FOR IMMEDIATE RELEASE Battlesoul Unleash “The Wheel,” A Pagan Folk Metal Journey Through Fate, Fire, and Ancestral Memory Release Date: January 15, 2026Genre: Pagan / Folk MetalFor Fans Of: Blind Guardian, Moonsorrow, early In Flames Presave:... More

FOR IMMEDIATE RELEASE Battlesoul Unleash “The Wheel,” A Pagan Folk Metal Journey Through Fate, Fire, and Ancestral Memory Release Date: January 15, 2026Genre: Pagan / Folk MetalFor Fans Of: Blind Guardian, Moonsorrow, early In Flames Presave: https://distrokid.com/hyperfollow/battlesoul/the-wheel Battlesoul return with The Wheel, a thunderous new release steeped in pagan mysticism, folk melodies, and metallic grit. Drawing from ancient cycles of fate, rebirth, and struggle, The Wheel is both a spiritual statement and a battle cry, forged in steel and tradition. Blending sweeping folk passages with aggressive riffing and epic atmospheres, Battlesoul channel the storytelling grandeur of Blind Guardian, the ritualistic weight of Moonsorrow, and the raw fire of early In Flames. This is metal that respects its roots without sounding stuck in the past. Old gods, new blood. About Battlesoul Battlesoul is a pagan folk metal band rooted in mythology, history, and the eternal cycle of conflict and renewal. Their sound fuses melodic folk elements with driving metal arrangements, creating music that feels ceremonial, powerful, and timeless. Each release is crafted as a chapter in a larger saga, where atmosphere matters just as much as impact. With The Wheel, the band sharpen their vision, delivering a more immersive and focused release that captures both the ferocity and the spirit of pagan metal at its core. Production Credits The Wheel was produced and engineered by Thomas Ireland in Goderich, Ontario, Canada, capturing a balance of organic feel and modern weight.Mastering was completed by Maor Appelbaum at Maor Appelbaum Mastering in California, USA, ensuring clarity, depth, and power across all formats. Release Details Artist: Battlesoul Title: The Wheel Release Date: January 15, 2026 Label: Self-Released Format: Digital Stream / Download:https://battlesoul.bandcamp.com/ Connect with the band: https://www.facebook.com/BattlesoulOfficialhttps://www.youtube.com/channel/UCGLXfzKsKSOm1xUpWSYWtwQhttps://battlesoul.bandcamp.com/https://open.spotify.com/artist/4P1Uy9C866snVJngOauZPlhttps://music.apple.com/us/artist/battlesoul/659846013 Contact: mikegrund84@hotmail.com Less

FOR IMMEDIATE RELEASE SORROWSEED IGNITES THE PITS WITH NEW SINGLE “INCINERATE”First Taste of Upcoming EP Hydra Brings Melodic Death Metal Fury to Fans Worldwide December 30, 2025 – After a long period of creative hibernation, Sorrowseed is back,... More

FOR IMMEDIATE RELEASE SORROWSEED IGNITES THE PITS WITH NEW SINGLE “INCINERATE”First Taste of Upcoming EP Hydra Brings Melodic Death Metal Fury to Fans Worldwide December 30, 2025 – After a long period of creative hibernation, Sorrowseed is back, and they’re bringing the fire. The New England-based melodic death metal outfit unleashes their first single, “Incinerate”, from their forthcoming EP, Hydra. Recorded, mixed, and mastered at 2525 Studio, this track represents a rebirth for the band, showcasing their evolved sound and current lineup. “We're incredibly excited to present the first single from our upcoming EP, Hydra,” says the band. “‘Incinerate’ is pure melodeath rage ripped straight from the pits of our souls, and represents a new era for Sorrowseed. This EP will be our first full release in some time, and the first with our current lineup - we're very grateful to be able to share this first piece of it with all of you.” With influences spanning Cradle of Filth, Behemoth, Arch Enemy, and Hypocrisy, Sorrowseed fuses relentless riffs, searing melodies, and guttural intensity to craft a sound that is both vicious and intricately layered. “Incinerate” is a declaration of their return, a siren call to fans of melodic death metal seeking something dark, uncompromising, and fiercely alive. The single is available now for download and streaming via https://linktr.ee/Sorrowseed For fans of:Cradle of Filth, Behemoth, Arch Enemy Production Credits:Recorded, Mixed, and Mastered at 2525 Studio, NYC Management: Self-managed Press Inquiries, Interviews, Reviews:Contact: zach@metaldevastationradio.com Check them out on YouTube and subscribe: [jrEmbed module="jrYouTube" youtube_id="52dGmM9pGUE"] Connect with Sorrowseed: https://linktr.ee/Sorrowseedhttps://www.facebook.com/Sorrowseedhttps://www.instagram.com/Sorrowseedofficialhttps://x.com/Sorrowseedhttps://www.youtube.com/@Sorrowseedhttps://sorrowseed.bandcamp.com/https://open.spotify.com/artist/5KMp4xL5BOLd3UIyZlVk7Mhttps://music.apple.com/us/artist/sorrowseed/350103498 Contact: Booking@Sorrowseed.com  Less

