FOR IMMEDIATE RELEASE THE RED MOUNTAIN Pays Epic Tribute to BLACK SABBATH with Crushing Reimagined Cover of “N.I.B.” — Featured on DOOMED NATION Corinth, Mississippi – Cosmic groove metal titans THE RED MOUNTAIN return with a powerful and... More

FOR IMMEDIATE RELEASE THE RED MOUNTAIN Pays Epic Tribute to BLACK SABBATH with Crushing Reimagined Cover of “N.I.B.” — Featured on DOOMED NATION Corinth, Mississippi – Cosmic groove metal titans THE RED MOUNTAIN return with a powerful and thunderous homage to the godfathers of heavy metal — unveiling their latest single, a reimagined version of Black Sabbath’s legendary “N.I.B.” The track is now streaming and available for pre-save via DistroKid:👉 https://distrokid.com/hyperfollow/theredmountain/nib The single, officially released on July 5th, 2025, is a heartfelt and heavy nod to the band that laid the foundation for all things metal. Already turning heads in the underground scene, the track was just featured by the highly respected Doomed Nation:👉 https://doomed-nation.com/us-hard-rock-heavy-metal-band-the-red-mountain-pays-tribute-to-black-sabbath-with-reimagined-version-of-n-i-b/ “We had to pay homage to the kings of heavy metal,” says frontman Dave Frost. “This has been a song we've jammed privately for a long time now, and with the upcoming final Sabbath/Ozzy show ever, we felt this was the perfect time to give it new life and show our gratitude.” Produced by Robbie Ross (The Noise Plant Production and Studio), the track delivers a crushing blend of groove-soaked riffs, cosmic heaviness, and modern aggression while preserving the dark mystique of the original classic. It’s Sabbath through a Mississippi metal lens — raw, reverent, and razor-sharp. 🎸 About THE RED MOUNTAIN Origin: Corinth, Mississippi, USAGenre: Heavy Metal / Cosmic GrooveFFO: Black Sabbath, Ozzy Osbourne, Acid Bath, Down, Pantera 🔥 Band Highlights: Scheduled for their 4th appearance at Tennessee Metal Devastation Music Fest 2025 → Fest Announcement Shared the stage with metal legends EXHORDER → Show Recap Featured in Decibel Magazine’s Top 40 Issue (2022) via MDPR Recommendations→ Decibel Feature Power Play Rock & Metal Magazine – 8/10 Review of debut “ALPHA” → Review Link “Big, muscular, and groovy... spans the divide between classic, stoner, and groove metal.” Reviewed on Spectre Sound Studios by Glenn Fricker → YouTube Review “Cool chorus and groove... how high were you guys when you recorded this?” Music Video for “SITH” surpasses 23K views on YouTube → Watch Here 🎤 Band Lineup: Dave Frost – Vocals Jody “Goph” Holland – Guitar Cody Cromeans – Bass Adam Smith – Drums With this release, THE RED MOUNTAIN invites metalheads everywhere to raise horns in reverence and distortion. This is more than a cover — it’s a ritual of respect, a sonic sacrifice, and a powerful celebration of the band that inspired generations. 📢 Press / Booking / Interviews: zach@metaldevastationradio.com #TheRedMountain #NIB #BlackSabbath #MetalDevastationPR #CosmicGrooveMetal #MississippiMetal #DoomedNation #HeavyMetal #MetalCover #OzzyOsbourne #TributeToSabbath #UndergroundMetal   Follow the band at these links: All Links: https://linktr.ee/theredmountainPre-Save “N.I.B.”: https://distrokid.com/hyperfollow/theredmountain/nib Contact: theredmountainxroads@gmail.com  Less

‘There’s a Nuance’: Jake E. Lee Explains Why Tony Iommi’s Guitar Parts Were More Challenging Than Randy Rhoads’ — Despite Being 'Not Difficult' Former Ozzy Osbourne guitarist Jake E. Lee has paid tribute to the subtle genius of Black Sabbath’s... More

