FOR IMMEDIATE RELEASE CRAIG NEILL CLAIMS INTERNATIONAL ACCLAIM WITH AWARD-WINNING INSTRUMENTAL METAL SINGLE “BALOO KA TOOFAAN” Dutch-Based Multi-Instrumentalist Takes Home Best of European Metal Honors at the 2026 InterContinental Music Awards... More

FOR IMMEDIATE RELEASE CRAIG NEILL CLAIMS INTERNATIONAL ACCLAIM WITH AWARD-WINNING INSTRUMENTAL METAL SINGLE “BALOO KA TOOFAAN” Dutch-Based Multi-Instrumentalist Takes Home Best of European Metal Honors at the 2026 InterContinental Music Awards Release: “Baloo Ka Toofaan”Release Status: Available NowGenre: Instrumental Heavy Metal / Progressive Thrash / Cross-Cultural MetalFor Fans Of: Marty Friedman, Bernth, Ola EnglundArtist: Craig NeillLabel: Independent / Unsigned SOEST, THE NETHERLANDS — September 4, 2026 — Independent multi-instrumentalist, composer, producer, and engineer Craig Neill is celebrating a major international milestone following the award-winning recognition of his instrumental metal single “Baloo Ka Toofaan,” which was officially named the Winner for Best of European Metal at the 14th Annual InterContinental Music Awards (ICMA). The award was announced during the ICMA ceremony on August 23, 2026, marking a significant achievement for Craig and his entirely independent approach to creating and releasing music. With more than four decades of musical experience behind him, Craig has developed a distinctive sound that combines the precision and aggression of heavy metal with progressive, technical, and cross-cultural influences. “Baloo Ka Toofaan” brings together technical guitar shredding, driving rhythm work, progressive metal foundations, Indian classical scales, and traditional rhythmic influences to create a track that refuses to stay inside conventional genre boundaries. Rather than relying on a traditional band lineup or outside production team, Craig handles virtually every aspect of his recordings himself. From his private studio in Soest, Netherlands, he writes, performs, produces, mixes, and masters his material, incorporating live guitars, MIDI arrangements, Logic Pro, and virtual amp routing into his production process. Most importantly, the music is 100% human-created without generative AI. That hands-on philosophy is central to Craig's identity as an independent artist, allowing him complete control over the sound, performance, and production of his music. “Baloo Ka Toofaan represents an uncompromising convergence of aggressive modern metal guitar work with Indian classical scales and traditional rhythmic energy. Winning Best of European Metal at the 2026 InterContinental Music Awards has been an incredible honour and milestone. Having this work recognised on a global scale reinforces my dedication to pushing the envelope as an independent instrumental artist.” FROM SOUTH AFRICA TO THE NETHERLANDS Originally born in South Africa, Craig ventured to the Netherlands approximately 11 years ago and quickly became involved with the Dutch metal scene. That international journey has become an important part of his musical identity. Drawing from decades of experience while continuing to explore new techniques, sounds, and influences, Craig has established himself as a completely independent artist capable of creating music that crosses borders without sacrificing the aggression and attitude at the heart of heavy metal. His work combines technical musicianship, hard-hitting riffs, progressive arrangements, atmospheric passages, shred guitar, and influences that reach well beyond traditional Western metal. FOUR DECADES OF MUSIC, ONE MAN'S VISION Craig has spent more than 40 years developing his skills as a multi-instrumentalist, composer, producer, mixer, and mastering engineer. His catalog demonstrates a willingness to move between technical musicianship, heavy riffing, atmospheric passages, and experimental influences. Previous releases include “Flatline,” “Demonic Whispers,” “Gasoline,” “Junkyard Shred,” and “Crescendo of the Damned,” the latter featuring guest guitarist 7stringer. “Flatline” was also recognized as a 2025 ICMA European Metal Finalist, establishing a history of international recognition that has now culminated in the Best of European Metal victory for “Baloo Ka Toofaan.” Craig is also no stranger to collaboration, having worked with notable names from the metal world while continuing to develop new material and future releases. NEW MUSIC AND PHYSICAL RELEASE ON THE HORIZON The “Baloo Ka Toofaan” award is only the latest chapter in Craig's musical journey. Craig is currently preparing a forthcoming vinyl and CD release, with the official release date still to be announced. The upcoming physical release will feature a collection of fast, aggressive material built around one of the defining characteristics of Craig's music: riff after riff after riff. The project will also feature a variety of guest musicians, bringing additional voices and personalities