FOR IMMEDIATE RELEASE Phenomy Unleash Dark, Cinematic Metal Odyssey with “Phantasmagoria” Beirut, Lebanon – Phenomy, the Lebanese metal powerhouse, return with their most ambitious and cinematic release yet, Phantasmagoria. Blending melodic... More

FOR IMMEDIATE RELEASE Phenomy Unleash Dark, Cinematic Metal Odyssey with “Phantasmagoria” Beirut, Lebanon – Phenomy, the Lebanese metal powerhouse, return with their most ambitious and cinematic release yet, Phantasmagoria. Blending melodic thrash, groove metal, and atmospheric layers with subtle Middle Eastern influences, the album plunges listeners into a dark carnival of sound where chaos, psychological struggle, and inner conflict collide. Formed in Beirut in 2014, Phenomy have steadily carved out a name for themselves in both the regional and international metal scenes. With a resume that includes representing Lebanon at Wacken Open Air and headlining major festivals across Europe and the Middle East, the band have proven that heavy metal knows no borders. Phantasmagoria, their fourth studio album, showcases the band’s evolution: heavier, darker, and more cinematic than ever before, without losing the raw aggression and groove that fans have come to expect. "Phantasmagoria takes listeners into a chilling carnival of sound where darkness meets destiny, reflecting both our roots and our evolution as a band," the band explains. Produced, mixed, and mastered by Jaro Sound, with additional production by Loïc El Haddad, the album was recorded across Sound Pressure Studios, Ontune Studios, and Grotesque Productions. The haunting, intricate artwork was created by Stefan Koidl, visually reflecting the album’s dark and cinematic essence. For fans of Machine Head, Lamb of God, and Gojira, Phantasmagoria offers a heavy, immersive experience that bridges melodic thrash aggression with groove-laden intensity and epic, atmospheric depth. Phantasmagoria is released worldwide via Art Gates Records and is available for streaming everywhere: https://linktr.ee/phenomania Managed by Extreme Management Group. For press inquiries, interviews, and additional information, contact: zach@metaldevastationradio.com  Check them out on YouTube and subscribe:  [jrEmbed module="jrYouTube" youtube_id="So5-QQKr6Jw"] Connect with the band: https://linktr.ee/phenomaniahttps://phenomyofficial.comwww.facebook.com/phenomyofficialwww.instagram.com/phenomyofficial Contact: phenomyband@gmail.com Less

FOR IMMEDIATE RELEASE METALIZED MAGAZINE CONTINUES TO CHAMPION UNDERGROUND AND LEGACY METAL IN LATEST ISSUE, FEATURING MULTIPLE METAL DEVASTATION PR ARTISTS AND A STANDOUT ROYAL HUNT REVIEW When it comes to real metal journalism,... More