‘There’s a Nuance’: Jake E. Lee Explains Why Tony Iommi’s Guitar Parts Were More Challenging Than Randy Rhoads’ — Despite Being 'Not Difficult' Former Ozzy Osbourne guitarist Jake E. Lee has paid tribute to the subtle genius of Black Sabbath’s Tony Iommi, explaining in a recent Guitar World interview why Iommi’s guitar parts were more difficult to capture than those of the late Randy Rhoads — even if, on the surface, they seem simpler. Lee, who famously joined Ozzy Osbourne’s band in 1982 following the tragic death of Rhoads, was tasked with a monumental role: honoring the work of not one, but two legendary guitarists. On the Speak of the Devil tour, he found himself playing a set split between Black Sabbath classics and Rhoads’ newer solo-era Ozzy material. And while Lee would go on to carve his own legacy with Bark at the Moon (1983) and The Ultimate Sin (1986), the early days demanded reverence and precision. “I joined in the middle of the Speak of the Devil tour,” Lee recalled. “Half of the set was Black Sabbath, and half was the stuff with Randy, so I just tried to get as close as I could.” Interestingly, while Lee took some liberties with the Sabbath material, aiming to “modernize it or put a little bit more of me into it,” he approached Rhoads’ parts with a different mindset. “With Randy's, I tried to keep it pretty close because that was fairly recent,” he noted. When pressed on which material was more challenging to play, Lee gave an unexpected answer. “To be honest, probably Tony's,” he admitted. “It’s not difficult; nothing he plays is really that different except for those trills. I don’t know how he plays those trills so fast — but there’s a nuance.” And that nuance, according to Lee, lies in Iommi’s approach to note bending and phrasing. “A lot of times, when he bends a note, especially the lower notes, he doesn’t go all the way to pitch-perfect. He makes it a little bit flat, which makes it sound more menacing and kind of evil,” he explained. “That’s part of the genius of his playing.” Lee’s comments underscore what longtime Sabbath fans have always known: Iommi’s riffs are not just iconic — they’re atmospheric, textured, and filled with subtle tonal choices that evoke darkness and tension. It's not just about technicality; it's about feel. This acknowledgment came just days before Jake E. Lee returned to the stage for a special performance at the Back to the Beginning farewell show for Ozzy Osbourne and Black Sabbath — an event that proved to be as historic as it was heartfelt. Lee took part in an all-star ensemble that delivered powerful renditions of “The Ultimate Sin” (alongside Nuno Bettencourt, Mike Bordin, David Ellefson, Lzzy Hale, and Adam Wakeman) and “Shot in the Dark,” this time with Bordin, Ellefson, Wakeman, and Disturbed’s David Draiman on vocals. The farewell show — which raised over $190 million for charity — was not only a final bow for the Godfathers of Heavy Metal, but also a tribute to the incredible musicians who helped shape and evolve their sound across generations. In the eyes of Jake E. Lee, Tony Iommi’s brilliance remains as mysterious as ever — deceptively simple, yet impossible to replicate. “That’s part of the genius,” Lee said — and metal fans everywhere would agree. [jrEmbed module="jrYouTube" youtube_id="rAohz-nCK6I"] Less

Back To The Beginning: Ozzy Osbourne and Black Sabbath Raise Over $190 Million for Charity in Historic Farewell Show In a farewell befitting heavy metal royalty, Ozzy Osbourne and Black Sabbath took the stage one final time for the "Back To The... More