from the metal world into Craig's increasingly ambitious musical vision. Alongside the forthcoming physical release, Craig is continuing to work on exciting new collaborations and upcoming releases, giving fans plenty more to look forward to as he expands his catalog. For listeners drawn to technically demanding guitar work, aggressive riffing, progressive metal, and instrumental music that refuses to play by the usual rules, Craig's next chapter promises to turn the volume up considerably. Craig Neill is an independent multi-instrumentalist, composer, producer, mixer, and mastering engineer born in South Africa and now based in Soest, Netherlands. After moving to the Netherlands 11 years ago and becoming involved in the Dutch metal scene, Craig continued building on more than four decades of musical experience. His instrumental metal combines technical guitar playing, progressive metal, thrash, shred, aggressive riffing, and non-Western musical influences. Working independently from his private studio, Craig writes, performs, produces, mixes, and masters his own material without generative AI. His growing catalog includes “Baloo Ka Toofaan,” “Flatline,” “Demonic Whispers,” “Gasoline,” “Junkyard Shred,” and “Crescendo of the Damned.” Following his 2025 ICMA European Metal Finalist recognition for “Flatline,” Craig has now claimed the 2026 InterContinental Music Awards Winner for Best of European Metal with “Baloo Ka Toofaan.” With a vinyl and CD release in development, new collaborations underway, and additional music on the horizon, Craig Neill is continuing to build an independent metal career on his own terms. Check out this video:  [jrEmbed module="jrYouTube" youtube_id="iw0lieflCTw"] Connect: https://linktr.ee/craigneill Contact: craig@theneills.nl Less

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, OKL'S FRUITLOOPS, crushed... More

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, OKL'S FRUITLOOPS, crushed the competition with a staggering 5,083,542 VOTES, claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE! This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR! How does it work?Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST. Each Friday night, at the start of The Zach Moonshine Show, I’ll be spinning the Top Six weekly winners, and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud! At the end of the month, all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month! Winning Band of the Month gets: A featured post on our Facebook page, reaching thousands of fans A front-page spotlight on metaldevastationradio.com, which pulls in hundreds of thousands of views every month A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more Airplay every hour during general rotation Tons of social media shares and exposure across our network If you want the world to know who your band is, this is the easiest way to make it happen! 💥 Want in on the next battle?Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line. Bands can compete as many times as they want, and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title! 👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, September 11th at 9PM EST! Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 09/08/26 - 09/11/26 Less

FLIGHT OF ODIN Discusses New Double Album 'I Traveled The Crooked Path', Old-School Metal Influences And Keeping Music Human Washington, D.C.-Area Doom Metal Band Talks Songwriting, Recording Without Click Tracks, The Sanctuary And Plans For A... More

FLIGHT OF ODIN Discusses New Double Album 'I Traveled The Crooked Path', Old-School Metal Influences And Keeping Music Human Washington, D.C.-Area Doom Metal Band Talks Songwriting, Recording Without Click Tracks, The Sanctuary And Plans For A Doom Metal Opera Washington, D.C.-area doom metal outfit FLIGHT OF ODIN recently joined The Zach Moonshine Show on Metal Devastation Radio for an extensive conversation about the band's new double album, I Traveled The Crooked Path, their evolution since forming in 2015, their approach to songwriting and recording, classic heavy metal influences, and what they have planned for the future. Released through Riding The Dragonfly LTD, I Traveled The Crooked Path captures a band that refuses to stay inside a single musical box. Doom metal provides the foundation, but psychedelic rock, progressive music, classical influences and traditional heavy metal all find their way into the band's sound. During the interview, FLIGHT OF ODIN also discussed the decision to release a double album, the addition of guitarist Tyler Beddow, vocalist Xyra's wide-ranging vocal abilities, the band's Washington, D.C.