-twilight-affliction Chronepsis (Technical Death Metal) Based in South New Jersey, Chronepsis formed in 2023 with Chris Curtis (vocals) and Mike Kelliher (guitar). They describe their sound as “organized chaos,” balancing frantic intensity with precise technical execution, drawing influences from The Black Dahlia Murder and Revocation. Their DIY debut EP Weight of Eternity, mixed and mastered by Erik Johnson (Dark Prophet Audio), showcases dark fantasy lyrics inspired by Dungeons & Dragons mythology, with a “Voltron-like” interplay between rhythm section and guitars. Out now:  🔗 https://distrokid.com/hyperfollow/chronepsis/weight-of-eternity  Total Annihilation (Thrashing Death Metal) Hailing from Basel, Switzerland, Total Annihilation celebrates 20 years in the scene with their 2026 album Mountains of Madness. Vocalist Daniel Altwegg reflects on the band’s evolution from pure thrash to a sophisticated “Thrashing Death Metal” sound influenced by Asphyx, Obituary, and Demolition Hammer. The album, released via Testimony Records, draws inspiration from H.P. Lovecraft’s At the Mountains of Madness, aiming to capture both unease and impending devastation. Recorded in Germany by Christoph Brandes and mastered in Sweden by Ronnie Björnström, it balances fresh clarity with Swedish death metal depth.   Mountains of Madness is available on all platforms here: https://linktr.ee/total_annihilation   Metal Devastation PR continues to champion artists who honor metal’s roots while pushing the genre forward with authenticity and grit. Being featured in this powerhouse issue of Bathory Magazine alongside genre legends is a testament to the strength and diversity of the roster. For interviews, press inquiries, or more information about these artists, contact: zach@metaldevastationradio.com Grab the digital copy of the zine here: https://drive.google.com/file/d/10S9JOn_FjPH2amCUE4zFzT_-zQ1sjVaN/view Less

Monstrosity Returns with “The Atrophied” Ahead of New Album and European Tour US death metal stalwarts MONSTROSITY are back, and they’re not holding anything back. The band has unleashed “The Atrophied,” the latest single from their upcoming... More

Monstrosity Returns with “The Atrophied” Ahead of New Album and European Tour US death metal stalwarts MONSTROSITY are back, and they’re not holding anything back. The band has unleashed “The Atrophied,” the latest single from their upcoming album Screams From Beneath The Surface, set to drop March 13th via Metal Blade Records. After a seven-year hiatus, MONSTROSITY emerges with a lineup that fuses the old and the new: drummer and founding member Lee Harrison leads the charge, alongside long-time guitarist Matt Barnes, the triumphant return of original bassist Mark Van Erp, and ex-Massacre vocalist Ed Webb, whose guttural and ferocious delivery injects a fresh but familiar energy into the band’s sound. “The Atrophied” was the first track written for the album, and it sets the tone for what fans can expect: a relentless, technically precise, and emotionally charged death metal journey. Harrison explains, “‘The Atrophied’ contains all the hallmarks of a classic MONSTROSITY song. It surges with ferocious energy, weaving through devastating riffs and intricate rhythmic shifts. Ed commands the storm with a cinematic intensity, and the guitars carve out chaos and melody in equal measure.” Guitarist Matt Barnes adds, “When we finally played the finished track together, it felt more like an epic saga than just another death metal song. ‘The Atrophied’ might be our most musically and emotionally complex song yet, tightly condensed but still grand in scope—think a 15-minute Rush or Iron Maiden epic distilled into pure death metal.” Recorded across multiple studios to perfect their sound, the album blends modern production with classic death metal authenticity. Drums, bass, and mixing were handled by Jason Suecof at Audiohammer Studios, while vocals, guitars, and mastering were completed at the legendary Morrisound Studios with Jim Morris, Mark Prator, and BJ Ramone. The album’s cover art by Timbul Cahyono is a fully organic creation, embodying the raw spirit of the band. Screams From Beneath The Surface will be available on CD, digital, and a variety of vinyl editions, including US-exclusive gray marble and orange smoke variants. Pre-orders are available now at metalblade.com/monstrosity. MONSTROSITY will hit European stages this spring on the Screams Across Europe Tour 2026, supported by Bio-Cancer, Reject The Sickness, and Deadwood. Highlights include festival stops in Luzern, Salzburg, and Zagreb, plus club shows across France, Belgium, the Netherlands, Germany, Poland, Slovakia, and the Czech Republic. With Screams From Beneath The Surface, MONSTROSITY proves that after decades in the game, they’re not just surviving—they’re evolving death metal itself, one crushing riff at a time. [jrEmbed module="jrYouTube" youtube_id="gGj7c-qvYAQ"] MONSTROSITY Lineup: Ed Webb – vocals Matt Barnes – guitars Mark Van Erp – bass Lee Harrison – drums European Tour Dates:4/18 Metalstorm Festival – Luzern, CH4/19 Rockhouse – Salzburg, AT4/21 Vintage Industrial Bar – Zagreb, HR4/22 Alchemica Music Club – Bologna, IT4/23 L’Usine – Geneva, CH4/25 Brutal Swamp Saint – Omer, FR4/28 DVG – Kortrijk, BE4/29 Hall of Fame – Tilburg, NL4/30 Fluor – Amersfoort, NL5/01 Turock – Essen, DE5/02 F Haus – Jena, DE5/03 Bolko – Świdnica, PL5/05 Zaścianek – Krakow, PL5/06 Rude Boy – Bielsko-Biała, PL5/07 Pink Whale – Bratislava, SK5/08 Rock Cafe – Jablunkov, CZ5/09 Colosseum – Košice, SK5/10 Fabryka Kultury Zgrzyt – Lublin, PL Less

