"Good News" is probably the only sitcom on TV that highlights admiration for Chico's, a mid-market mall staple for slightly eccentric older women. Katie (Briga Sheeran)'s mother, Carol (Andrea Martin), is an avid connoisseur of Chico fashion. It also has a walking club and four closets full of quilts; he admires Julia Louis-Dreyfus, whom he calls "Old Christine" in his mind great news review . She has a friend named Angie and another named Otra Carol, and you'll never believe what happened to Otra Carol's birthday: two of her friends gave her the exact same Chico top in two different colors. (We were told she would be living with both of them.)
The Good News is a slightly eccentric workplace comedy in which Carroll works with Katie as a senior intern, if not for creator Tracey Wigfield's affectionate introduction to Cards Roll's life details, it won't work so well. Wigfield based Carroll's relationship with Katie on his relationship with his mother, and his affection for Carroll is the best element of a sitcom, as seen in Martin's generous portrayal of the character . Carol is a lifelong stay-at-home mom who would retire if it weren't for the constant striving to do more in the world, and her pursuit of continuing education encourages her to "use her connections" to eventually enter the workplace. daughter. Katie feels ashamed for her mother, but on the local news show in Secaucus where she works, too much is the norm.
Once Carol started working on "The Breakdown" with Katie, her unique role as an intern mother ceased to be the centerpiece of the show, but rather the intriguing and complex work dynamics of stacking (and nearly overcrowding) the cast. Martin breaks away from main host Chuck (John Michael Higgins, who nearly steals the show) and joins ultra-sleek co-host Portia (Nicole Richie, who reveals her notable comedy in a twist) talent) found surprising common ground. Naturally, Katie is horrified to discover that her mother may be a better fit for her workplace than she is, but that's part of the fun.
Like 30 Rock, Great News deals only tangentially with the TV industry. Rather, it is a quick exploration of power structures in the workplace. Adam Campbell (basically everything, but more recently Kimmy Schmidt) plays the executive producer of a show called "Crash." John Michael Higgins and Nicole Richie play hosts Chuck and Portia, an absurd boaster and a sly millennial, respectively. Briga Heelan plays a segment producer, and Andrea Martin plays her mother, an intern.
That's what makes Great News so special. As a 72-year-old Tony Award-winner who never got the credit she deserved on TV, Martin threw himself into her role and turned it into steaming pulp. It's a show with full and unmistakable comedic commitment. It was the howl of a gorgeous turn on the stage, shaking the seats. It doesn't look like anything you've ever seen. In one episode, he did more with the line "Give my fist as a personal favor" than most actors have done in their entire careers. This material suits him perfectly. Let me tell you my top ten reasons to bring back the good news, and Martin will be eight of them. I just haven't read it yet.
I've been trying to figure out why great journalism dies so young. In their interview, Fey and Carlock seemed to dance around the idea that it wasn't getting the boost it deserved. If that's true, that's not the case anymore. Great News, sold by NBC in the UK as a Netflix Original, sits at the front of the platform, usually occupying one of those huge screen-height windows that Netflix has recently added to its menus. It usually has a big image of Tina Fey, which is a bit of a hoax, as she only appears in one arc of episode three and season two, indirectly touching on the #MeToo movement. But that gimmick doesn't matter if it gets people through the door.