-area underground scene, and their commitment to preserving the human element of heavy music. WHY A DOUBLE ALBUM? According to the band, the decision to release I Traveled The Crooked Path as a double album came down to having a large amount of material and wanting to properly document the band's history. The first disc features material representing FLIGHT OF ODIN's current lineup, while the second disc revisits the band's Goddess In Smoke EP material from a previous lineup. The band explained that they wanted those earlier recordings to receive a physical release rather than remain available only digitally. The material represents an important chapter in the group's history, and the musicians who created it deserved to have their work preserved. The result is a release that effectively bridges two eras of FLIGHT OF ODIN while showcasing the band's ongoing evolution. SONGS THAT DEVELOP ORGANICALLY One of the defining characteristics of FLIGHT OF ODIN's songwriting process is the band's willingness to let songs develop naturally. Some tracks on the new album originated from older material that was reworked and reinvented, while others came together through spontaneous rehearsal-room sessions. Instrumentals such as “Andromeda” and “Obsidian Cove” are prime examples. “ Andromeda” developed from guitar ideas brought in by Tyler Beddow, with the other members adding their own parts until the piece evolved into something much larger. “Obsidian Cove” began from a warm-up idea and eventually became a fully developed composition. That collaborative approach is central to the band's chemistry. Rather than attempting to force every song into a predetermined structure, FLIGHT OF ODIN allows its members to respond to one another and see where the music takes them. A DOOM METAL OPERA? The band's ambitions don't stop with conventional albums and live performances. During the interview, FLIGHT OF ODIN revealed that they have discussed creating a doom metal opera, potentially involving other bands and incorporating extensive visual and theatrical elements. Considering the band's emphasis on atmosphere and storytelling, the concept could be a natural extension of what they are already doing. For now, however, the band has plenty of new music to work on. Despite just releasing a double album, FLIGHT OF ODIN is already developing new material, with several songs taking shape that push the band's sound in new directions while maintaining its core identity. THE SANCTUARY: FLIGHT OF ODIN'S CREATIVE LABORATORY The band's rehearsal space, affectionately known as The Sanctuary, plays a major role in the creative process. Located in the band's basement, The Sanctuary is designed to be a comfortable environment where the musicians can experiment without worrying about whether an idea is immediately perfect. Fairy lights, a solid sound system and a relaxed atmosphere turn the room into something more than a rehearsal space. The band records rehearsals and listens back to the performances afterward, allowing them to identify ideas that might have been overlooked in the moment. FLIGHT OF ODIN is also considering filming a live performance or playthrough featuring the current lineup inside The Sanctuary. RECORDING WITHOUT A CLICK TRACK The band's commitment to keeping performances human carries directly into the recording studio. FLIGHT OF ODIN records together in the same room and does not use click tracks. Instead, the musicians allow the tempo to naturally speed up and slow down depending on the performance. The band views those fluctuations as part of what makes a recording feel alive. Their sessions take place at BIAS Recording Studios in Springfield, a professional facility with decades of history. The band typically records multiple songs during a session and returns later for mixing. Mastering is handled by Mike Monseur at AXIS Audio in Nashville. The result is a polished production without stripping away the natural interaction between the musicians. “THE HUMAN ELEMENT” IN THE AGE OF AI That recording philosophy led to a broader discussion about the growing use of artificial intelligence in music. For FLIGHT OF ODIN, the imperfections are not necessarily problems that need to be fixed. They are part of the performance. A drummer pushing a tempo, a guitarist holding a note slightly longer, or musicians reacting to one another in real time can create moments that are impossible to completely manufacture. The band believes that preserving that human interaction is especially important for underground music. Technology can certainly be useful, but for FLIGHT OF ODIN, the reason to play in a band in the first place is the experience of musicians creating something together. FROM CHOPIN TO BLACK SABBATH FLIGHT OF ODIN's influences cover a considerable amount of musical territory. Classical music, including Chopin, has influenced the band's approach, while rock and metal influences include Iron Maiden, Scorpions, Judas Priest, KISS, Black Sabbath's Tony Iommi, and numerous other artists. The band also cited Nico and The Velvet Underground, Roxy Music and Bryan Ferry among their broader influences. Those