Description
Guitar World's Matt sits down with Steve Morse at NAMM, to talk about the signature Music Man he's been refining for 40 years. Steve gets into why Fender and Guild never worked out, how pickup placement shapes his two-pickup blend, and why he treats the volume knob as his main effect rather than something you set and forget.
He also talks about the new album Triangulation with Eric Johnson and John Petrucci, writing with his son, the homemade mute he built to work around his arthritis, and the six months he spent as an airline pilot before a gig he refused to cancel ended that career. Plus getting pulled on stage with Lynyrd Skynyrd, and what he learned watching Eddie Van Halen and Steve Lukather play behind a singer.
00:00 Intro
01:21 How he ended up with Ernie Ball
03:46 Why Fender and Guild didn't work out
04:31 Designing the Music Man signature
05:53 Pickups, controls and the volume knob
10:23 Spares, and three guitars stolen at gigs
11:25 The new album with Eric Johnson and John Petrucci
13:58 Eight-strings, muting and homemade gadgets
16:19 Playing with arthritis
17:01 Quitting music to fly for the airlines
20:54 Sitting in with Lynyrd Skynyrd
22:57 Writing with his son
24:00 Facing mortality
24:59 Gigs with Eddie Van Halen, Lukather and Albert Lee
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