Back To The Beginning: Ozzy Osbourne and Black Sabbath Raise Over $190 Million for Charity in Historic Farewell Show In a farewell befitting heavy metal royalty, Ozzy Osbourne and Black Sabbath took the stage one final time for the "Back To The Beginning" concert—an emotional and thunderous send-off that not only celebrated a legendary career but also made a monumental impact for those in need. Music director Tom Morello (Rage Against The Machine, Audioslave) recently revealed the staggering outcome: over $190 million raised from the event will be donated to charity. The farewell performance, held in the band's hometown of Birmingham, UK, was more than just a concert—it was a historic gathering of generations of fans and musicians paying tribute to the pioneers of heavy metal. The proceeds are being directed to three vital organizations: Birmingham Children's Hospital Acorn Children's Hospice Cure Parkinson's Each of these charities supports life-changing work, from pediatric healthcare to advanced research on Parkinson’s disease—a cause close to Ozzy’s heart, as he continues his own public battle with the condition. Morello, who curated the musical journey and worked closely with the band, called the night “a celebration of legacy, resilience, and community.” He added, “It was more than a farewell—it was a statement of what heavy metal can achieve when it stands united for something bigger than itself.” Fans from around the globe gathered for the sold-out event, both in person and via livestream, to witness Ozzy, Tony Iommi, Geezer Butler, and guest musicians deliver a thunderous set of classics that echoed through the ages—“War Pigs,” “Iron Man,” “Paranoid,” and more. The energy was electric, the atmosphere tearfully joyous, and the cause overwhelmingly noble. As the curtain finally falls on an era that began over five decades ago, Black Sabbath’s exit is a testament to their lasting power—not just in music, but in humanity. The #BackToTheBeginning concert wasn’t just about saying goodbye to the Godfathers of Heavy Metal—it was about giving back, leaving behind a legacy that goes beyond riffs and records. Heavy metal saved lives—and this time, it did it literally. #BackToTheBeginning #Ozzy #OzzyOsbourne #BlackSabbath #HeavyMetal #Charity #RockForACause #MetalForever #TomMorello #CureParkinsons #BirminghamChildrensHospital #AcornHospice Less

FOR IMMEDIATE RELEASE Mexican Speed Thrashers PHANTOM Sign with High Roller Records, Announced for KEEP IT TRUE RISING FESTIVAL 2025, Featured in Decibel, Metal Injection, Banger TV, and More! From underground warriors to rising stars—Phantom's... More

FOR IMMEDIATE RELEASE Mexican Speed Thrashers PHANTOM Sign with High Roller Records, Announced for KEEP IT TRUE RISING FESTIVAL 2025, Featured in Decibel, Metal Injection, Banger TV, and More! From underground warriors to rising stars—Phantom's ascent continues! July 2025 — Metal Devastation PR is proud to congratulate our longtime clients PHANTOM from Mexico on their recent signing with High Roller Records, their expanding international press presence, and their upcoming performance at Keep It True Rising Festival in Germany this October. Since the beginning of 2023, we've watched Phantom evolve from a raw underground act to a rising force in the global speed/thrash/death metal scene. Their journey has been nothing short of remarkable: 🔥 Read their early promo campaigns: Hellspeed Death Demo (Jan 2023) Prince of Death EP (Apr 2023) Handed to Execution LP (Sept 2023) With each release, Phantom gained more attention, quickly earning rave reviews and a loyal following. Now in 2025, they’ve reached major milestones: ✅ Signed to High Roller Records✅ Featured on major outlets including: Banger TV Sweden Rock Magazine Metal Injection BraveWords Rock Hard, Decibel Magazine, and more! 🎸 Now announced to perform at Keep It True Rising Festival 2025, Phantom is set to bring their explosive sound to one of Europe’s most respected stages for traditional and underground heavy metal. "It doesn’t happen for every band, but when it does, it’s truly incredible to witness," says Zach Moonshine of Metal Devastation PR. "Phantom have worked hard, earned every bit of this, and we're honored to be part of their journey." Want to get your music out there like Phantom did?📧 Contact: zach@metaldevastationradio.com   Follow the band at these links: https://linktr.ee/phantomthrashhttps://open.spotify.com/album/5X0ghL8fLfiOZy9ZMsNughhttps://phantombandgdl.bandcamp.com/https://www.youtube.com/@phantomspeedmetal9081https://www.facebook.com/phantommetalband/ Less