influences help explain why FLIGHT OF ODIN can move from heavy doom passages into psychedelic, progressive or melodic territory without sounding like a straightforward genre exercise. The musicians aren't attempting to reproduce one particular era. Instead, decades of music have become part of their collective vocabulary. WRITING FROM THE VOCAL MELODY Another interesting element of the band's songwriting process is the role of vocalist Xyra. Several FLIGHT OF ODIN songs begin with vocal melodies, lyrics or musical ideas developed before the full band arrangement exists. One example is “You Can't Stop Me Now,” which came to Xyra one morning and was reportedly written in roughly 20 minutes. She recorded the initial idea on an iPhone before the rest of the band eventually built the full arrangement around it. The band's approach demonstrates how songs can originate from almost anywhere. A guitar riff. A vocal melody. An acoustic recording. A rehearsal-room jam. Even a warm-up exercise. The important part is recognizing the idea when it appears. “SEANCE” AND THE BAND'S MORE EXPERIMENTAL SIDE FLIGHT OF ODIN also discussed “Seance,” which they consider one of their most ambitious compositions. The song developed through contributions from multiple members and took on an almost automatic-writing or channeling quality during the creative process. That experimental attitude is one of the defining traits of the band. FLIGHT OF ODIN isn't afraid of long songs, instrumental passages, unconventional arrangements or allowing a piece to develop at its own pace. For a doom metal band, that's hardly surprising. But the group combines that patience with an appreciation for the immediacy and energy of traditional heavy metal. THE WASHINGTON, D.C. METAL SCENE Although FLIGHT OF ODIN identifies with the Washington, D.C. area, the members actually come from Leesburg and the surrounding Northern Virginia region. They discussed the challenges facing the local original-music scene, where cover bands, tribute acts, Americana and blues can often be more prominent than original rock and metal. The band pointed to Baltimore and Richmond as areas with stronger rock and metal communities. Rather than simply accepting the situation, however, FLIGHT OF ODIN wants to help build the local scene. That DIY mentality has always been an important part of underground metal culture. THE NAME FLIGHT OF ODIN The band's name dates back to its formation in 2015 and was inspired by Norse mythology. Odin's legendary eight-legged flying horse provided the initial inspiration, with the concept of music serving as a kind of flight. Although the band's lyrical and visual identity has expanded beyond its original Norse mythology focus, the name and imagery remain an important part of the group's identity. The band's logo features Odin riding the flying horse, while the primary logo uses the band's distinctive lettering. TYLER BEDDOW JOINS THE LINEUP Guitarist Tyler Beddow has also played an important role in the band's current direction. Beddow brings a technically capable and powerful approach to the guitar, including the use of a seven-string baritone on some of the band's material. His studio and live rig includes an ENGL Fireball, Mesa 4x12, tape echo and a Marshall DSL 100, contributing to the band's substantial guitar sound. The gear, however, is only part of the equation. The band's chemistry remains the foundation of the music. WHAT'S NEXT FOR FLIGHT OF ODIN? Even with I Traveled The Crooked Path now available, FLIGHT OF ODIN is already looking toward the next chapter. The band is writing new material and expects to return to the studio in November. They are also hoping to get back onstage, while continuing to explore new visual ideas and potentially developing their Sanctuary performance concept. And somewhere further down the road, there is always the possibility of that doom metal opera. For now, FLIGHT OF ODIN is continuing to follow its own path. It may be crooked. It may be unpredictable. But judging by I Traveled The Crooked Path, that's exactly how they like it. LISTEN TO FLIGHT OF ODIN ON THE ZACH MOONSHINE SHOW FLIGHT OF ODIN's complete interview with Zach Moonshine covers I Traveled The Crooked Path, songwriting, recording, classic metal influences, the Washington, D.C. underground scene, The Sanctuary, AI and the future of human-made music, as well as the band's plans for new material and live performances. Listen to the full show on Mixcloud now: Full Track List:  Battle Of The Bands Top Six Winners: 1 - Another Demon - Reduced to Ash - (601,971 votes)2 - Soul Of Sheol - Paradise Is Not For Us - (109,064 votes)3 - Minstrel - Guardianes de la Noche y el Tiempo - (26,369 votes)4 - Sharp n' Loud - Armored sexy girl - (16,033 votes)5 - Mistress - Terrified eyes - (5,353 votes)6 - PS:23 - The Angel They Call Evil - (3,026 votes) The Zach Moonshine Intro 7 - Ozzy