FOR IMMEDIATE RELEASE METALIZED MAGAZINE CONTINUES TO CHAMPION UNDERGROUND AND LEGACY METAL IN LATEST ISSUE, FEATURING MULTIPLE METAL DEVASTATION PR ARTISTS AND A STANDOUT ROYAL HUNT REVIEW When it comes to real metal journalism, Metalized Magazine remains one of the last true lifers. Founded in Denmark in 1987, Metalized has survived every trend shift, format change, and industry shakeup imaginable and is still standing tall. No algorithms. No hype farming. Just honest coverage of heavy music, from global institutions to the deepest corners of the underground. Their latest issue drives that legacy home, featuring Alter Bridge on the cover while giving meaningful space to extreme, doom, and progressive metal from around the world. Once again, Metalized proves that experience, taste, and credibility still matter. This issue proudly features multiple artists represented by Metal Devastation PR, spanning acoustic doom, progressive death metal, sludge, and underground extremity. DEE CALHOUN – “ANGRY OLD MAN” Veteran doom musician Dee Calhoun, best known for his work with Iron Man, is spotlighted in an in depth feature centered around his solo album Angry Old Man. Stepping away from full band distortion in favor of stripped down acoustic storytelling, Calhoun explores what he calls “Americana acoustic doom.” Rooted in 1970s hard rock and influenced by folk and country icons such as Neil Young and Johnny Cash, the album reflects a no compromise approach shaped by decades in heavy music. Metalized digs into his transition to solo work, the freedom that comes with it, and his current tour opening for former Megadeth bassist David Ellefson. A follow up album and a written story collection are already planned for 2026. MORDETH – BRAZILIAN DEATH METAL WITH COSMIC DEPTH Legendary Brazilian underground death metal band Mordeth return with Hermetic Creation, their first full length album since 2018. Metalized explores the album’s conceptual foundation, drawing from science fiction, occultism, and existential philosophy. Influenced by Celtic Frost, Morbid Angel, Death, and Voivod, alongside literary figures like H.P. Lovecraft and William Blake, Mordeth continue to deliver complex, atmospheric extreme metal. Despite personal and technical challenges, including the pandemic, Metalized highlights the band’s unwavering passion as the force behind their continued evolution. ST. UNHOLYNESS – DOOM, DISTORTION, AND VULNERABILITY Metalized delivers an in depth feature on Christina Earlymorn, the multi instrumentalist behind German doom duo St. Unholyness. Known for using the legendary BOSS HM-2 pedal, infamous for its Swedish death metal buzzsaw tone, Christina bends that sound into a groove driven doom style that stands apart from the pack. The article also addresses the deeply personal nature of the project. Christina writes all music and lyrics herself, using St. Unholyness as a way to process trauma and turn pain into something constructive. Influences cited include Dimebag Darrell, Zakk Wylde, and Jimi Hendrix, guitarists known for unmistakable tone and authenticity. ROYAL HUNT – “BEHIND THE CURTAIN” EARNS 9/10 PRAISE Metalized delivers a glowing 9/10 review of Royal Hunt’s latest release, Behind the Curtain, written by Stephen Royal Rocky. The double maxi single was made possible through a major crowdfunding campaign from the band’s global fanbase and marks their first new release in three years. Described as beautifully produced, refined, and powerful, the release reinforces Royal Hunt’s status as a respected institution of progressive rock. The epic new track “Ride Into the Sunset” stands as a cinematic centerpiece, while acoustic versions of “Half Past Loneliness” and “Sign of Yesterday” reveal new emotional depth. Live recordings and a remixed version of “Fistful of Misery” round out a release praised as both nostalgic and forward looking. KÜNTSQUÄD – AUSTRALIAN GORE DEATH WITH ZERO FILTERS Australian extreme metal outfit Küntsquäd receive a 7/10 review for their album Satan’s Cock, released via Wormholedeath. Metalized notes that it makes perfect sense for a band this unhinged to hail from Australia, a region known for pushing metal further into the red. With deliberately offensive track titles and unapologetic lyrical themes, Küntsquäd embrace shock as part of their identity. Vocalist and guitarist Paula Damnzal is compared to Lori Bravo of Nuclear Death, commanding the chaos with authority. Musically, the album blends filthy Autopsy style gore death with crust punk energy and smashed up old school death metal. Metalized praises the record’s grit and conviction, even noting interest in seeing the band tear it up live at festivals like Kill-Town Copenhagen. ADDITIONAL ALBUM REVIEWS On The Loose – Path to SerenityGenre: Doom MetalRating: 9/10Described as a Portuguese “secret weapon,” featuring long, progressive compositions, extreme attention to detail, and a standout cover of “Simple Man.” Dee Calhoun – Angry Old ManGenre: Acoustic DoomRating: 7/10Atmospheric and raw, compared to a hybrid of Johnny Cash and an “angry Cajun,” recommended for fans of Wino Weinrich. St. Unholyness – Through High Holy HazeGenre: Sludge / DoomRating: 7/10A strong debut blending sludge, stoner doom, and psychedelic rock with impressive guitar work. Mordeth – Hermetic CreationGenre: Progressive Death MetalRating: 6/10Praised for atmosphere and ambition, with a strong sci fi and cosmic foundation. LEGACY METAL MEDIA STILL MATTERS In a time dominated by disposable content and short attention spans, Metalized Magazine continues to prove that long form journalism, honest critique, and genuine passion for heavy music still matter. Their ability to balance legacy acts with underground extremity is exactly why they remain relevant nearly four decades later. Metal Devastation PR proudly thanks Metalized Magazine for their continued dedication to real metal and for giving these artists the thoughtful, earned coverage they deserve. Old school values. Real journalism. Heavy music done right. Go grab a copy here at this link:  https://www.metalized.dk/ Check out the bands at these links: https://metaldevastationradio.com/thebeast/blog/28219/on-the-loose-drop-monumental-new-single-video-echoes-of-glory-out-now-alongside-album-path-to-serenity https://metaldevastationradio.com/thebeast/blog/28228/st-unholyness-unleash-debut-album-through-high-holy-haze-chromed-stoner-doom-with-groove-grit-and-soul https://metaldevastationradio.com/thebeast/blog/28222/mordeth-unleash-their-fourth-album-hermetic-creation-a-cosmic-descent-into-brazilian-death-metal-darkness https://metaldevastationradio.com/thebeast/blog/28239/blabbermouth-shouts-out-dee-calhoun-aka-screaming-mad-dee-in-coverage-of-david-ellefsons-european-bass-warrior-tour-2025 https://metaldevastationradio.com/thebeast/blog/28460/royal-hunt-unleashes-powerful-live-video-for-the-mission-posada-rock-festival-2023 https://metaldevastationradio.com/thebeast/blog/27941/melbournes-irreverent-crust-death-metallers-kuntsquad-unleash-sophomore-album-satans-cock Less