Photo Credit: Josh Kirschner Montreal (QC) / Stockholm (SE) – Progressive metal outfit Voidchaser has unveiled a lyric video for “Welcome to Terra Corp,” the first single from their eagerly anticipated concept album Interstellar I. Watch the... More

Photo Credit: Josh Kirschner Montreal (QC) / Stockholm (SE) – Progressive metal outfit Voidchaser has unveiled a lyric video for “Welcome to Terra Corp,” the first single from their eagerly anticipated concept album Interstellar I. Watch the video here: [jrEmbed module="jrYouTube" youtube_id="KMk06ZmBFc0"] Serving as a gateway into the band’s sprawling deep-space narrative, “Welcome to Terra Corp” delivers a dense, layered wall of sound punctuated by soaring, unforgettable choruses. Fans can stream the track on multiple platforms: Bandcamp Spotify Apple Music Interstellar I, Voidchaser’s second full-length, drops on April 9. The album explores themes of technological overreach, mass corruption, and personal struggles involving identity, love, and survival—all set against a meticulously crafted sci-fi universe. Musically, the record combines the progressive sophistication of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos with modern interpretations of classic heavy metal, drawing inspiration from Deep Purple’s Machine Head and Black Sabbath’s Paranoid. Fans of Devin Townsend, Haken, Scar Symmetry, Ayreon, and Pagan’s Mind will find much to admire in Voidchaser’s ambitious new work. To celebrate the album, Voidchaser will perform Interstellar I in its entirety on April 10 at Piranha Bar in Montreal, QC, with special guests Omnivide and Jovian Storms. More details are available at voidchaser.net. Credits Lyrics and Songwriting: Chad Bernatchez Production & Arrangements: Jici Lord-Gauthier Mixed & Mastered: Jason Poulin Drums: David Lizotte Session Keyboards: Mathieu Fiset Artwork: Sam Harwood Photography: Josh Kirschner Line-Up Chad Bernatchez – Vocals, Guitar Jici Lord-Gauthier – Guitar, Bass Colin MacAndrew – Drums About Voidchaser Formed in 2023, Montreal- and Stockholm-based Voidchaser quickly became a name to watch on both local and international stages. The band debuted with the EP Odyssey in 2024, followed by singles and their first full-length album Solace, a 30-minute concept set in an orbital dystopia. Solace charted among top metal releases in Canada, Sweden, Norway, and beyond. In 2025, Voidchaser continued building momentum with the Trust EP, featuring guests Jim Grey (Caligula’s Horse) and members of The Anchoret, alongside their first international tour, which included appearances at ProgPower Europe and Montreal’s inaugural ProgStorm Festival. Now in 2026, Voidchaser readies fans for their most ambitious release yet with Interstellar I. Less

VIA DOLORIS Unveils “Un Franc Soleil,” A Luminous Glimpse from Debut Album ‘Guerre et Paix’ Norwegian extreme music visionary Gildas Le Pape returns with VIA DOLORIS, presenting the second single, “Un Franc Soleil,” from his forthcoming debut... More