Osbourne - Over The Mountain8 - BEHEMOTH - In League with Satan9 - CIRITH UNGOL - All The Shadows10 - Smoulder - Shadow Of The Vulture11 - Darren Michael Boyd - The Day Beneath Yesterday12 - Rise From Your Grave - Stay Awake13 - HELLUCINATION - Petrified Flight of Odin - Interview featuring You Can't Stop Me Now/The Ravens Eyes 14 - Riftpatrol - The Sky is Not the Limit15 - Demon Christ - Curse You All16 - Blind Illusion - Smash the Crystal17 - Ministry - We Hate18 - CREEPER - Big Bad Wolf19 - Plusminuszero - Runner´s High20 - THRONEHAMMER - Rise of Resistance21 - Body Count - Last Breath You can also check out the interview on YouTube, Spotify and Apple: [jrEmbed module="jrYouTube" youtube_id="dE2K19qm_oE"] Super massive shout out and thanks to the 108,681 metal maniacs from around the world that tuned in live to the broadcast Friday night!  Listen Now:https://linktr.ee/Odinmaiden For Press, Interviews, and Media Inquiries:zach@metaldevastationradio.com Check out the videos:  [jrEmbed module="jrYouTube" youtube_id="1gVdWn2ohck"] [jrEmbed module="jrYouTube" youtube_id="7tpQRROGYto"] [jrEmbed module="jrYouTube" youtube_id="DV6MEqXWy44"] [jrEmbed module="jrYouTube" youtube_id="PD8qA_jjncA"] Connect: https://www.facebook.com/flightofodin/http://flightofodin.net/https://flightofodin.bandcamp.com/album/i-traveled-the-crooked-path Contact: xyra@msn.com Less

BLIND ILLUSION’S “STAGE FLIGHT: LIVE AT THE UC THEATRE” LANDS FEATURE AT BLABBERMOUTH Progressive Thrash Metal Pioneers Receive Major Media Coverage Ahead of October 16 Live Album Release BERKELEY, CA | September 2026 — Progressive thrash metal... More

BLIND ILLUSION’S “STAGE FLIGHT: LIVE AT THE UC THEATRE” LANDS FEATURE AT BLABBERMOUTH Progressive Thrash Metal Pioneers Receive Major Media Coverage Ahead of October 16 Live Album Release BERKELEY, CA | September 2026 — Progressive thrash metal pioneers Blind Illusion are continuing to make noise ahead of the October 16, 2026 release of their highly anticipated live album, STAGE FLIGHT: Live At The UC Theatre, and the band's latest announcement has now received major coverage from Blabbermouth. Following the distribution of the band's official announcement through Metal Devastation PR, Blabbermouth published a full feature on September 1 covering the upcoming release, its historic lineup, and the remarkable story behind the recording. The feature puts a spotlight on STAGE FLIGHT: Live At The UC Theatre, which captures Blind Illusion's historic 2025 performance at the UC Theatre in Berkeley, California, featuring the return of original Blind Illusion vocalist David White. The performance took place during a special celebration surrounding Exodus' 40th anniversary of Bonded By Blood and on the birthday of the late Exodus frontman Paul Baloff. Blind Illusion shared the stage with Exodus, Death Angel, and Nukem for the memorable event. For a band with roots stretching back to 1978, the release represents another significant chapter in an already legendary history. A NEW CHAPTER IN THE BLIND ILLUSION STORY Led by mastermind Mark Biedermann on lead guitar and vocals, Blind Illusion's current lineup features Martin Lacour on lead guitar, Avery Thurman on bass, and Phil Cosentini on drums. The band's history is deeply connected to some of the most influential names in progressive and technical metal. Blind Illusion's landmark 1988 debut album, The Sane Asylum, featured Biedermann alongside guitarist Larry Lalonde, bassist Les Claypool, and drummer Mike Miner. The album has since become regarded as a classic of progressive thrash metal, featuring tracks such as “Vengeance Is Mine,” “Death Noise,” “Kamikaze,” “Smash The Crystal,” and “Blood Shower.” Biedermann's musical history also extends beyond Blind Illusion. In 1987, while working with legendary producer Sandy Pearlman, he contributed rhythm guitar and guitar leads to four songs for Blue Öyster Cult's Imaginos, working alongside musicians including Joe Satriani and Robbie Krieger of The Doors. Blind Illusion continued evolving throughout the decades, returning in 2010 with Demon Master before reconnecting with the progressive thrash sound that defined The Sane Asylum. The band's later history included musicians such as Harald Oimoen of D.R.I., Doug Piercy of Heathen and Anvil Chorus, and legendary Death Angel drummer Andy Galeon. In 2022, the band released Wrath Of The Gods following Galeon's arrival, continuing Blind Illusion's long-running evolution while maintaining its distinctive place within the underground metal world. THE RETURN OF DAVID WHITE One of the most significant elements of STAGE FLIGHT: Live At The UC Theatre is the appearance of original vocalist David White, who reunited with Blind Illusion for the 2025 performance. White's return connects the new live recording directly to the band's earliest history while showcasing Blind Illusion's continuing evolution nearly five