Bone Gnawer Return With Idioms Of Gore: Old School Death Metal, No Apologies Some bands don’t chase trends. They chase entrails. Bone Gnawer are back with Idioms Of Gore, their third full length slab of no nonsense death metal, and it lands... More

Bone Gnawer Return With Idioms Of Gore: Old School Death Metal, No Apologies Some bands don’t chase trends. They chase entrails. Bone Gnawer are back with Idioms Of Gore, their third full length slab of no nonsense death metal, and it lands exactly where it should. Right in the gut. Released on CD December 26, 2025 via Iron, Blood and Death Corporation, Idioms Of Gore is pure old school filth, dripping with the kind of cannibalistic, horror soaked vibes that built this genre in the first place. No polish. No gimmicks. Just riffs, gore, and authority. At the center of it all is Kam Lee. If you know death metal history, you know the name. Long before the rulebook existed, Lee was already breaking it. From his early days in Mantas, the band that soon became Death, to his tenure in Massacre starting in 1985, Kam Lee has been there since the primordial ooze. This record proves he never left the swamp. Bone Gnawer have always lived in that classic gore lane, pulling equally from Swedish grit and Florida brutality. Formed in 2001, the band went quiet for a stretch before returning to active duty in 2023, and Idioms Of Gore sounds like a mission statement. This is death metal as it was meant to be. Chunky. Hook driven. Rotten to the core. Joining Lee on this outing are Rogga Johansson on guitars and Jon Rudin on drums. That lineup alone tells you this is not a nostalgia act phoning it in. The album was recorded at the Rotpit and various locations, then mixed and mastered by Jonny Pettersson, giving it a thick, muscular sound that hits hard without sanding off the rough edges. Just how it should be. If you’ve followed Bone Gnawer from Feast Of Flesh in 2009 through Cannibal Crematorium in 2015, this record feels like a natural continuation. Same DNA, sharper knives. The songs lock into that old Floridian tradition where riffs lead the charge and every track sticks in your skull like a cleaver. The first taste comes via the video for “The Gory Details”, and it does exactly what the title promises. No metaphors. No mercy. Just straight to the point, because death metal doesn’t need a thesis statement. Idioms Of Gore is not trying to reinvent anything, and that’s the whole point. This is a reminder of why this style still matters. If you like your death metal classic, bloody, and unapologetic, Bone Gnawer just served you a full plate. [jrEmbed module="jrYouTube" youtube_id="2tMtunc8CuM"] Bottom line. Bone Gnawer are flying the flag high, the old flag, the one soaked in blood and history. Idioms Of Gore is proof that some traditions are worth keeping alive, even if they smell like a slaughterhouse. Music (Bandcamp): https://ironbloodanddeath.bandcamp.com/album/idioms-of-goreCD (label store): https://ibdclabel666.bigcartel.com/product/bone-gnawer-unnamed-productidioms-of-goreBone Gnawer (Bandcamp): https://bonegnawer.bandcamp.com/Bone Gnawer (Instagram): https://www.instagram.com/bone_gnawer_band/Label (Bandcamp): https://ironbloodanddeath.bandcamp.com/Label (Instagram): https://www.instagram.com/jaraantoniob/YouTube: @ironblooddeathlabel4512 Less