VIA DOLORIS Unveils “Un Franc Soleil,” A Luminous Glimpse from Debut Album ‘Guerre et Paix’ Norwegian extreme music visionary Gildas Le Pape returns with VIA DOLORIS, presenting the second single, “Un Franc Soleil,” from his forthcoming debut album Guerre et Paix, set for release on March 20th via Season of Mist. The track stands out as one of the record’s most radiant moments, capturing a fleeting sense of release after prolonged inner unrest—a glimpse of serenity always just out of reach. Listen to Un Franc Soleil: YouTube [jrEmbed module="jrYouTube" youtube_id="rPi2IcCUzD4"] Expansive and textural, “Un Franc Soleil” unfolds with measured restraint. Layered guitars trace gentle melodic arcs over a patient rhythmic foundation, anchored by the nuanced drumming of Frost, allowing melody to emerge from distortion and clarity from dissonance. Sung in French, the lyrics convey vulnerability and resolve, portraying serenity as something pursued rather than attained. Within the broader architecture of Guerre et Paix, the track acts as a contemplative threshold—a pause before the album dives back into denser, more conflicted sonic territory. VIA DOLORIS is the manifestation of Le Pape’s vision: a space where emotion, discipline, and atmosphere converge. Rooted in solitude and forged through contrasts of darkness and beauty, the project confronts the gravity of existence—our quiet burdens, hidden wounds, and the journey toward mortality. This “Way of Suffering” seeks meaning through pain, always with the flickering promise of rebirth. While the instrumentation nods to black metal’s formal foundations, VIA DOLORIS refuses confinement. Harmonic depth and subtle dissonance create tension and richness, while folk and pagan influences weave ancestral threads throughout, lending the music a mythic, almost sacred quality. Layered vocals in French, English, and Norwegian expand the emotional palette, delivering lines that feel both timeless and immediate. Le Pape’s journey began in Oslo, where he first gained recognition in 2007 as a guitarist for the legendary Satyricon. After six years of global touring and recording, he stepped away to explore diverse musical avenues before returning to extreme music with renewed focus. For Guerre et Paix, he enlisted the masterful Frost on drums, bringing unparalleled precision and feel to the debut. Line-up: Gildas Le Pape — Lead Vocals, Choirs, Guitars, Bass Frost — Session Drums Production Credits: Drums & vocals recorded at Red Room Studios, Norway (engineered by Mattis Elvestuen; guitars engineered by Le Pape & Elvestuen) Produced by Gildas Le Pape Mixed by Nicolai Codling & Gildas Le Pape Mastered by Magnus Gulbrandsen at Jeløy Sound Mastering Guest Artist: Raido (Ferriterium, Heimsgard, Karne) — Guest Vocals on Track 3 Visuals: Artwork & press photography by Linnea Syversen Album artwork by Gildas Le Pape Pre-orders and pre-saves for Guerre et Paix are live here: Pre-order & Pre-save With Un Franc Soleil, VIA DOLORIS invites listeners into a world where melody drives meaning, atmosphere carries weight, and every note resonates with the tension between shadow and light. Less

AEGROR SIGNS WORLDWIDE DEAL WITH EXTREME MANAGEMENT GROUP Extreme Management Group (EMG), home to bands like Suffocation, Atheist, Cryptopsy and more, has announced their partnership with Atmospheric Black Metal Band AEGROR. Aegror is a metal... More