decades after its formation. The UC Theatre performance ultimately became the foundation for STAGE FLIGHT: Live At The UC Theatre. The band's story continued to unfold after the recording, with Blind Illusion later appearing at Frost And Fire V in Ventura, California, where the band performed The Sane Asylum in its entirety live for the first time in the group's history. COMING OCTOBER 16 STAGE FLIGHT: Live At The UC Theatre will be released October 16, 2026 through Hectic Records / Bleeding Priest Records. The release will be available as a 12-inch vinyl LP, pressed at 33 RPM and limited to 500 copies. RELEASE INFORMATION Artist: Blind IllusionTitle: STAGE FLIGHT: Live At The UC TheatreRelease Type: Live AlbumGenre: Progressive Thrash MetalRelease Date: October 16, 2026Label: Hectic Records / Bleeding Priest RecordsCatalog Number: Hectic 009Format: 12-inch Vinyl LPPressing: Limited to 500 copiesUPC: 810213561508 CURRENT LINEUP Mark Biedermann – Lead Guitar / VocalsMartin Lacour – Lead GuitarAvery Thurman – BassPhil Cosentini – Drums BLABBERMOUTH FEATURE The full Blabbermouth feature on Blind Illusion's STAGE FLIGHT: Live At The UC Theatre is available now: BLIND ILLUSION To Release 'Stage Flight: Live At The UC Theatre' Live Album Featuring Original Vocalist David White https://blabbermouth.net/news/blind-illusion-to-release-stage-flight-live-at-the-uc-theatre-live-album-featuring-original-vocalist-david-white With a career approaching five decades, Blind Illusion continues to prove that progressive thrash metal doesn't need to look backward to honor its history. STAGE FLIGHT: Live At The UC Theatre brings together the band's past and present in one historic performance, documenting the return of an original member while showcasing the continuing power of one of progressive thrash metal's enduring underground acts. Blind Illusion – Established 1978Progressive Thrash Metal Check them out on YouTube:  [jrEmbed module="jrYouTube" youtube_id="MaMW_k7Xmy8"] Connect:  https://blindillusion.bandcamp.com/album/stage-flight-live-at-the-uc-theatrehttps://www.instagram.com/blindillusionofficialhttps://www.facebook.com/officialblindillusionhttps://ffm.to/bclink1https://www.hectic.com/product/blind-illusion-live Contact: David HechtHectic Recordsdavid@hectic.com Less

FOR IMMEDIATE RELEASE BLEEDING ANTLERS’ SONGS OF PRAISE FEATURED IN AUGUST DOOMCHARTS London Psychedelic Doom Collective Earns Praise for Their Dark, Atmospheric Sophomore Album London, UK psychedelic doom collective Bleeding Antlers have... More

FOR IMMEDIATE RELEASE BLEEDING ANTLERS’ SONGS OF PRAISE FEATURED IN AUGUST DOOMCHARTS London Psychedelic Doom Collective Earns Praise for Their Dark, Atmospheric Sophomore Album London, UK psychedelic doom collective Bleeding Antlers have earned another notable piece of recognition for their sophomore album, Songs of Praise, which has been featured in the August DoomCharts, landing at #24 with 540 points. Released August 22, 2026 through Mother’s Ruin Records, Songs of Praise continues Bleeding Antlers’ evolution from their critically acclaimed debut Stagmata, combining crushing doom, gothic atmosphere, psychedelic textures, folk-horror themes, and sophisticated melodies. DoomCharts contributor Jay Baner of La Capsule Stoner praised the album's unique balance of heaviness and finesse, while singling out the deep, expressive vocals of frontman Simon Bismark as an immediate standout. “A perfect harmony and a rare balance between heaviness and finesse, all in the service of delicate and sophisticated melodies.” Baner continued, praising Bismark's voice as being “imbued with a deep sensitivity that is incredibly contagious,” adding, “I get goosebumps every time I listen to it!” The DoomCharts recognition adds another strong piece of critical attention to Songs of Praise, which sees Bleeding Antlers embracing a darker and more expansive version of their distinctive brand of doom metal. With the album now available worldwide, Bleeding Antlers continue their run of UK performances and festival appearances throughout 2026 and into 2027. The sermon continues. Turn it up. Check it out here: https://doomcharts.com/2026/09/04/doom-charts-august-2026/ Check out the video:  [jrEmbed module="jrYouTube" youtube_id="BBxTEWlofAk"] Listen / Follow Pre-Save: https://bleeding-antlers.ffm.to/songsofpraiseLinktree: https://linktr.ee/BleedingAntlersBandcamp: https://bleedingantlers.bandcamp.comWebsite: https://bleedingantlers.com Email: Bleedformedonington@gmail.com Less

BITTER AND SARDONIC WITCHERY FEATURED IN METAL INJECTION’S WEEKLY INJECTION OF NEW RELEASES Metal Devastation PR Clients Earn Editorial Recognition for New Releases September 4, 2026 – Metal Devastation PR is proud to announce that BITTER and... More