FOR IMMEDIATE RELEASE KATHAREIN EARNS PRAISE FROM NO CLEAN SINGING FOR “AIN’T NOBODY” Romanian heavy music outfit Katharein, clients of Metal Devastation PR, are turning heads once again after receiving high praise from the legendary underground... More

FOR IMMEDIATE RELEASE KATHAREIN EARNS PRAISE FROM NO CLEAN SINGING FOR “AIN’T NOBODY” Romanian heavy music outfit Katharein, clients of Metal Devastation PR, are turning heads once again after receiving high praise from the legendary underground authority No Clean Singing for their song “Ain’t Nobody.” Described as “not raucous, but absolutely transfixing,” the track stood out for its emotional depth, unsettling lyrical themes, and captivating vocal performance. No Clean Singing highlighted the song’s soaring chorus, passion fueled and range spanning vocals, and lyrics that hit close to home for many listeners. Beyond the vocal performance, the review praised the song’s thick, weighty bass lines and exotic riffing that “pings and rings, swirls and sways, moans and grasps,” creating a dark and infectious atmosphere. Despite the bleak lyrical themes, the music balances shadow and brightness, capped off by a psychedelic guitar solo that leaves a lasting impression. “Ain’t Nobody” appears on Katharein’s debut album Lucky Shots, released in December 2024. While the track itself is not brand new, the band closed out 2025 strong by releasing three new songs along with a new music video in December, further solidifying their momentum and creative evolution. Hailing from Romania, Katharein continue to carve their own path in the heavy music underground, earning recognition for their ability to blend emotional honesty with immersive, hook laden songwriting. Fans can stream “Ain’t Nobody,” the debut album Lucky Shots, and Katharein’s latest releases now on Spotify. For press inquiries, interviews, or additional information, contact: zach@metaldevastationradio.com Check out the feature here: https://www.nocleansinging.com/2026/01/01/seen-and-heard-on-a-new-years-day-karloff-tombseeker-hexer-1986-katharein-hursan/ Check out the video: [jrEmbed module="jrYouTube" youtube_id="8R8EaDewfns"] Follow the band at these links: https://www.youtube.com/@KATHAREIN-Official-Channelhttps://open.spotify.com/artist/41FLI0NFbPz2t3RLREfGfS?si=MgJYPqSiSUON1tQsSOmofAhttps://www.facebook.com/profile.php?id=61566440372612 Less

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, ANTISAINT , crushed the... More

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥And who will dominate next month as Band of the Month on Metal Devastation Radio? Last month’s winners, ANTISAINT , crushed the competition with a staggering 29,398 VOTES, claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE! This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR! How does it work?Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST. Each Friday night, at the start of The Zach Moonshine Show, I’ll be spinning the Top Six weekly winners, and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud! At the end of the month, all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month! Winning Band of the Month gets: A featured post on our Facebook page, reaching thousands of fans A front-page spotlight on metaldevastationradio.com, which pulls in hundreds of thousands of views every month A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more Airplay every hour during general rotation Tons of social media shares and exposure across our network If you want the world to know who your band is, this is the easiest way to make it happen! 💥 Want in on the next battle?Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line. Bands can compete as many times as they want, and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title! 👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, January  9th at 9PM EST! 👇 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 01/05/25 - 01/09/26 Less