AEGROR SIGNS WORLDWIDE DEAL WITH EXTREME MANAGEMENT GROUP Extreme Management Group (EMG), home to bands like Suffocation, Atheist, Cryptopsy and more, has announced their partnership with Atmospheric Black Metal Band AEGROR. Aegror is a metal band from Kerken, Germany, founded in 2009. The name Aegror is derived from the Latin word for "disease". Their music combines atmospheric black metal with progressive and melodicelements, revolving around themes of disease and psychological phenomena. These themes are woven into a coherent narrative full of horror and madness, centered around the character Plaguebreeder — a being from another dimension seeking to break into the human world. On a metaphorical level, the lyrics also reflect real-world crises, pandemics and events. [jrEmbed module="jrYouTube" youtube_id="ZO8ZjaRH6tc"] Their debut album, De Morbis (2010), introduced a 90s-inspired black/death sound and laid the foundation for the band's conceptual storytelling. In 2013, they released the EP Forgotten Tales, which explored more progressive and emotional directions. Their full-length album Dead Man’s Diary (2017) refined their sound, with stronger production and a clearer narrative. After the release of their second studio album Dead Man's Diary, they discussed concluding the project. Vocalist and founding member Narthaas, along with guitarist Abyssus, decided to continue Aegror in a new artistic direction. After a hiatus, the duo returned with their third studio album, Reign of Disease, on May 16, 2025. The album was produced and released in the first step independently, blending modern post-black metal with their signature melodic and atmospheric sound. Reign of Disease received critical acclaim and solidified Aegror’s position in the European extreme metal underground. Reign of Disease has so far achieved international chart placements on various streaming platforms. Now in 2026, AEGROR has signed with Extreme Management Group and says, “We are beyond excited to join the EMG roster, this partnership opens up incredible new opportunities for us, and we can’t wait to take Aegror to the next level together. The future looks bright — and brutal! Before releasing Reign of Disease, we had actually planned for it to be our final album and to bring Aegror to an end. But things turned out completely different — it now feels like this is only the true beginning of the band." www.aegror.comhttps://extrememanagementgroup.com/ WHAT IS NEXT FOR AEGROR? Aegror returns from the Shadows with their new Album “Reign of Disease” Kerken, Germany – What was once meant to be Aegror’s final chapter has transformed into a fierce new beginning. After eight years of silence, the German atmospheric/prog black metal duo rises again with their new album Reign of Disease, released independently on May 16, 2025. Frontman Narthaas and guitarist Abyssus unleash a powerful blend of black metal, post-metal, and atmospheric ferocity. The title track “Reign of Disease” attacks with militant rhythms, ominous tremolo lines, and raw, piercing vocals — the unmistakable sound of a band returning with sharpened intent and creative rebirth. Their music strikes a balance between relentless aggression and cinematic tension, delivering a surprisingly massive sonic footprint for a two-piece act. International Chart ImpactWhat began as a purely independent release quickly evolved into a global underground success story. Reign of Disease entered the streaming and digital sales charts 21 times across 8 countries, marking Aegror’s first international chart presence and demonstrating the project’s rapidly growing worldwide audience. Without major industry backing, the album’s momentum was driven entirely by organic reach, word of mouth, and a dedicated fanbase within the extreme metal community. Management Deal with Extreme Management Group, New YorkIn the wake of this unexpected international momentum, Aegror has signed a management deal with Extreme Management Group (New York) — one of the leading management companies in the global metal scene. This partnership marks a decisive step into the band’s next phase, opening the door for expanded international strategy, new industry networks, and long-term career development while preserving the artistic independence that defines the project. A Concept of Control, Corruption, and CollapseReign of Disease expands Aegror’s long-standing narrative surrounding the interdimensional entity Plaguebreeder, who establishes dominion over humanity by infiltrating and corrupting the world’s most essential institutions and societal functions. On a metaphorical level, this thematic arc reflects real-world dynamics — crises, manipulation, and societal decay — serving as a dark commentary on the fragility of human systems. Despite these themes, Aegror remains strictly unpolitical. The band does not promote any ideological position and explicitly distances itself from all forms of violence, extremism or hatefulworldviews. The narrative is a work of fiction and atmospheric storytelling, shaped by horror, psychology, and speculative dystopia. A New Era for AegrorRecorded, mixed, mastered and designed by Abyssus, the album marks the rebirth of a project once close to dissolution and now revitalized with a clear artistic vision, a rapidly expanding international reach, and the backing of a world-class management team. The band is now preparing with close friends and fellow musicians for live performances and upcoming tours. Listen to "Reign of Disease":Bandcamp: https://aegror.bandcamp.com Less

HIGHGATE Unleash Northern Kentucky Doom on Prophecies Of Eternal Horror Northern Kentucky has always had a little grit in its soil, and HIGHGATE are proving it’s fertile ground for something seriously heavy. The Bluegrass State’s resident sludge... More