BITTER AND SARDONIC WITCHERY FEATURED IN METAL INJECTION’S WEEKLY INJECTION OF NEW RELEASES Metal Devastation PR Clients Earn Editorial Recognition for New Releases September 4, 2026 – Metal Devastation PR is proud to announce that BITTER and SARDONIC WITCHERY have both been featured in this week’s Metal Injection “Weekly Injection of New Releases.” Montreal, Quebec-based slamming beatdown deathcore outfit BITTER was featured for their crushing new EP Slamosaurus Rex, released through CDN Records. The band continues to build momentum with their devastating combination of guttural vocals, crushing riffs, massive grooves, and punishing breakdowns. Also featured is Portuguese black/thrash metal force SARDONIC WITCHERY with their fifth full-length album Hell’s Thorns Attack. Released September 1, 2026 through Firecum Records in Europe and JEMS in the United States, the album delivers a savage dose of raw, old-school black/thrash metal. Having two Metal Devastation PR clients featured in the same Metal Injection roundup represents another strong result for the agency and its ongoing efforts to connect independent metal artists and releases with influential media outlets. Congratulations to BITTER, CDN Records, SARDONIC WITCHERY, Firecum Records, and JEMS! And a huge thank you to Metal Injection for continuing to spotlight new music and support the heavy music community. Metal Devastation PRPromoting the underground. Pushing the releases. Getting the music heard. Go check it out here: https://metalinjection.net/upcoming-releases/heavy-new-releases/the-weekly-injection-new-releases-from-behemoth-sleep-sigh-and-more-out-this-week-9-4 Check out the bands here: https://metaldevastationradio.com/thebeast/blog/29232/sardonic-witchery-unleashes-fifth-full-length-album-hells-thorns-attack-september-1st-through-firecum-records-and-jems https://metaldevastationradio.com/thebeast/blog/29233/bitter-unleash-new-music-video-the-slamosaurus-encounter-ahead-of-upcoming-ep-slamosaurus-rex Less

SMOULDER Unleash B-Movie Mayhem With “Shadow of the Vulture” Epic blackened metallers SMOULDER have unleashed a brand-new music video for “Shadow of the Vulture,” giving fans a gloriously trashy, sword-and-sorcery-inspired visual preview of their... More

SMOULDER Unleash B-Movie Mayhem With “Shadow of the Vulture” Epic blackened metallers SMOULDER have unleashed a brand-new music video for “Shadow of the Vulture,” giving fans a gloriously trashy, sword-and-sorcery-inspired visual preview of their forthcoming third studio album, Witch Wife in an Alien World. If you like your heavy metal with massive riffs, ancient warriors, dark forests, questionable amounts of fake blood, and the unmistakable charm of a low-budget fantasy flick, Smoulder have you covered. “Shadow of the Vulture” is the second track from Witch Wife in an Alien World, arriving through Cruz del Sur Music this fall. The new video embraces the band's love of classic sword-and-sorcery cinema and old-school heavy metal videos, deliberately choosing fun, atmosphere, and raw DIY energy over slick modern production. According to vocalist Sarah Ann, the concept was built as a tribute to some of the band's favorite cult films. “We wanted to pay homage to our favourite sword and sorcery movies, and make a B-movie, DIY music video that was big and fun and trashy!” Among the inspirations were Sorceress (1982), Deathstalker, The Devil's Sword (1983), and Conquest (1983), alongside classic heavy metal video insanity such as Cloven Hoof's “Highlander” and Hell's “Death Squad.” The band teamed up with Helsinki-based multidisciplinary artist Tekla Tekla Vàly, whose work has included music videos, photography, and cover art for artists including Warning, Oranssi Pazuzu, Hail Conjurer, and 40 Watt Sun. The result fits Smoulder's aesthetic like a battered leather gauntlet. There's an intentionally homemade quality to the video that feels completely at home with the band's old-school metal influences. And yes, apparently a severed head was involved. As Sarah Ann puts it: “She did a great job capturing that energy... plus, her severed head made us howl!” A New Chapter for Smoulder “Shadow of the Vulture” offers another glimpse into what makes Witch Wife in an Alien World such an intriguing next step for Smoulder. The Canadian/American quintet has never been particularly interested in staying inside one musical box. The band's previous work established a formidable blend of epic heavy metal, power metal, speed metal and doom, but the new album pushes further into darker territory by incorporating black metal into the band's already expansive sound. The result is being described as raw, ferocious, and intentionally unpolished. And while “Shadow of the Vulture” delivers the kind of classic heavy metal chorus designed to be screamed back from a packed venue, Witch Wife in an Alien World promises considerably more than another collection of straightforward metal anthems. The album features eight tracks that move between triumphant heavy metal, epic doom, blackened