FOR IMMEDIATE RELEASE ANTISAINT CROWNED BAND OF THE MONTH AFTER DOMINATING BATTLE OF THE BANDS WITH 29,398 VOTES Cheyenne, WY — ANTISAINT has officially claimed the crown as Band of the Month, following a decisive and hard fought victory in the... More

FOR IMMEDIATE RELEASE ANTISAINT CROWNED BAND OF THE MONTH AFTER DOMINATING BATTLE OF THE BANDS WITH 29,398 VOTES Cheyenne, WY — ANTISAINT has officially claimed the crown as Band of the Month, following a decisive and hard fought victory in the Battle of the Bands with a massive 29,398 total votes. The win was fueled by overwhelming fan support and the undeniable impact of their breakout single, “SNAFU.” “SNAFU” delivered exactly what the title promises. Loud, raw, and unapologetic. The track blends crushing riffs with sharp hooks and an attitude that cuts straight through the noise. It is modern rock with old school grit, built to hit hard and stick with you. The response from listeners was immediate and relentless, propelling ANTISAINT to the top of the battlefield. Hailing from Cheyenne, Wyoming, ANTISAINT has quickly established themselves as a dynamic force in the rock scene. Fronted by the commanding presence of vocalist Matt Whiteman, the band is driven by the powerful guitar work of Andrew Whiteman and anchored by the tight, groove heavy rhythm section of Andreas Landeck on bass and Jackson Daw on drums. Together, they create a sound that balances raw intensity with polished execution. ANTISAINT is equally known for their explosive live performances. Each show delivers high energy, emotional intensity, and a deep connection with the audience. Their concerts are immersive experiences that leave a lasting impression and keep fans coming back for more. This reputation has helped the band build a loyal following and a rapidly growing buzz well beyond their home state. In addition to “SNAFU,” the band’s recent release “Paradise” highlights their ability to tackle modern themes without losing their edge. The track explores society’s growing addiction to social media and the obsession with online identity, pairing thought provoking lyrics with electrifying instrumentals. It stands as a reflection of ANTISAINT’s willingness to confront real world issues while staying true to their signature sound. ANTISAINT’s Band of the Month victory marks a major milestone in their continued rise. With momentum on their side and new listeners discovering their music daily, the band shows no signs of slowing down. ANTISAINT is:Matt Whiteman – VocalsAndrew Whiteman – GuitarAndreas Landeck – BassJackson Daw – Drums Check them out on YouTube and subscribe: [jrEmbed module="jrYouTube" youtube_id="kGGAY8_o6Uk"] For more information and to listen to ANTISAINT, visit their official streaming platforms and follow the band for upcoming releases and live dates. https://linktr.ee/antisaintband Less

Dee Calhoun Interview: Former IRON MAN Vocalist Talks Angry Old Man, Acoustic Doom, and Heavy Music Without Filters By Zach Moonshine | Metal Devastation Radio When people talk about heavy music, they usually talk about volume, distortion, and... More

