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With "Victims of the Times" XASTHUR delivers an acid folk road trip through the dark underbelly of the American dream. As if channeling the intense atmosphere of Neil Gaiman's novel "American Gods" and later David Lynch movies, the disturbing visions of mastermind Scott Conner includes such modern Americana; the vacant stares of opiate addicts, hungry eyes of the homeless and dispossessed, the endless horizons of the Midwest, rain dripping mountain forests as well as urban nightmares of the rust belt, and much more. With the sharp observing eye of a passionate chronicler such as the giant of American folk BOB DYLAN, the stories that Scott feels compelled to tell as a musician are also driven by personal experiences.
"I lost my home in the middle of the making of that last record", Scott begins to relate the stark truth behind "Victims of the Times". "I had gotten used to writing music and lyrics in any kind of living situation. I had been moving a lot, moving from place to place, many being temporary. The 'I need to be in a cabin in the woods with isolation and candlelight to write music' type of tale did not fit my situation. I had to learn how to make my music anywhere without such luxuries. Since I never know how long I'll be somewhere, and because I’m always hundreds of miles apart from anyone, things changed with people, motives, goals, and expectations of all involved.
The foundation of this album should be considered 'LIVE', because each song was individually recorded live without any studio magic or technology. I recorded on my own without a beat or metronome, what resulted in raw production, but that is how it has always been in the XASTHUR tradition."
XASTHUR was originally conceived by vocalist and multi-instrumentalist Scott Conner in California, USA in the year 1995 as a bleak black metal project in the tradition of the Nordic second wave. Over the course of nine albums and a host of split-singles, EPs, and occasional demos, XASTHUR's individual, particularly depressive style became highly regarded within the genre, and the band became seen as one of the most important spearheads of US black metal. In 2010, Scott announced the end of XASTHUR and returned with an acoustic dark folk project under the banner of NOCTURNAL POISONING. In 2015, the American artist returned to the name XASTHUR, but declared his black metal days to be over.
Today, XASTHUR set course into their musical future with an updated line-up and an ambitious album that refines dirt, grit, and the darkest sides of the USA into a feverish, soul-troubling compilation of 21st century Americana.