passages, sweeping melodies, and more adventurous territory. The album opens with “Water Wars,” followed by “Shadow of the Vulture,” while songs such as “Cathedral of the Trees” and “Smouldering Remains” explore the band's grander and more atmospheric side. One of the album's most fascinating tracks is “Noitien Loitsu,” the band's first song featuring both English and Finnish lyrics. The song draws directly from Sarah Ann's Finnish roots and the environment surrounding her and guitarist Shon Vincent's home in Helsinki. Finnish epic black metal musician Bootleg Henkka of Havukruunu also contributes a guest guitar solo. That cultural connection runs deep throughout the album. The title Witch Wife in an Alien World itself was inspired by Sarah Ann's life in Finland and the contrast between the positive aspects of her surroundings and her frustration with the increasingly hostile world outside of them. That tension feeds directly into the album's themes, which deal with disconnection, political and social realities, and the strange contradiction of living in a world that has never been more technologically connected while feeling increasingly divided. From Michael Whelan to Ian Miller Smoulder's visual world is getting a major transformation as well. The cover of Witch Wife in an Alien World was created by legendary British fantasy and horror illustrator Ian Miller, whose extensive body of work includes fantasy, horror, Warhammer, Magic: The Gathering, H.P. Lovecraft publications, and the animated cult classic Wizards from Ralph Bakshi. Miller's artwork represents a noticeable shift from the band's previous two albums, Times of Obscene Evil and Wild Daring and Violent Creed of Vengeance, both of which featured artwork from legendary fantasy artist Michael Whelan. Where those previous covers carried the unmistakable grandeur of classic fantasy illustration, the new artwork reflects the darker, uglier themes explored throughout Witch Wife in an Alien World. And that's fitting because Smoulder aren't simply repeating what they've done before. They're pushing outward. Built for the Stage Following the release of the new album, Smoulder's attention will turn toward the live arena, where the band has assembled a lineup increasingly influenced by black and death metal. The current configuration includes guitarist Nigge of black/thrash outfit Terror Cross, alongside the band's core lineup of Sarah Ann, Collin Wolf, Shon Vincent, Adam Blake, and Kevin Hester. That heavier influence is expected to make itself felt onstage. For Smoulder, the live experience has become a major priority. “Having a crushing live show has become priority number one for us,” Sarah Ann explains, noting that bands can choose different approaches when building their stage presentation. For Smoulder, the goal is atmosphere. Not costumes for the sake of costumes. Not an arena full of unnecessary props. Instead, the band wants to create something lurid, dark, atmospheric, and immersive. Basically, heavy metal the old-fashioned way. Loud. Strange. Epic. A little dangerous. And preferably with some swords lying around somewhere. Smoulder Hit the Road Fans in Europe will have several opportunities to catch Smoulder live throughout the coming months. The band will appear at Swamp Fest 2026 in Berlin on September 12, followed by Old Grave Fest 13 in Bucharest, Romania, on October 10. November brings appearances at Little Devil in Tilburg, Netherlands, on November 26, MTS Records in Oldenburg, Germany, on November 27, and Metal Hammer Paradise in Weissenhäuser Strand, Germany, on November 28. With a new album bringing black metal influences into Smoulder's epic heavy metal foundation and a live lineup geared toward delivering something heavier and more crushing, the band appears ready to enter its next chapter with both fists raised. Witch Wife in an Alien World will be released through Cruz del Sur Music in Europe on October 9 and North America on November 6. The album will be available on CD, digital formats, and vinyl LP, including an edition featuring a foiled cover, 12-page booklet, poster, and download code. But before the full record arrives, Smoulder have given us “Shadow of the Vulture.” It's a song built for headbanging, a video built for fans of gloriously cheesy sword-and-sorcery cinema, and another reminder that heavy metal doesn't always need to take itself so damn seriously. Sometimes you just need a killer riff, a questionable costume, a severed head, and a good old-fashioned B-movie adventure. Watch the “Shadow of the Vulture” video:[jrEmbed module="jrYouTube" youtube_id="Kq-xw6v7hSM"] Pre-order the album:CD: https://tinyurl.com/4f9crkaeBlack Vinyl LP: https://tinyurl.com/ys429aswLimited Vinyl LP: https://tinyurl.com/2ty3v2rv More from Smoulder:https://smoulder.bandcamp.comhttps://linktr.ee/SmoulderDoom Label: Cruz del Sur Musichttps://cruzdelsurmusic.com/store Less