Dee Calhoun Interview: Former IRON MAN Vocalist Talks Angry Old Man, Acoustic Doom, and Heavy Music Without Filters By Zach Moonshine | Metal Devastation Radio When people talk about heavy music, they usually talk about volume, distortion, and stacks of amps. Dee Calhoun proves none of that is required to hit hard. The former vocalist of doom metal legends IRON MAN joined The Zach Moonshine Show – Heavy Metal Reloaded for a brutally honest conversation about his latest album Angry Old Man, life after IRON MAN, acoustic doom, underground credibility, and why heaviness starts with truth. This wasn’t a polished press stop. This was a lifer talking to lifers. From KISS and Black Sabbath to a Life in Doom Metal Dee Calhoun’s musical roots trace straight back to the holy trinity of hard rock and metal. “I saw Kiss on TV when I was 9. It made me want to play music. That led me to Black Sabbath. That made me want to play dark and heavy music.” Judas Priest soon followed, locking in his vocal identity and pushing him further down the heavy path. Horror films, dark imagery, and a fascination with the sinister shaped his artistic instincts early on. “I was immersed in all things dark and sinister at a very young age, so it only made sense that music would follow.” That road eventually led him to IRON MAN, where his voice became a defining element of the band’s later era, particularly on the album South of the Earth. IRON MAN, South of the Earth, and Creative Survival Looking back, Dee describes his time recording South of the Earth as emotionally intense and creatively raw. “It was a very chaotic time in my life when we were recording that, and I think all that did was fuel me creatively.” Pain became a tool rather than an obstacle. “It served a purpose. It helped me come across on record the way I wanted to.” That approach still defines his work today. Angry Old Man: Acoustic Doom with Nowhere to Hide Released via Black Doomba Records, Angry Old Man strips doom metal down to the essentials. Acoustic guitar. Voice. Harmonica. No distortion. No safety net. “This one was really about the state of the world.” Unlike previous releases, the album avoids heavy storytelling and leans into blunt reaction. “Throw a dart at a newspaper, see what pissed you off, and write a song about it.” That mindset produced some of the most confrontational material of his career, including the unapologetically titled “Kill a Motherfucker.” “Kill a Motherfucker is about exactly what you think it’s about.” No metaphors. No disguises. “You’re either in the pocket or you’re not. There’s nothing to hide behind.” A True One-Man Album One of the most striking aspects of Angry Old Man is that Dee recorded the entire album himself. “Everything on Angry Old Man is me. All the bass tracks, the keys, the guitars, the harps. Everything.” Even the harmonica parts, which have become a standout element of his live performances, were learned specifically to expand the sound. “It just adds another element, another bit of color into the music.” Minimalism with intent. Nothing wasted. Black Doomba Records and Underground Integrity Angry Old Man found its home with Black Doomba Records, a label known for passion, detail, and dedication to the underground. “It’s definitely a different flavor from everything else on the label, but he believed in it.” The album also marked a milestone for Dee. “This was my fifth solo record and the first one that got a vinyl release.” For an artist who values physical media and presentation, that mattered. Touring Europe with David Ellefson Fresh off a European tour opening for David Ellefson, Dee talked openly about the physical toll and emotional payoff. “It was exhausting. I was in a tremendous amount of pain.” Still, the experience was overwhelmingly positive. “It’s never lost on me how fortunate it is as a music fan to be able to do this.” He also credited his wife April as essential to making the tour happen. “I would not have gotten through this trip without my wife.” Legacy, Loss, and Why Heavy Music Still Matters The discussion naturally turned to Al Morris III, founder of IRON MAN, and the legacy he left behind. “I don’t know that this solo thing would have gained footing the way it did if Al hadn’t reached out to me.” For Dee, music has always been about connection. “Somewhere out there someone might hear that song and say, ‘I’m not the only one who feels that way.’” That belief fuels everything he creates. “We stand the chance of improving someone’s life, even if it’s just misery loves company.” Final Word: Heaviness Is Earned, Not Engineered Dee Calhoun doesn’t chase trends or soften edges. He creates because he has to. “I sing ‘Kill a Motherfucker’ instead of going out and killing a motherfucker.” That’s the point. And Angry Old Man proves that doom metal doesn’t fade with age.It sharpens. Track List: Battle Of The Bands Top Six Winners: 1 - Bound To Prevail - Consecrated Perdition2 - Mistress - Terrified eyes3 - Sonic Volt - breaking out master4 - ANTISAINT - SNAFU5 - MOTORGOD - Fire in the Sky6 - Adeline Gray - Cold Void The Zach Moonshine Intro 7 - Ozzy Osbourne - Breaking All The Rules/Shot In The Dark/Sweet Leaf (Live)8 - Burnt Witch - Glass Eye Dee Calhoun - Interview featuring Angry Old Man/Kill a Mother Fucker 9 - Iron Man - Hail to the Haze/South of the Earth10 - The Red Mountain - N.I.B.11 - Rails To Roads - Rock This Life Away/Darkest Hero12 - L.A. Guns - Kiss My Love Goodbye/Rock Candy13 - Black Moon Cult - Stoned Ape14 - Horror Scene - Yeah You15 - Six Feet Under - My Hatred/Sick In The Head16 - East Ov Eden - Boundless Full show streaming now on Mixcloud: The interview is also available on YouTube, Spotify etc [jrEmbed module="jrYouTube" youtube_id="-GJYb9-zhuk"] Super massive thanks to the 121,188 metal maniacs that tuned in to the live broadcast Friday night! Less