HIGHGATE Unleash Northern Kentucky Doom on Prophecies Of Eternal Horror Northern Kentucky has always had a little grit in its soil, and HIGHGATE are proving it’s fertile ground for something seriously heavy. The Bluegrass State’s resident sludge crushers have officially joined the roster at Horror Pain Gore Death Productions for the release of their new full-length album, Prophecies Of Eternal Horror. And yeah, the title tells you exactly what you’re in for. Emanating from the hills of Northern Kentucky, HIGHGATE deliver a doom-soaked, sludge-caked howl that sounds like it’s been dragged through years of struggle, economic strain, and late-night existential dread. This is not background music. This is the soundtrack to staring down the abyss and daring it to blink first. Prophecies Of Eternal Horror is a bleak and unflinching examination of the world as it burns. The record grapples with global war atrocities, religious fanaticism, and class warfare, stacking lyrical bodies sky high while the riffs crawl forward like a tank rolling over cracked pavement. There’s no sugarcoating here. Just weight. Massive, oppressive, chest-crushing weight. The first single, “At Paranoia’s Poison Door,” sets the tone with a blackened doom battle cry aimed straight at authoritarian overreach. The band describes it as a warning shot against a government that prefers its citizens scared, divided, and docile. The refrain “crawl to your masters” hammers home the track’s central theme, the frightening ease with which power structures can condition people into submission. It’s ugly. It’s confrontational. It’s meant to be. Musically, HIGHGATE sit comfortably in the lineage of sonic devastation carved out by bands like Grief, Primitive Man, Mizmor, Eyehategod, and Rwake. Think suffocating atmospheres, punishing tempos, and vocals that sound like they’ve been torn from the throat of something buried alive. This is the kind of doom that doesn’t just knock on the door. It kicks it in and sets up shop. HIGHGATE is:Greg Brown – vocalsSteve Porter – battery & vocalsJamie Porter – guitar, bass & vocals Three men. One mission. Absolute sonic annihilation. With the backing of Horror Pain Gore Death Productions and a record that refuses to flinch in the face of modern collapse, HIGHGATE are poised to drag their brand of Northern Kentucky despair to a much wider audience. If you like your doom traditional, your sludge filthy, and your message blunt as a hammer to the skull, Prophecies Of Eternal Horror belongs on your radar. Turn it up. Let it crush you. Then hit repeat. https://highgatedoom.bandcamp.com/ Less

Brutal Christian death metal force King’s Hammer is locked, loaded, and ready to detonate. On February 27, 2026, the band will unleash their debut full length album, The Color Of The Soul, through a strategic partnership between Broken Curfew... More

Brutal Christian death metal force King’s Hammer is locked, loaded, and ready to detonate. On February 27, 2026, the band will unleash their debut full length album, The Color Of The Soul, through a strategic partnership between Broken Curfew Records and Rottweiler Records. It is a calculated strike in a scene that rewards precision and punishes hesitation. The record arrives hot on the heels of the crushing single “Earth Slam,” released February 13, and builds on the momentum generated by their critically acclaimed 2025 EP To Speak In Tongues. If that EP was the warning shot, The Color Of The Soul is the full barrage. King’s Hammer doubles down on everything that defines them. Relentless blast beats. Punishing, down-tuned riffs. Vocals that sound like they were dragged up from the abyss. But beneath the sonic violence lies unwavering lyrical conviction rooted in unapologetic Christian faith. There is no compromise here. No softening of edges. No watering down of message. In today’s hyper-saturated music landscape, where new releases drop every hour and disappear just as fast, this collaboration between Broken Curfew Records and Rottweiler Records is more than a business move. It is a deliberate effort to amplify underground metal that might otherwise get buried in the algorithm. By combining platforms, audiences, and promotional firepower, the two labels are cutting through the noise with something that demands attention. King’s Hammer stands firmly in the tradition of extreme metal while pushing forward with sharpened production and more disciplined songwriting. The band’s sound is tighter, darker, and more focused than ever. There is an atmosphere here that feels both confrontational and reverent. It is brutal, yes, but it is purposeful. Every riff hits with intent. Every lyric carries weight. This is not trend chasing. This is not chasing streams. This is conviction forged in distortion. Prepare for the onslaught on February 27, 2026. The hammer falls soon. Order your copy at the King's Hammer bandcamp page:https://kingshammerrr.bandcamp.com/track/earth-slamhttps://kingshammerrr.bandcamp.com/album/the-color-of-the-soul Further Information:https://www.rottweilerrecords.com/https://brokencurfewrecords.wixsite.com/homehttps://www.facebook.com/RottweilerRecords/https://www.facebook.com/brokencurfewrecords Less